℗ 2022 Stradivarius
| Released | February 4, 2022 |
| Duration | 57m 55s |
| Record Label | Stradivarius |
| Catalogue No. | STR37157 |
| Genre | Classical (Contemporary Era) |
Farhang: Pegāh
Ensemble Court-Circuit, Jean Deroyer, Frédéric Baldassare, Aya Kono, Jean-Marie Corret, Julien Decoin
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Anagrān
Alireza Farhang; Ensemble Court-Circuit; Jean Deroyer |
16:49 | |||
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1.2
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Elikā
Alireza Farhang; Frédéric Baldassare |
10:22 | |||
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1.3
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Āzar
Alireza Farhang; Aya Kono |
8:16 | |||
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1.4
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Harā
Alireza Farhang; Aya Kono; Frédéric Baldassare |
12:03 | |||
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1.5
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Eiwān
Alireza Farhang; Aya Kono; Jean-Marie Corret; Julien Decoin |
10:25 | |||
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Digital Booklet
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Born in Iran and now a resident/citizen of France, the background of composer Alireza Farhang reveals his nomadic character, his attraction to the Other. The extreme refinement that characterizes his music is a direct reflection of his peregrinations; his works invariably embody the Eastern and Western poles of his intellectual universe. In this regard, Farhang’s music must be understood as a combination of multiple heritages, with all the tension and paradoxes that this creates. His work traces a very personal path between the variability of oral traditions and the rigor of the written score, between the mysticism of Persian art and the rationality of Western music. A devotee of Hegelian philosophy, the synthesis that he creates between these two worlds is particularly salient in the music presented here.
96 kHz / 24-bit PCM – Stradivarius Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.26 -0.26 to -0.26 | -24.51 -27.49 to -22.20 | -19.66 -21.90 to -17.70 | 16 14 to 19 | |
| 1 | Anagrān | -0.26 | -22.20 | -18.0 | 14 |
| 2 | Elikā | -0.26 | -24.47 | -19.9 | 16 |
| 3 | Āzar | -0.26 | -27.49 | -21.9 | 19 |
| 4 | Harā | -0.26 | -25.65 | -20.8 | 16 |
| 5 | Eiwān | -0.26 | -22.73 | -17.7 | 14 |