℗ 2021 Willowhayne Records
Released | February 4, 2022 |
Duration | 1h 13m 22s |
Record Label | Willowhayne Records |
Catalogue No. | WHR070 |
Genre | Classical (Chamber) |
Lennox in Paris
Emmanuel Bach, Jenny Stern
Available in 192 kHz / 24-bit AIFF, FLAC high resolution audio formats
Violin Sonatina in A Major, Op. 17
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1.1
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I. Moderato
Lennox Berkeley; Emmanuel Bach; Jenny Stern |
4:33 | |||
1.2
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II. Lento
Lennox Berkeley; Emmanuel Bach; Jenny Stern |
2:55 | |||
1.3
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III. Allegretto
Lennox Berkeley; Emmanuel Bach; Jenny Stern |
5:29 | |||
Violin Sonata No. 1
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1.4
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I. Lento, ma non troppo
Lennox Berkeley; Emmanuel Bach; Jenny Stern |
7:22 | |||
1.5
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II. Adagio
Lennox Berkeley; Emmanuel Bach; Jenny Stern |
5:29 | |||
1.6
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III. Allegro con brio
Lennox Berkeley; Emmanuel Bach; Jenny Stern |
4:49 | |||
Elegy & Toccata, Op. 33 (Excerpts)
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1.7
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II. Elegy
Lennox Berkeley; Emmanuel Bach; Jenny Stern |
3:06 | |||
1.8
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III. Toccata
Lennox Berkeley; Emmanuel Bach; Jenny Stern |
2:14 | |||
1.9
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D'un matin de printemps
Lili Boulanger; Emmanuel Bach; Jenny Stern |
5:10 | |||
2 Pieces for Violin & Piano
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1.10
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No. 1, Nocturne
Lili Boulanger; Emmanuel Bach; Jenny Stern |
2:45 | |||
1.11
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No. 2, Cortège
Lili Boulanger; Emmanuel Bach; Jenny Stern |
1:50 | |||
Sonata for Violin & Piano, FP 119
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1.12
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I. Allegro con fuoco
Francis Poulenc; Emmanuel Bach; Jenny Stern |
7:20 | |||
1.13
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II. Intermezzo
Francis Poulenc; Emmanuel Bach; Jenny Stern |
6:48 | |||
1.14
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III. Presto tragico
Francis Poulenc; Emmanuel Bach; Jenny Stern |
6:32 | |||
Mouvements perpétuels, FP 14 (Excerpts)
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1.15
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I. Assez modéré
Francis Poulenc; Emmanuel Bach; Jenny Stern |
1:30 | |||
1.16
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III. Alerte
Francis Poulenc; Emmanuel Bach; Jenny Stern |
3:12 | |||
1.17
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Presto in B-Flat Major, FP 70
Francis Poulenc; Emmanuel Bach; Jenny Stern |
2:18 | |||
Digital Booklet
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British composer Sir Lennox Berkeley still needs to be more widely appreciated, and this recording puts his music into a wider context of the environment that shaped him. France played a vital part in Berkeley’s development: apart from being a Francophile, circumstances brought him into contact with Nadia Boulanger, with whom he studied formally during the years 1926–1932, which Berkeley spent in Paris. While there he also met Francis Poulenc, among other artistic figures. This album is designed both to pay homage to Lennox and to acknowledge the pivotal role played by Paris in his life and development as a composer. It combines works by Berkeley with his Parisian near-contemporaries Poulenc and Lili Boulanger, the younger sister of Nadia.
192 kHz / 24-bit PCM – Willowhayne Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.96 -10.90 to -3.06 | -25.69 -29.62 to -22.55 | -22.40 -26.20 to -19.80 | 12 10 to 14 | |
1 | I. Moderato | -5.89 | -25.27 | -21.8 | 11 |
2 | II. Lento | -5.04 | -27.19 | -23.5 | 13 |
3 | III. Allegretto | -6.07 | -26.99 | -23.6 | 13 |
4 | I. Lento, ma non troppo | -3.37 | -24.35 | -20.9 | 13 |
5 | II. Adagio | -3.06 | -26.76 | -23.2 | 14 |
6 | III. Allegro con brio | -4.32 | -22.55 | -19.8 | 13 |
7 | II. Elegy | -8.23 | -28.39 | -25.1 | 12 |
8 | III. Toccata | -5.36 | -24.01 | -20.4 | 12 |
9 | D'un matin de printemps | -4.26 | -23.56 | -20.3 | 12 |
10 | No. 1, Nocturne | -10.08 | -29.62 | -26.2 | 12 |
11 | No. 2, Cortège | -5.19 | -24.35 | -21.0 | 13 |
12 | I. Allegro con fuoco | -3.17 | -22.73 | -19.8 | 12 |
13 | II. Intermezzo | -7.13 | -28.03 | -24.9 | 14 |
14 | III. Presto tragico | -4.34 | -23.99 | -20.5 | 12 |
15 | I. Assez modéré | -10.90 | -27.48 | -25.1 | 10 |
16 | III. Alerte | -7.20 | -25.60 | -22.2 | 11 |
17 | Presto in B-Flat Major, FP 70 | -7.66 | -25.81 | -22.5 | 11 |