℗ 2014 Signum Records
Released April 7, 2014
Duration 1h 06m 37s
Record Label Signum Records
Catalogue No. SIGCD372
Genre Classical (Opera)
 

Bartók: Duke Bluebeard's Castle

Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson, Philharmonia Voices, Philharmonia Orchestra, Esa-Pekka Salonen

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Duke Bluebeard's Castle  
1.1
Prologue and Introduction
Béla Bartók; Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson; Philharmonia Voices, Philharmonia Orchestra; Esa-Pekka Salonen
16:33
1.2
First Door, Bluebeard's Torture Chamber
Béla Bartók; Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson; Philharmonia Voices, Philharmonia Orchestra; Esa-Pekka Salonen
4:29
1.3
Second Door, The Armoury
Béla Bartók; Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson; Philharmonia Voices, Philharmonia Orchestra; Esa-Pekka Salonen
4:50
1.4
Third Door, The Treasure Room
Béla Bartók; Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson; Philharmonia Voices, Philharmonia Orchestra; Esa-Pekka Salonen
2:41
1.5
Fourth Door, The Garden
Béla Bartók; Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson; Philharmonia Voices, Philharmonia Orchestra; Esa-Pekka Salonen
5:22
1.6
Fifth Door, Bluebeard’s Vast & Beautiful Kingdom
Béla Bartók; Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson; Philharmonia Voices, Philharmonia Orchestra; Esa-Pekka Salonen
6:46
1.7
Sixth Door, The Lake of Tears
Béla Bartók; Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson; Philharmonia Voices, Philharmonia Orchestra; Esa-Pekka Salonen
14:41
1.8
Seventh Door, Bluebeard’s Wives
Béla Bartók; Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson; Philharmonia Voices, Philharmonia Orchestra; Esa-Pekka Salonen
11:15
Digital Booklet
"Even in a crowded field, this account stands out. Tomlinson sings with rare musical beauty, never forcing a phrase and with remarkable verbal acuity ... DeYoung gives a richly sumptuous performance, with an especially impressive lower register." - Opera Magazine "Opera Choice. Esa-Pekka Salonen drives the score with a terse sense of focus, radiating out from its firm skeleton. Thus orchestral matters stay on a fairly tight rein in emotional terms; that territory belongs to the singers. Michelle DeYoung is a sensuous and impassioned Judith; the instantly recognizable Sir John Tomlinson as her bluebeard has such a force of personality ..." - BBC Music Magazine Bartók composed his only opera, Duke Bluebeard’s Castle, in 1911, and even before its rejection in a national competition, he knew that chances for its performance were slim. Years earlier he faced the difficulty of being recognized as a composer in Budapest. Even when his music began to be published, he did not aim at a home market. In 1911, the year Bluebeard was composed and rejected, Bartók founded the New Hungarian Music Society as an outlet for his own music and that of their contemporaries; but, for lack of interest and support, the project soon proved a failure. This album is an unforgettable live concert recording from 2011, selected from the Philharmonia Orchestra and Esa-Pekka Salonen’s season of works by Bartók.
44.1 kHz / 24-bit PCM – Signum Records Studio Masters

Recorded live at the Konzerthaus, Vienna, 8 November 2011 Producer: Misha Donat Recording Engineers: Jonathan Stokes, Classic Sound Ltd Design; With Relish, Philharmonia Orchestra & Darren Rumney Bluebeard's Castle © Universal Edition (London) Ltd.
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-4.18
-14.05 to -0.65
-30.79
-36.13 to -24.02
-26.05
-31.90 to -19.50
16
13 to 18
1
Prologue and Introduction
-0.76-33.65-28.718
2
First Door, Bluebeard's Torture Chamber
-2.97-30.44-26.017
3
Second Door, The Armoury
-5.71-32.55-28.315
4
Third Door, The Treasure Room
-14.05-36.13-31.914
5
Fourth Door, The Garden
-5.79-28.62-24.113
6
Fifth Door, Bluebeard’s Vast & Beautiful Kingdom
-0.65-24.02-19.514
7
Sixth Door, The Lake of Tears
-2.13-30.83-25.618
8
Seventh Door, Bluebeard’s Wives
-1.38-30.09-24.317

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