℗ 2014 Signum Records
Released | April 7, 2014 |
Duration | 1h 06m 37s |
Record Label | Signum Records |
Catalogue No. | SIGCD372 |
Genre | Classical (Opera) |
Bartók: Duke Bluebeard's Castle
Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson, Philharmonia Voices, Philharmonia Orchestra, Esa-Pekka Salonen
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
Duke Bluebeard's Castle
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1.1
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Prologue and Introduction
Béla Bartók; Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson; Philharmonia Voices, Philharmonia Orchestra; Esa-Pekka Salonen |
16:33 | |||
1.2
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First Door, Bluebeard's Torture Chamber
Béla Bartók; Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson; Philharmonia Voices, Philharmonia Orchestra; Esa-Pekka Salonen |
4:29 | |||
1.3
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Second Door, The Armoury
Béla Bartók; Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson; Philharmonia Voices, Philharmonia Orchestra; Esa-Pekka Salonen |
4:50 | |||
1.4
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Third Door, The Treasure Room
Béla Bartók; Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson; Philharmonia Voices, Philharmonia Orchestra; Esa-Pekka Salonen |
2:41 | |||
1.5
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Fourth Door, The Garden
Béla Bartók; Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson; Philharmonia Voices, Philharmonia Orchestra; Esa-Pekka Salonen |
5:22 | |||
1.6
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Fifth Door, Bluebeard’s Vast & Beautiful Kingdom
Béla Bartók; Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson; Philharmonia Voices, Philharmonia Orchestra; Esa-Pekka Salonen |
6:46 | |||
1.7
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Sixth Door, The Lake of Tears
Béla Bartók; Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson; Philharmonia Voices, Philharmonia Orchestra; Esa-Pekka Salonen |
14:41 | |||
1.8
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Seventh Door, Bluebeard’s Wives
Béla Bartók; Sir John Tomlinson, Michelle DeYoung, Juliet Stevenson; Philharmonia Voices, Philharmonia Orchestra; Esa-Pekka Salonen |
11:15 | |||
Digital Booklet
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"Even in a crowded field, this account stands out. Tomlinson sings with rare musical beauty, never forcing a phrase and with remarkable verbal acuity ... DeYoung gives a richly sumptuous performance, with an especially impressive lower register."
- Opera Magazine
"Opera Choice. Esa-Pekka Salonen drives the score with a terse sense of focus, radiating out from its firm skeleton. Thus orchestral matters stay on a fairly tight rein in emotional terms; that territory belongs to the singers. Michelle DeYoung is a sensuous and impassioned Judith; the instantly recognizable Sir John Tomlinson as her bluebeard has such a force of personality ..."
- BBC Music Magazine
Bartók composed his only opera, Duke Bluebeard’s Castle, in 1911, and even before its rejection in a national competition, he knew that chances for its performance were slim. Years earlier he faced the difficulty of being recognized as a composer in Budapest. Even when his music began to be published, he did not aim at a home market. In 1911, the year Bluebeard was composed and rejected, Bartók founded the New Hungarian Music Society as an outlet for his own music and that of their contemporaries; but, for lack of interest and support, the project soon proved a failure. This album is an unforgettable live concert recording from 2011, selected from the Philharmonia Orchestra and Esa-Pekka Salonen’s season of works by Bartók.
44.1 kHz / 24-bit PCM – Signum Records Studio Masters
Recorded live at the Konzerthaus, Vienna, 8 November 2011 Producer: Misha Donat Recording Engineers: Jonathan Stokes, Classic Sound Ltd Design; With Relish, Philharmonia Orchestra & Darren Rumney Bluebeard's Castle © Universal Edition (London) Ltd.
Recorded live at the Konzerthaus, Vienna, 8 November 2011 Producer: Misha Donat Recording Engineers: Jonathan Stokes, Classic Sound Ltd Design; With Relish, Philharmonia Orchestra & Darren Rumney Bluebeard's Castle © Universal Edition (London) Ltd.
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.18 -14.05 to -0.65 | -30.79 -36.13 to -24.02 | -26.05 -31.90 to -19.50 | 16 13 to 18 | |
1 | Prologue and Introduction | -0.76 | -33.65 | -28.7 | 18 |
2 | First Door, Bluebeard's Torture Chamber | -2.97 | -30.44 | -26.0 | 17 |
3 | Second Door, The Armoury | -5.71 | -32.55 | -28.3 | 15 |
4 | Third Door, The Treasure Room | -14.05 | -36.13 | -31.9 | 14 |
5 | Fourth Door, The Garden | -5.79 | -28.62 | -24.1 | 13 |
6 | Fifth Door, Bluebeard’s Vast & Beautiful Kingdom | -0.65 | -24.02 | -19.5 | 14 |
7 | Sixth Door, The Lake of Tears | -2.13 | -30.83 | -25.6 | 18 |
8 | Seventh Door, Bluebeard’s Wives | -1.38 | -30.09 | -24.3 | 17 |