Christian Howes Latin Jazz Exposure
Christian Howes, Richard Galliano
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Ta Boa, Santa? (Are You OK, My Dear?)
Christian Howes; Richard Galliano |
7:43 | |||
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1.2
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Aparecida
Christian Howes; Richard Galliano |
6:55 | |||
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1.3
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Oblivion
Christian Howes; Richard Galliano |
8:23 | |||
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1.4
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Cubano Chant
Christian Howes; Richard Galliano |
6:07 | |||
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1.5
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Sanfona (Concertina)
Christian Howes; Richard Galliano |
7:12 | |||
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1.6
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Canción de Amor
Christian Howes; Richard Galliano |
5:50 | |||
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1.7
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Heavy Tango
Christian Howes; Richard Galliano |
4:58 | |||
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1.8
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Choro das Águas (The Water's Cry)
Christian Howes; Richard Galliano |
6:23 | |||
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1.9
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Tango Doblado (Bent Tango)
Christian Howes; Richard Galliano |
4:50 | |||
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1.10
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Spleen
Christian Howes; Richard Galliano |
3:51 | |||
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1.11
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Gracias Por Ilustrarnos (Thank You for Teaching Us)
Christian Howes; Richard Galliano |
5:15 | |||
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Digital Booklet
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Following their highly acclaimed 2013 release Southern Exposure, American violinist Christian Howes and French accordion master Richard Galliano reunite for their second album exploring Latin jazz, featuring originals and pieces by Egberto Gismonti, Ástor Piazzolla and Paco de Lucia.
44.1 kHz / 24-bit PCM – 2xHD Studio Masters
Mastered by 2xHD, a record label which uses its proprietary system to process music masters originally recorded in analog or DSD or other format, to DSD in order to produce a unique listening experience. The process uses a selection from a pool of high-end audiophile omponents and connetors. In some cases even using battery power, so as to benefit from the cleanest power source possible. This variable equipment combination custom tailored to each project, creates the most accurate reproduction of the original recording, unveiling informaton previously masked by the use of EQ, transformers, patch bays, extended cable length etc. The selection of components is critical, as many A/D and D/A converters are unable to pierce through these filters that create a eiling effect to the sound. The 2xHD system preserves the dynamics of the original master and proves an open feeling to the sound. 2xHD Mastering by: René Laflamme 2xHD Executive Producer: André Perry
Mastered by 2xHD, a record label which uses its proprietary system to process music masters originally recorded in analog or DSD or other format, to DSD in order to produce a unique listening experience. The process uses a selection from a pool of high-end audiophile omponents and connetors. In some cases even using battery power, so as to benefit from the cleanest power source possible. This variable equipment combination custom tailored to each project, creates the most accurate reproduction of the original recording, unveiling informaton previously masked by the use of EQ, transformers, patch bays, extended cable length etc. The selection of components is critical, as many A/D and D/A converters are unable to pierce through these filters that create a eiling effect to the sound. The 2xHD system preserves the dynamics of the original master and proves an open feeling to the sound. 2xHD Mastering by: René Laflamme 2xHD Executive Producer: André Perry
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.85 -3.54 to -1.97 | -18.14 -20.02 to -17.14 | -15.35 -16.80 to -14.40 | 9 8 to 10 | |
| 1 | Ta Boa, Santa? (Are You OK, My Dear?) | -2.86 | -18.15 | -15.9 | 9 |
| 2 | Aparecida | -3.27 | -18.17 | -15.8 | 9 |
| 3 | Oblivion | -1.97 | -17.37 | -14.4 | 8 |
| 4 | Cubano Chant | -2.46 | -17.32 | -15.0 | 10 |
| 5 | Sanfona (Concertina) | -2.99 | -17.47 | -14.8 | 8 |
| 6 | Canción de Amor | -2.31 | -17.71 | -14.6 | 9 |
| 7 | Heavy Tango | -2.55 | -17.14 | -14.4 | 9 |
| 8 | Choro das Águas (The Water's Cry) | -3.09 | -17.64 | -14.8 | 8 |
| 9 | Tango Doblado (Bent Tango) | -2.76 | -19.50 | -16.8 | 10 |
| 10 | Spleen | -3.54 | -20.02 | -16.1 | 10 |
| 11 | Gracias Por Ilustrarnos (Thank You for Teaching Us) | -3.50 | -19.02 | -16.3 | 9 |