℗ 2022 Mad Company
| Released | February 16, 2022 |
| Duration | 40m 25s |
| Record Label | Universal Music |
| Genre | Cantopop |
|
1.1
|
回到未來
雷有輝 |
4:29 | |||
|
1.2
|
Time Traveller (Instrumental)
Patrick Lui |
2:00 | |||
|
1.3
|
女同學
雷有輝 |
4:32 | |||
|
1.4
|
中森明菜
雷有輝 |
3:54 | |||
|
1.5
|
第一課
雷有輝 |
2:33 | |||
|
1.6
|
海邊漫步
雷有輝 |
3:43 | |||
|
1.7
|
未成年
雷有輝 |
3:00 | |||
|
1.8
|
華麗泊車
雷有輝 |
3:46 | |||
|
1.9
|
迷離公路
雷有輝 |
4:25 | |||
|
1.10
|
昭和寫真 (Dedicated to Gary Tong)
雷有輝 |
3:49 | |||
|
1.11
|
Sayonara (Instrumental)
Patrick Lui |
0:33 | |||
|
1.12
|
平行空間
雷有輝 |
3:03 | |||
|
1.13
|
La tour de Babel (Instrumental)
Patrick Lui |
0:38 |
96 kHz / 24-bit PCM – Universal Music Studio Masters
Tracks 1-13 – 44.1 kHz / 24-bit PCM Track 2 – contains material which has been processed by a perceptual audio coding algorithm
Tracks 1-13 – 44.1 kHz / 24-bit PCM Track 2 – contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.58 -5.98 to -0.54 | -17.26 -22.54 to -14.16 | -14.09 -20.00 to -11.30 | 10 8 to 12 | |
| 1 | 回到未來 | -1.19 | -15.50 | -13.4 | 9 |
| 2 | Time Traveller (Instrumental) | -3.30 | -22.54 | -20.0 | 10 |
| 3 | 女同學 | -0.54 | -17.85 | -14.7 | 11 |
| 4 | 中森明菜 | -1.16 | -15.67 | -13.2 | 9 |
| 5 | 第一課 | -1.19 | -15.21 | -12.3 | 8 |
| 6 | 海邊漫步 | -1.21 | -18.93 | -16.0 | 12 |
| 7 | 未成年 | -0.67 | -15.01 | -12.2 | 10 |
| 8 | 華麗泊車 | -0.77 | -16.02 | -13.6 | 10 |
| 9 | 迷離公路 | -0.80 | -18.85 | -15.7 | 11 |
| 10 | 昭和寫真 (Dedicated to Gary Tong) | -1.20 | -14.16 | -11.3 | 8 |
| 11 | Sayonara (Instrumental) | -5.98 | -21.48 | -15.2 | 10 |
| 12 | 平行空間 | -1.21 | -15.55 | -13.2 | 8 |
| 13 | La tour de Babel (Instrumental) | -1.35 | -17.56 | -12.4 | 11 |