℗ 2022 Glossa
| Released | March 18, 2022 |
| Duration | 55m 53s |
| Record Label | Glossa |
| Catalogue No. | GCD923109 |
| Genre | Classical (Cello) |
Celloevolution: From Bolohgna to Cöthen
Josetxu Obregón
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cello Suite No. 2 in D Minor, BWV 1008
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1.1
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I. Prélude
Johann Sebastian Bach; Josetxu Obregón |
4:00 | |||
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Trattenimento musicale sopra il violoncello
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1.2
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Sonata IX
Domenico Galli; Josetxu Obregón |
5:11 | |||
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11 Capricci for Cello
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1.3
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No. 4 in D Minor
Joseph Dall'Abaco; Josetxu Obregón |
5:05 | |||
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Cello Suite No. 6 in D Major, BWV 1012
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1.4
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II. Allemande
Johann Sebastian Bach; Josetxu Obregón |
9:30 | |||
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Ricercari, canone e sonate per violoncello (Excerpts)
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1.5
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No. 6, Ricercar sesto
Domenico Gabrielli; Josetxu Obregón |
4:44 | |||
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1.6
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No. 1, Ricercar primo
Domenico Gabrielli; Josetxu Obregón |
2:16 | |||
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Cello Suite No. 1 in G Major, BWV 1007
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1.7
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III. Courante
Johann Sebastian Bach; Josetxu Obregón |
2:53 | |||
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1.8
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Romanella No. 6 in D Minor
Giulio de Ruvo; Josetxu Obregón |
1:12 | |||
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1.9
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Romanella No. 7 in D Major
Giulio de Ruvo; Josetxu Obregón |
2:33 | |||
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Cello Suite No. 5 in C Minor, BWV 1011
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1.10
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IV. Sarabande
Johann Sebastian Bach; Josetxu Obregón |
3:26 | |||
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Principij da imparare à suonare il violoncello e con 12 Toccate à solo (Excerpts)
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1.11
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Toccata V
Francesco Paolo Supriani; Josetxu Obregón |
2:26 | |||
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1.12
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Toccata X
Francesco Paolo Supriani; Josetxu Obregón |
1:42 | |||
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Cello Suite No. 4 in E-Flat Major, BWV 1010
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1.13
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V. Bourrées I & II
Johann Sebastian Bach; Josetxu Obregón |
5:12 | |||
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Partite sopra diverse sonate
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1.14
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No. 8, Capritio
Giovanni Battista Vitali; Josetxu Obregón |
1:08 | |||
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Varie partire di Barabani, Ruggeri e Scordature a violino solo o con basso
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1.15
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Gigue
Giuseppe Colombi; Josetxu Obregón |
1:09 | |||
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Cello Suite No. 3 in C Major, BWV 1009
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1.16
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VII. Gigue
Johann Sebastian Bach; Josetxu Obregón |
3:26 | |||
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Digital Booklet
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What was the first composition ever written for solo violoncello? What was composed before Bach created his extraordinary suites for solo cello? These questions drove the cellist Josetxu Obregón to devote himself to the beginnings of solo literature for his instrument. These beginnings can be found in the city of Bologna, which, with its brilliant Capella Musicale and the Accademia Filarmonica, made a decisive contribution to the development of the violin and the cello. Obregon presents two ricercari by Domenico Gabrielli from 1688 as the first specific works for unaccompanied solo cello. Further stations on the way from Bologna to Cöthen to the climax of this genre with Bach's six suites are compositions by Vitali, Galli, de Ruvo, Dall' Abaco, Supriano and Colombi. Bach's works are also presented by Obregon, but in an unusual way: He takes a dance movement from each of Bach's suites and then places them - as a comparison of styles - between the works from his Italian anthology.
88.2 kHz / 24-bit PCM – Glossa Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.18 -8.79 to -1.66 | -25.51 -27.62 to -23.75 | -22.14 -24.50 to -20.70 | 13 11 to 14 | |
| 1 | I. Prélude | -5.48 | -24.85 | -22.0 | 12 |
| 2 | Sonata IX | -4.61 | -24.88 | -21.7 | 14 |
| 3 | No. 4 in D Minor | -5.51 | -26.22 | -23.3 | 13 |
| 4 | II. Allemande | -4.00 | -26.58 | -23.5 | 14 |
| 5 | No. 6, Ricercar sesto | -3.22 | -25.20 | -22.0 | 14 |
| 6 | No. 1, Ricercar primo | -6.84 | -27.62 | -24.2 | 14 |
| 7 | III. Courante | -8.07 | -25.40 | -22.4 | 12 |
| 8 | Romanella No. 6 in D Minor | -5.90 | -24.93 | -20.8 | 11 |
| 9 | Romanella No. 7 in D Major | -5.55 | -24.74 | -21.0 | 13 |
| 10 | IV. Sarabande | -8.79 | -27.59 | -24.5 | 12 |
| 11 | Toccata V | -5.67 | -26.42 | -22.6 | 13 |
| 12 | Toccata X | -5.34 | -25.78 | -21.9 | 14 |
| 13 | V. Bourrées I & II | -1.66 | -23.75 | -21.0 | 14 |
| 14 | No. 8, Capritio | -3.84 | -24.75 | -20.8 | 13 |
| 15 | Gigue | -4.82 | -24.40 | -20.7 | 12 |
| 16 | VII. Gigue | -3.60 | -25.04 | -21.9 | 14 |