Francisco José de Castro: Trio Sonatas, Op. 1
La Real Cámara
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Trio Sonata, Op. 1 No. 6
|
|||||
|
1.1
|
I. Preludio. Adagio
Francisco José de Castro; La Real Cámara |
1:50 | |||
|
1.2
|
I. Allemanda. Presto
Francisco José de Castro; La Real Cámara |
1:37 | |||
|
1.3
|
III.Adagio
Francisco José de Castro; La Real Cámara |
0:38 | |||
|
1.4
|
IV. Tempo di Borrea. Presto
Francisco José de Castro; La Real Cámara |
0:57 | |||
|
Trio Sonata, Op. 1 No. 9
|
|||||
|
1.5
|
I. Preludio
Francisco José de Castro; La Real Cámara |
1:36 | |||
|
1.6
|
II. Alemanda
Francisco José de Castro; La Real Cámara |
2:21 | |||
|
1.7
|
III. Giga
Francisco José de Castro; La Real Cámara |
1:26 | |||
|
1.8
|
IV. Minuet
Francisco José de Castro; La Real Cámara |
1:05 | |||
|
Trio Sonata, Op. 1 No. 3
|
|||||
|
1.9
|
I. Preludio. Adagio
Francisco José de Castro; La Real Cámara |
1:16 | |||
|
1.10
|
II. Allemanda. Presto
Francisco José de Castro; La Real Cámara |
1:55 | |||
|
1.11
|
III. Presto di Sarabanda. Allegro
Francisco José de Castro; La Real Cámara |
1:18 | |||
|
1.12
|
IV. Tempo di Gavotta. Presto
Francisco José de Castro; La Real Cámara |
1:50 | |||
|
Trio Sonata, Op. 1 No. 7
|
|||||
|
1.13
|
I. Preludio
Francisco José de Castro; La Real Cámara |
1:40 | |||
|
1.14
|
II. Allemande
Francisco José de Castro; La Real Cámara |
1:26 | |||
|
1.15
|
III. Tempo di Sarabanda
Francisco José de Castro; La Real Cámara |
1:24 | |||
|
Trio Sonata, Op. 1 No. 10
|
|||||
|
1.16
|
I. Preludio. Adagio - Presto - Adagio - Presto - Adagio - Presto - Adagio - Presto - Adagio
Francisco José de Castro; La Real Cámara |
2:06 | |||
|
1.17
|
II. Allemanda. Allegro
Francisco José de Castro; La Real Cámara |
2:07 | |||
|
1.18
|
III. Presto
Francisco José de Castro; La Real Cámara |
0:55 | |||
|
Trio Sonata, Op. 1 No. 2
|
|||||
|
1.19
|
I. Allemanda. Allegro
Francisco José de Castro; La Real Cámara |
1:40 | |||
|
1.20
|
II. Adagio
Francisco José de Castro; La Real Cámara |
1:45 | |||
|
1.21
|
III. Allemanda. Allegro
Francisco José de Castro; La Real Cámara |
1:19 | |||
|
1.22
|
IV. Tempo di Sarabanda. Allegro
Francisco José de Castro; La Real Cámara |
1:13 | |||
|
Trio Sonata, Op. 1 No. 8
|
|||||
|
1.23
|
I. Preludio. Grave
Francisco José de Castro; La Real Cámara |
1:26 | |||
|
1.24
|
II. Corrente. Allegro
Francisco José de Castro; La Real Cámara |
1:27 | |||
|
1.25
|
III. Grave
Francisco José de Castro; La Real Cámara |
0:34 | |||
|
1.26
|
IV. Presto
Francisco José de Castro; La Real Cámara |
1:27 | |||
|
Trio Sonata, Op. 1 No. 5
|
|||||
|
1.27
|
I. Preludio. Adagio
Francisco José de Castro; La Real Cámara |
2:10 | |||
|
1.28
|
II. Allemanda. Largo
Francisco José de Castro; La Real Cámara |
2:08 | |||
|
1.29
|
III. Giga. Allegro
Francisco José de Castro; La Real Cámara |
1:29 | |||
|
Trio Sonata, Op. 1 No. 1
|
|||||
|
1.30
|
I. Preludio. Adagio
Francisco José de Castro; La Real Cámara |
2:10 | |||
|
1.31
|
II. Allemanda. Allegro
Francisco José de Castro; La Real Cámara |
1:55 | |||
|
1.32
|
III. Corrente. Allegro
Francisco José de Castro; La Real Cámara |
1:29 | |||
|
1.33
|
IV. Giga. Allegro
Francisco José de Castro; La Real Cámara |
1:12 | |||
|
1.34
|
V. Minuet all'unisono. Allegro
Francisco José de Castro; La Real Cámara |
0:54 | |||
|
Trio Sonata, Op. 1 No. 4
|
|||||
|
1.35
|
I. Preludio. Adagio - Presto - Adagio - Presto - Adagio
Francisco José de Castro; La Real Cámara |
2:09 | |||
|
1.36
|
II. Allemanda. Allegro
Francisco José de Castro; La Real Cámara |
1:15 | |||
|
1.37
|
III. Minuet all'unisono. Allegro
Francisco José de Castro; La Real Cámara |
1:14 | |||
|
1.38
|
IV. Tempo di Gavotta. Presto
Francisco José de Castro; La Real Cámara |
0:43 | |||
|
Digital Booklet
|
|||||
La Real Cámara dedicates this album to overlooked 17th century violinist and composer Francisco José de Castro, who travelled from his birthplace of Seville to the northern Italian city of Brescia where he wrote some beautiful chamber music. Castro’s Trattenimenti armonici, a set of 10 trio sonatas da camera, was published in 1695, by which time he had earned a deserved reputation for his musicality, especially as a follower of the innovative style of Corelli. The works featured here are the only known Spanish examples from the 17th century. The sonatas, consisting of preludes followed by dance movements including those in the French manner, show the young composer embracing the stylus phantasticus and the new violin virtuosity.
96 kHz / 24-bit PCM – Glossa Studio Masters
Recorded in Oviedo (Auditorio y Palacio de Congresos Príncipe Felipe), Spain, February 2015 Engineered and produced by José Luis Crespo Executive producer: Carlos Céster Booklet texts by Marco Bizzarini and Emilio Moreno
Recorded in Oviedo (Auditorio y Palacio de Congresos Príncipe Felipe), Spain, February 2015 Engineered and produced by José Luis Crespo Executive producer: Carlos Céster Booklet texts by Marco Bizzarini and Emilio Moreno
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.25 -11.02 to -1.99 | -24.48 -30.75 to -22.12 | -21.49 -27.30 to -19.00 | 12 9 to 14 | |
| 1 | I. Preludio. Adagio | -8.69 | -27.57 | -24.8 | 11 |
| 2 | I. Allemanda. Presto | -3.09 | -22.70 | -19.7 | 12 |
| 3 | III.Adagio | -6.40 | -27.19 | -23.7 | 9 |
| 4 | IV. Tempo di Borrea. Presto | -3.01 | -22.24 | -19.2 | 13 |
| 5 | I. Preludio | -7.52 | -25.96 | -22.8 | 11 |
| 6 | II. Alemanda | -3.01 | -23.49 | -20.9 | 13 |
| 7 | III. Giga | -4.24 | -22.27 | -19.5 | 12 |
| 8 | IV. Minuet | -4.66 | -23.40 | -20.3 | 12 |
| 9 | I. Preludio. Adagio | -8.44 | -26.49 | -23.2 | 11 |
| 10 | II. Allemanda. Presto | -5.84 | -24.25 | -21.4 | 13 |
| 11 | III. Presto di Sarabanda. Allegro | -5.01 | -24.38 | -21.4 | 12 |
| 12 | IV. Tempo di Gavotta. Presto | -4.21 | -24.27 | -21.1 | 13 |
| 13 | I. Preludio | -5.80 | -25.18 | -22.2 | 11 |
| 14 | II. Allemande | -3.03 | -22.82 | -20.1 | 13 |
| 15 | III. Tempo di Sarabanda | -1.99 | -23.72 | -20.4 | 12 |
| 16 | I. Preludio. Adagio - Presto - Adagio - Presto - Adagio - Presto - Adagio - Presto - Adagio | -4.06 | -24.06 | -20.8 | 12 |
| 17 | II. Allemanda. Allegro | -5.53 | -22.52 | -19.7 | 11 |
| 18 | III. Presto | -4.24 | -23.02 | -20.0 | 13 |
| 19 | I. Allemanda. Allegro | -5.02 | -23.95 | -21.0 | 13 |
| 20 | II. Adagio | -4.48 | -25.64 | -22.6 | 13 |
| 21 | III. Allemanda. Allegro | -4.91 | -23.09 | -20.5 | 12 |
| 22 | IV. Tempo di Sarabanda. Allegro | -2.29 | -22.12 | -19.0 | 11 |
| 23 | I. Preludio. Grave | -8.38 | -27.01 | -24.1 | 11 |
| 24 | II. Corrente. Allegro | -5.90 | -23.76 | -20.8 | 12 |
| 25 | III. Grave | -11.02 | -30.75 | -27.3 | 9 |
| 26 | IV. Presto | -5.38 | -23.74 | -20.8 | 13 |
| 27 | I. Preludio. Adagio | -10.00 | -27.67 | -24.8 | 12 |
| 28 | II. Allemanda. Largo | -5.29 | -25.10 | -22.4 | 13 |
| 29 | III. Giga. Allegro | -6.11 | -23.15 | -20.4 | 12 |
| 30 | I. Preludio. Adagio | -4.94 | -26.04 | -22.8 | 11 |
| 31 | II. Allemanda. Allegro | -2.32 | -24.16 | -21.2 | 13 |
| 32 | III. Corrente. Allegro | -3.18 | -25.40 | -22.4 | 14 |
| 33 | IV. Giga. Allegro | -5.21 | -23.15 | -20.4 | 12 |
| 34 | V. Minuet all'unisono. Allegro | -6.77 | -23.59 | -20.8 | 11 |
| 35 | I. Preludio. Adagio - Presto - Adagio - Presto - Adagio | -5.90 | -26.06 | -22.8 | 12 |
| 36 | II. Allemanda. Allegro | -5.99 | -24.12 | -21.3 | 11 |
| 37 | III. Minuet all'unisono. Allegro | -2.45 | -22.54 | -19.8 | 12 |
| 38 | IV. Tempo di Gavotta. Presto | -5.20 | -23.72 | -20.2 | 10 |