℗ 2017 Genuin
| Released | March 17, 2017 |
| Duration | 1h 09m 26s |
| Record Label | Genuin |
| Genre | Classical (Chamber) |
Klingende Hamburgensien: Johann Schop - Georg Philipp Telemann - Thomas Baltzar - Matthias Weckmann
La Porta Musicale, Gabriele Steinfeld, Anke Dennert
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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'T Uitnement Kabinet
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1.1
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Sine titulo
Johann Schop; La Porta Musicale |
3:45 | |||
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Violin Sonata No. 1 in G Minor, TWV 41:g1
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1.2
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I. Adagio
Georg Philipp Telemann; La Porta Musicale |
1:17 | |||
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1.3
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II. Allegro
Georg Philipp Telemann; La Porta Musicale |
2:28 | |||
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1.4
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III. Andante
Georg Philipp Telemann; La Porta Musicale |
1:17 | |||
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1.5
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IV. Allegro
Georg Philipp Telemann; La Porta Musicale |
2:23 | |||
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'T Uitnement Kabinet
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1.6
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Lachrimae Pavaen
Johann Schop; La Porta Musicale |
4:15 | |||
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1.7
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Als Jupiter gedacht
Johann Schop; La Porta Musicale |
3:07 | |||
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1.8
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Nobelman
Johann Schop; La Porta Musicale |
2:48 | |||
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Violin Sonata in F Major, TWV 41:F4
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1.9
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I. Andante
Georg Philipp Telemann; La Porta Musicale |
1:58 | |||
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1.10
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II. Allegro
Georg Philipp Telemann; La Porta Musicale |
2:22 | |||
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1.11
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III. Siciliana
Georg Philipp Telemann; La Porta Musicale |
2:43 | |||
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1.12
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IV. Allegro
Georg Philipp Telemann; La Porta Musicale |
3:12 | |||
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1.13
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Praeludium in C Minor
Thomas Baltzar; La Porta Musicale |
1:18 | |||
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1.14
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Allemande in G Minor
Thomas Baltzar; La Porta Musicale |
2:10 | |||
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1.15
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4 Variations on Die lieblichen Blicke
Matthias Weckmann; La Porta Musicale |
6:28 | |||
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Violin Sonata in E Minor, TWV 41:e2
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1.16
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I. Grave
Georg Philipp Telemann; La Porta Musicale |
2:19 | |||
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1.17
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II. Vivace
Georg Philipp Telemann; La Porta Musicale |
2:13 | |||
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1.18
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III. Cunando
Georg Philipp Telemann; La Porta Musicale |
1:37 | |||
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1.19
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IV. Vivace
Georg Philipp Telemann; La Porta Musicale |
2:37 | |||
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'T Uitnement Kabinet
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1.20
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Almande
Johann Schop; La Porta Musicale |
1:27 | |||
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1.21
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Courante
Johann Schop; La Porta Musicale |
1:36 | |||
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Partita No. 4 in G Minor, TWV 41:g2
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1.22
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I. Grave
Georg Philipp Telemann; La Porta Musicale |
1:51 | |||
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1.23
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II. Aria I: Allegro
Georg Philipp Telemann; La Porta Musicale |
0:54 | |||
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1.24
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III. Aria II: Allegro
Georg Philipp Telemann; La Porta Musicale |
1:48 | |||
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1.25
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IV. Aria III: Tempo di Minuet
Georg Philipp Telemann; La Porta Musicale |
1:22 | |||
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1.26
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V. Aria IV: Allegro
Georg Philipp Telemann; La Porta Musicale |
1:30 | |||
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1.27
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VI. Aria V: Tempo giusto
Georg Philipp Telemann; La Porta Musicale |
1:47 | |||
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1.28
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VII. Aria VI: Allegro assai
Georg Philipp Telemann; La Porta Musicale |
1:40 | |||
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'T Uitnement Kabinet
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1.29
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Nasce la pena mia
Johann Schop; La Porta Musicale |
5:14 | |||
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Digital Booklet
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La Porta Musicale consists of Baroque violinist Gabriele Steinfeld and harpsichordist Anke Dennert, both long-established on historical instruments and experienced in early chamber music. The works by Georg Philipp Telemann and his north German colleagues presented here are full of passion from an epoch overflowing with artistic energy, captured by the duo on instruments that were already being played on the Elbe when the young Telemann was demonstrating his almost southern temperament in the city. Steinfeld's 1680 violin and Dennert's harpsichord from 1716 also bring to life gripping musical tales by Johann Schop, Matthias Weckmann and Thomas Baltzar.
96 kHz / 24-bit PCM – Genuin Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.91 -15.82 to -3.42 | -27.69 -34.95 to -24.61 | -24.27 -31.70 to -21.60 | 13 12 to 15 | |
| 1 | Sine titulo | -6.60 | -27.32 | -23.6 | 14 |
| 2 | I. Adagio | -5.13 | -27.46 | -23.9 | 13 |
| 3 | II. Allegro | -8.12 | -28.22 | -24.7 | 13 |
| 4 | III. Andante | -7.24 | -29.53 | -25.7 | 12 |
| 5 | IV. Allegro | -8.61 | -28.19 | -24.7 | 13 |
| 6 | Lachrimae Pavaen | -5.08 | -28.03 | -24.4 | 15 |
| 7 | Als Jupiter gedacht | -4.32 | -25.73 | -22.8 | 15 |
| 8 | Nobelman | -4.99 | -25.27 | -22.0 | 12 |
| 9 | I. Andante | -4.71 | -26.80 | -23.3 | 13 |
| 10 | II. Allegro | -5.98 | -27.18 | -24.0 | 13 |
| 11 | III. Siciliana | -10.94 | -31.56 | -28.4 | 13 |
| 12 | IV. Allegro | -3.42 | -26.28 | -23.1 | 13 |
| 13 | Praeludium in C Minor | -4.06 | -24.61 | -21.6 | 12 |
| 14 | Allemande in G Minor | -7.26 | -26.42 | -23.2 | 12 |
| 15 | 4 Variations on Die lieblichen Blicke | -15.82 | -34.95 | -31.7 | 12 |
| 16 | I. Grave | -6.02 | -27.20 | -23.8 | 13 |
| 17 | II. Vivace | -7.71 | -26.98 | -23.6 | 13 |
| 18 | III. Cunando | -5.56 | -28.73 | -25.1 | 13 |
| 19 | IV. Vivace | -4.35 | -27.80 | -24.4 | 13 |
| 20 | Almande | -4.57 | -26.19 | -22.7 | 13 |
| 21 | Courante | -8.52 | -27.16 | -23.4 | 13 |
| 22 | I. Grave | -6.46 | -28.25 | -24.8 | 14 |
| 23 | II. Aria I: Allegro | -8.36 | -28.29 | -24.8 | 12 |
| 24 | III. Aria II: Allegro | -6.82 | -26.88 | -23.6 | 12 |
| 25 | IV. Aria III: Tempo di Minuet | -6.76 | -26.51 | -23.1 | 12 |
| 26 | V. Aria IV: Allegro | -7.63 | -27.51 | -24.0 | 13 |
| 27 | VI. Aria V: Tempo giusto | -8.63 | -28.95 | -25.8 | 12 |
| 28 | VII. Aria VI: Allegro assai | -8.74 | -27.80 | -24.2 | 13 |
| 29 | Nasce la pena mia | -7.84 | -27.08 | -23.5 | 13 |