℗ 2022 CRD Records
| Released | April 1, 2022 |
| Duration | 56m 01s |
| Record Label | CRD Records |
| Catalogue No. | CRD3539 |
| Genre | Classical (Sacred) |
Resurrexi!: Easter in Vienna with Mozart & the Haydn Brothers
Emily Dickens, Rebekah Jones, Philippe Durrant, Graham Kirk, Choir of Keble College Oxford, Instruments of Time and Truth, Paul Brough, Benjamin Mills
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Regina coeli in C Major, K. 276
Wolfgang Amadeus Mozart; Emily Dickens; Rebekah Jones; Philippe Durrant; Graham Kirk; Choir of Keble College Oxford; Instruments of Time and Truth; Paul Brough |
6:07 | |||
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1.2
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Gaude et laetare Virgo Maria
Anonymous; Graham Kirk |
0:16 | |||
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1.3
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Resurrexi et adhuc
Anonymous; Graham Kirk; Choir of Keble College Oxford; Paul Brough |
3:55 | |||
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1.4
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Vidi aquam
Anonymous; Graham Kirk |
2:51 | |||
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Missa brevis in C Major, K. 258 "Piccolomini"
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1.5
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I. Kyrie
Wolfgang Amadeus Mozart; Emily Dickens; Rebekah Jones; Philippe Durrant; Graham Kirk; Choir of Keble College Oxford; Instruments of Time and Truth; Paul Brough |
1:53 | |||
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1.6
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II. Gloria
Wolfgang Amadeus Mozart; Emily Dickens; Rebekah Jones; Philippe Durrant; Graham Kirk; Choir of Keble College Oxford; Instruments of Time and Truth; Paul Brough |
2:30 | |||
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1.7
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Haec dies
Anonymous; Graham Kirk; Choir of Keble College Oxford; Paul Brough |
2:37 | |||
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1.8
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Church Sonata in G Major, K. 274
Wolfgang Amadeus Mozart; Instruments of Time and Truth; Benjamin Mills; Paul Brough |
5:59 | |||
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1.9
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Pascha nostrum (1)
Anonymous; Graham Kirk; Choir of Keble College Oxford; Paul Brough |
2:29 | |||
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1.10
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Victimae paschali laudes
Anonymous; Graham Kirk |
1:45 | |||
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1.11
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Victimae paschali laudes, MH 361
Michael Haydn; Choir of Keble College Oxford; Instruments of Time and Truth; Paul Brough |
3:27 | |||
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1.12
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III. Credo
Wolfgang Amadeus Mozart; Emily Dickens; Rebekah Jones; Philippe Durrant; Choir of Keble College Oxford; Instruments of Time and Truth; Paul Brough |
4:38 | |||
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1.13
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Terra tremuit
Anonymous; Graham Kirk; Choir of Keble College Oxford; Paul Brough |
1:09 | |||
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1.14
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IV. Sanctus
Wolfgang Amadeus Mozart; Choir of Keble College Oxford; Instruments of Time and Truth; Paul Brough |
0:59 | |||
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1.15
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V. Benedictus
Wolfgang Amadeus Mozart; Emily Dickens; Rebekah Jones; Philippe Durrant; Graham Kirk; Choir of Keble College Oxford; Instruments of Time and Truth; Paul Brough |
2:57 | |||
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1.16
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Pater noster
Anonymous; Graham Kirk |
1:17 | |||
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1.17
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VI. Agnus Dei
Wolfgang Amadeus Mozart; Emily Dickens; Rebekah Jones; Philippe Durrant; Graham Kirk; Choir of Keble College Oxford; Instruments of Time and Truth; Paul Brough |
2:29 | |||
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1.18
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Pascha nostrum (2)
Anonymous; Graham Kirk; Choir of Keble College Oxford; Paul Brough |
1:15 | |||
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1.19
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Ite, missa est
Anonymous; Graham Kirk |
0:26 | |||
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1.20
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Te deum in C Major, Hob. XXIIIc:1
Franz Joseph Haydn; Emily Dickens; Rebekah Jones; Philippe Durrant; Graham Kirk; Choir of Keble College Oxford; Instruments of Time and Truth; Paul Brough |
7:02 | |||
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Digital Booklet
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"All recordings by collegiate choirs these days seem to require a provenance, so I shall pull together a few facts and figurations to explain what we are trying to do here. We have not tried to give you a lesson in history, liturgy, theology or musicology. We are not attempting to tell you exactly how this music and its accompanying liturgy was performed, though you can be sure that there was yards of antique lace and cloth of gold worn. We have not attempted a liturgical
reconstruction – though, we present the music in liturgical order to help accentuate its variety – or a dogmatic representation of the sounds of the scores.
We are bringing you the powerful truth of Easter, celebrated in sound by two enthusiastic and devoted groups, in a fusion of what you might have heard in late eighteenth-century Salzburg or Vienna in Austria, and what you are welcome to come and hear in early twenty-first-century Oxford in England. With its choir and chapel services Keble College aims to make itself accessible and approachable, it was founded in 1870 to enable undergraduates from more modest backgrounds to attend The University."
- Paul Brough, 2022
96 kHz / 24-bit PCM – CRD Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.83 -8.47 to -0.30 | -23.30 -28.36 to -18.91 | -20.21 -24.80 to -16.10 | 12 10 to 15 | |
| 1 | Regina coeli in C Major, K. 276 | -0.30 | -19.80 | -16.6 | 13 |
| 2 | Gaude et laetare Virgo Maria | -5.84 | -24.47 | -20.5 | 12 |
| 3 | Resurrexi et adhuc | -6.77 | -23.76 | -20.9 | 11 |
| 4 | Vidi aquam | -6.26 | -27.25 | -23.8 | 15 |
| 5 | I. Kyrie | -2.17 | -20.79 | -17.8 | 12 |
| 6 | II. Gloria | -2.13 | -21.33 | -18.4 | 13 |
| 7 | Haec dies | -3.43 | -24.40 | -21.5 | 12 |
| 8 | Church Sonata in G Major, K. 274 | -6.20 | -27.01 | -24.2 | 14 |
| 9 | Pascha nostrum (1) | -7.49 | -26.36 | -23.4 | 11 |
| 10 | Victimae paschali laudes | -4.47 | -28.36 | -24.8 | 14 |
| 11 | Victimae paschali laudes, MH 361 | -0.41 | -19.87 | -17.1 | 13 |
| 12 | III. Credo | -0.80 | -20.73 | -17.7 | 13 |
| 13 | Terra tremuit | -5.42 | -22.63 | -19.7 | 10 |
| 14 | IV. Sanctus | -0.32 | -18.91 | -16.1 | 12 |
| 15 | V. Benedictus | -1.34 | -22.51 | -19.6 | 14 |
| 16 | Pater noster | -8.47 | -28.28 | -24.8 | 13 |
| 17 | VI. Agnus Dei | -1.47 | -21.17 | -18.2 | 12 |
| 18 | Pascha nostrum (2) | -5.09 | -22.94 | -20.0 | 11 |
| 19 | Ite, missa est | -7.99 | -25.17 | -21.8 | 11 |
| 20 | Te deum in C Major, Hob. XXIIIc:1 | -0.30 | -20.32 | -17.3 | 13 |