℗ 2022 Fondation du Verbier Festival
| Released | March 25, 2022 |
| Duration | 1h 15m 35s |
| Record Label | Verbier Festival Gold |
| Genre | Classical |
Verdi: Requiem (Live)
Coro Teatro Regio Torino, Verbier Festival Orchestra, Gianandrea Noseda
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
|
Messa da Requiem
|
|||||
|
1.1
|
I. Requiem (Live)
Giuseppe Verdi; Anonymous; Maria Agresta; Daniela Barcellona; Piotr Beczala; Ildar Abdrazakov; Coro Teatro Regio Torino; Verbier Festival Orchestra; Gianandrea Noseda |
7:43 | |||
|
1.2
|
IIa. Dies irae (Live)
Giuseppe Verdi; Anonymous; Coro Teatro Regio Torino; Verbier Festival Orchestra; Gianandrea Noseda |
2:02 | |||
|
1.3
|
IIb. Tuba mirum – IIc. Mors stupebit (Live)
Giuseppe Verdi; Anonymous; Ildar Abdrazakov; Coro Teatro Regio Torino; Verbier Festival Orchestra; Gianandrea Noseda |
3:00 | |||
|
1.4
|
IId. Liber scriptus (Live)
Giuseppe Verdi; Anonymous; Daniela Barcellona; Coro Teatro Regio Torino; Verbier Festival Orchestra; Gianandrea Noseda |
4:09 | |||
|
1.5
|
IIe. Quid sum miser (Live)
Giuseppe Verdi; Anonymous; Maria Agresta; Daniela Barcellona; Piotr Beczala; Verbier Festival Orchestra; Gianandrea Noseda |
2:47 | |||
|
1.6
|
IIf. Rex tremendae (Live)
Giuseppe Verdi; Anonymous; Maria Agresta; Daniela Barcellona; Piotr Beczala; Ildar Abdrazakov; Coro Teatro Regio Torino; Verbier Festival Orchestra; Gianandrea Noseda |
3:07 | |||
|
1.7
|
IIg. Recordare (Live)
Giuseppe Verdi; Anonymous; Maria Agresta; Daniela Barcellona; Verbier Festival Orchestra; Gianandrea Noseda |
3:38 | |||
|
1.8
|
IIh. Ingemisco (Live)
Giuseppe Verdi; Anonymous; Piotr Beczala; Verbier Festival Orchestra; Gianandrea Noseda |
3:18 | |||
|
1.9
|
IIi. Confutatis (Live)
Giuseppe Verdi; Anonymous; Ildar Abdrazakov; Coro Teatro Regio Torino; Verbier Festival Orchestra; Gianandrea Noseda |
4:52 | |||
|
1.10
|
IIj. Lacrymosa (Live)
Giuseppe Verdi; Anonymous; Maria Agresta; Daniela Barcellona; Piotr Beczala; Ildar Abdrazakov; Coro Teatro Regio Torino; Verbier Festival Orchestra; Gianandrea Noseda |
5:14 | |||
|
1.11
|
III. Offertorium (Live)
Giuseppe Verdi; Anonymous; Maria Agresta; Daniela Barcellona; Piotr Beczala; Ildar Abdrazakov; Verbier Festival Orchestra; Gianandrea Noseda |
9:10 | |||
|
1.12
|
IV. Sanctus (Live)
Giuseppe Verdi; Anonymous; Coro Teatro Regio Torino; Verbier Festival Orchestra; Gianandrea Noseda |
2:25 | |||
|
1.13
|
V. Agnus Dei (Live)
Giuseppe Verdi; Anonymous; Maria Agresta; Daniela Barcellona; Coro Teatro Regio Torino; Verbier Festival Orchestra; Gianandrea Noseda |
4:53 | |||
|
1.14
|
VI. Lux aeterna (Live)
Giuseppe Verdi; Anonymous; Daniela Barcellona; Piotr Beczala; Ildar Abdrazakov; Verbier Festival Orchestra; Gianandrea Noseda |
5:24 | |||
|
1.15
|
VII. Libera me (Live)
Giuseppe Verdi; Anonymous; Maria Agresta; Coro Teatro Regio Torino; Verbier Festival Orchestra; Gianandrea Noseda |
13:53 | |||
“It moved the writer to tears… One of our most talented and intelligent conductors, a quartet of first-class voices, a young orchestra that is increasingly enthusiastic about working with podium professionals from whom it can learn precious lessons, and the superb choir of the Regio di Torino.”
– Luca Chierici (il Corriere Musicale)
Gianandrea Noseda’s 2013 account of Verdi’s transcendent Requiem marks one of the most electrifying moments in Verbier Festival history. Soloists Maria Agresta, Daniela Barcellona, Piotr Beczala, and Ildar Abdrazakov deliver spellbinding performances. As do the singers of the Coro Teatro Regio Torino, and musicians of the Verbier Festival Orchestra. Joining together – from the hushed tones of the ‘Introit’ to the radiant cadence of the ‘Libera me’ – these forces conjure a journey of monumental power under Noseda’s expert direction. The recording of this indelible performance, available in both audio and film, will immerse audiences in a breathtaking voyage from despair to resurrection.
48 kHz / 24-bit PCM – Verbier Festival Gold Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.79 -9.01 to -0.52 | -25.04 -31.52 to -16.83 | -20.25 -27.70 to -11.90 | 13 9 to 16 | |
| 1 | I. Requiem (Live) | -0.52 | -24.58 | -18.8 | 15 |
| 2 | IIa. Dies irae (Live) | -0.52 | -16.83 | -11.9 | 9 |
| 3 | IIb. Tuba mirum – IIc. Mors stupebit (Live) | -0.52 | -19.42 | -12.5 | 10 |
| 4 | IId. Liber scriptus (Live) | -0.52 | -24.34 | -18.5 | 14 |
| 5 | IIe. Quid sum miser (Live) | -7.92 | -31.52 | -27.7 | 13 |
| 6 | IIf. Rex tremendae (Live) | -0.52 | -19.46 | -14.3 | 11 |
| 7 | IIg. Recordare (Live) | -9.01 | -30.92 | -27.5 | 13 |
| 8 | IIh. Ingemisco (Live) | -7.64 | -31.22 | -26.2 | 14 |
| 9 | IIi. Confutatis (Live) | -0.52 | -23.10 | -17.7 | 13 |
| 10 | IIj. Lacrymosa (Live) | -0.80 | -26.50 | -22.3 | 16 |
| 11 | III. Offertorium (Live) | -0.90 | -27.07 | -22.4 | 16 |
| 12 | IV. Sanctus (Live) | -0.52 | -18.39 | -15.0 | 10 |
| 13 | V. Agnus Dei (Live) | -6.69 | -31.02 | -27.6 | 14 |
| 14 | VI. Lux aeterna (Live) | -4.69 | -29.57 | -25.3 | 15 |
| 15 | VII. Libera me (Live) | -0.52 | -21.60 | -16.1 | 12 |