℗ 2022 Warner Music France; A Warner Classics/Erato release,
Released | March 25, 2022 |
Duration | 4h 16m 36s |
Record Label | Warner Classics |
Genre | Classical |
Pierné: L'œuvre de piano
Diane Andersen
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Sérénade pour violon et piano, Op. 7 (Transcr. pour piano seul)
Gabriel Pierné; Diane Andersen |
2:48 | |||
1.2
|
Intermezzo (Transcr. pour piano)
Gabriel Pierné; Diane Andersen |
4:21 | |||
15 Pièces, Op. 3
|
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1.3
|
No. 1, Romance sans paroles
Gabriel Pierné; Diane Andersen |
2:10 | |||
1.4
|
No. 2, Chanson de la grand-maman
Gabriel Pierné; Diane Andersen |
2:32 | |||
1.5
|
No. 3, Fantasmagorie
Gabriel Pierné; Diane Andersen |
2:24 | |||
1.6
|
No. 4, Marche funèbre
Gabriel Pierné; Diane Andersen |
6:38 | |||
1.7
|
No. 5, Coquetterie
Gabriel Pierné; Diane Andersen |
2:26 | |||
1.8
|
No. 6, Prélude
Gabriel Pierné; Diane Andersen |
3:03 | |||
1.9
|
No. 7, Fugue
Gabriel Pierné; Diane Andersen |
3:12 | |||
1.10
|
No. 8. À l'église. Choral
Gabriel Pierné; Diane Andersen |
5:19 | |||
1.11
|
No. 9, Menuet vif
Gabriel Pierné; Diane Andersen |
3:58 | |||
1.12
|
No. 10, Jeux d'enfants I. La marelle
Gabriel Pierné; Diane Andersen |
2:08 | |||
1.13
|
No. 11, Jeux d'enfants II. L'escarpolette
Gabriel Pierné; Diane Andersen |
3:19 | |||
1.14
|
No. 12, Jeux d'enfants III. Cache-cache
Gabriel Pierné; Diane Andersen |
2:41 | |||
1.15
|
No. 13, Valse
Gabriel Pierné; Diane Andersen |
3:04 | |||
1.16
|
No. 14, Feuillet d'album
Gabriel Pierné; Diane Andersen |
1:56 | |||
1.17
|
No. 15, Tarantelle "Souvenir de Naples"
Gabriel Pierné; Diane Andersen |
3:28 | |||
1.18
|
Étude de concert, Op. 13
Gabriel Pierné; Diane Andersen |
4:15 | |||
1.19
|
Deuxième valse, Op. 15
Gabriel Pierné; Diane Andersen |
2:43 | |||
Album pour mes petits amis, Op. 14
|
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1.20
|
No. 1, Pastorale
Gabriel Pierné; Diane Andersen |
3:10 | |||
1.21
|
No. 2, Farandole
Gabriel Pierné; Diane Andersen |
1:19 | |||
1.22
|
No. 3, La veillée de l'ange gardien
Gabriel Pierné; Diane Andersen |
3:24 | |||
1.23
|
No. 4, Petite gavotte
Gabriel Pierné; Diane Andersen |
2:12 | |||
1.24
|
No. 5, Chanson d'autrefois
Gabriel Pierné; Diane Andersen |
3:02 | |||
1.25
|
No. 6, Marche des petits soldats de plomb
Gabriel Pierné; Diane Andersen |
3:13 | |||
1.26
|
Humoresque, Op. 17
Gabriel Pierné; Diane Andersen |
6:02 | |||
1.27
|
Almée, Op. 18
Gabriel Pierné; Diane Andersen |
4:20 | |||
1.28
|
Rêverie, Op. 20
Gabriel Pierné; Diane Andersen |
4:02 | |||
1.29
|
Improvisata, Op. 22
Gabriel Pierné; Diane Andersen |
3:41 | |||
1.30
|
Pantomime, Op. 24
Gabriel Pierné; Diane Andersen |
3:31 | |||
1.31
|
Ariette dans le style ancien, Op. 28
Gabriel Pierné; Diane Andersen |
2:44 | |||
1.32
|
Première mazurka, Op. 28bis
Gabriel Pierné; Diane Andersen |
4:23 | |||
3 Pièces pour orgue, Op. 29
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1.33
|
No. 3, Scherzando de concert (Transcr. pour piano)
Gabriel Pierné; Diane Andersen |
3:58 | |||
1.34
|
Pastorale variée dans le style ancien, Op. 30
Gabriel Pierné; Diane Andersen |
8:11 | |||
Izeÿl
|
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1.35
|
Sérénade (Transcr. pour piano)
Gabriel Pierné; Diane Andersen |
4:42 | |||
1.36
|
Premier nocturne, Op. 31
Gabriel Pierné; Diane Andersen |
4:01 | |||
1.37
|
Sérénade à Colombine, Op. 32
Gabriel Pierné; Diane Andersen |
3:33 | |||
1.38
|
Bagatelle, Op. 33
Gabriel Pierné; Diane Andersen |
2:17 | |||
1.39
|
Sérénade vénitienne, Op. 34
Gabriel Pierné; Diane Andersen |
4:26 | |||
6 Airs à danser, Op. 38
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1.40
|
No. 1, Rigaudon
Gabriel Pierné; Diane Andersen |
2:56 | |||
1.41
|
No. 2, Passepied
Gabriel Pierné; Diane Andersen |
3:42 | |||
1.42
|
No. 3, La canarie
Gabriel Pierné; Diane Andersen |
2:44 | |||
1.43
|
No. 4, Pavane et saltarelle
Gabriel Pierné; Diane Andersen |
7:11 | |||
1.44
|
No. 5, Menuet du Roy
Gabriel Pierné; Diane Andersen |
3:31 | |||
1.45
|
No. 6, Passamezzo
Gabriel Pierné; Diane Andersen |
2:22 | |||
3 Pièces formant suite de concert, Op. 40
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1.46
|
No. 1, Preludio e fughetta
Gabriel Pierné; Diane Andersen |
5:28 | |||
1.47
|
No. 2, Nocturne en forme de valse
Gabriel Pierné; Diane Andersen |
7:56 | |||
1.48
|
No. 3, Étude symphonique
Gabriel Pierné; Diane Andersen |
8:27 | |||
Variations en ut mineur, Op. 42
|
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1.49
|
I. Lent
Gabriel Pierné; Diane Andersen |
10:36 | |||
1.50
|
II. Allegro non troppo
Gabriel Pierné; Diane Andersen |
5:26 | |||
1.51
|
III. Très lent
Gabriel Pierné; Diane Andersen |
5:07 | |||
1.52
|
IV. Le double plus vite
Gabriel Pierné; Diane Andersen |
6:11 | |||
1.53
|
Passacaille, Op. 52
Gabriel Pierné; Diane Andersen |
13:31 | |||
6 Pièces posthumes
|
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1.54
|
No. 1, Prélude sur le nom de Paul Dukas, pour son tombeau
Gabriel Pierné; Diane Andersen |
2:54 | |||
1.55
|
No. 2, La poupée mécanique de Debussy "Divertissement grave sur un thème puéril"
Gabriel Pierné; Diane Andersen |
2:28 | |||
1.56
|
No. 3, Mendelssohnia "Romance sans paroles"
Gabriel Pierné; Diane Andersen |
3:46 | |||
1.57
|
No. 4, Le tombeau de César Franck
Gabriel Pierné; Diane Andersen |
5:33 | |||
1.58
|
No. 5, Voyage au pays du Tendre
Gabriel Pierné; Diane Andersen |
12:30 | |||
1.59
|
No. 6, Gulliver au pays de Lilliput
Gabriel Pierné; Diane Andersen |
5:41 |
Gabriel Pierné was a very important musical figure by the turn of the 20th-century, as winner of the Prix de Rome, celebrated conductor particularly involved in modern music, and composer of famous ballets such as Cydalise et le chèvre-pied. On the other hand, his piano music remains largely unknown. This collection by Belgian pianist Diane Andersen is the only complete recording existing! Chronologically ordered, this catalogue reveals Pierné’s evolving style and sensitivity, from early salon music to Fauré-like pieces and somber late works such as the incredible Variations. Many of the works gathered here, remastered in high-resolution, are absolute premieres on record!
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-59 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-59 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.30 -13.00 to -0.62 | -27.71 -34.82 to -21.25 | -24.30 -31.60 to -17.70 | 14 11 to 17 | |
1 | Sérénade pour violon et piano, Op. 7 (Transcr. pour piano seul) | -5.21 | -27.58 | -24.6 | 13 |
2 | Intermezzo (Transcr. pour piano) | -2.73 | -26.32 | -23.2 | 15 |
3 | No. 1, Romance sans paroles | -5.75 | -25.04 | -22.2 | 11 |
4 | No. 2, Chanson de la grand-maman | -11.24 | -32.61 | -29.5 | 13 |
5 | No. 3, Fantasmagorie | -4.55 | -27.15 | -23.8 | 14 |
6 | No. 4, Marche funèbre | -3.87 | -29.58 | -25.6 | 16 |
7 | No. 5, Coquetterie | -3.80 | -26.13 | -23.0 | 13 |
8 | No. 6, Prélude | -9.32 | -29.42 | -26.7 | 13 |
9 | No. 7, Fugue | -1.73 | -21.25 | -18.0 | 12 |
10 | No. 8. À l'église. Choral | -2.24 | -26.14 | -22.2 | 15 |
11 | No. 9, Menuet vif | -3.05 | -25.81 | -22.8 | 15 |
12 | No. 10, Jeux d'enfants I. La marelle | -12.72 | -32.13 | -28.3 | 12 |
13 | No. 11, Jeux d'enfants II. L'escarpolette | -9.91 | -30.38 | -27.5 | 12 |
14 | No. 12, Jeux d'enfants III. Cache-cache | -7.93 | -26.80 | -23.7 | 12 |
15 | No. 13, Valse | -6.72 | -26.37 | -23.4 | 12 |
16 | No. 14, Feuillet d'album | -2.47 | -26.98 | -24.0 | 14 |
17 | No. 15, Tarantelle "Souvenir de Naples" | -1.58 | -24.73 | -21.5 | 14 |
18 | Étude de concert, Op. 13 | -1.07 | -21.37 | -18.0 | 12 |
19 | Deuxième valse, Op. 15 | -1.75 | -25.45 | -21.7 | 16 |
20 | No. 1, Pastorale | -10.95 | -32.65 | -29.3 | 13 |
21 | No. 2, Farandole | -6.06 | -26.14 | -23.1 | 12 |
22 | No. 3, La veillée de l'ange gardien | -10.72 | -34.46 | -31.6 | 14 |
23 | No. 4, Petite gavotte | -10.89 | -32.05 | -29.0 | 13 |
24 | No. 5, Chanson d'autrefois | -13.00 | -33.13 | -30.2 | 12 |
25 | No. 6, Marche des petits soldats de plomb | -3.51 | -27.85 | -24.2 | 15 |
26 | Humoresque, Op. 17 | -1.55 | -23.98 | -20.5 | 14 |
27 | Almée, Op. 18 | -1.03 | -26.40 | -22.8 | 16 |
28 | Rêverie, Op. 20 | -2.18 | -27.10 | -23.7 | 16 |
29 | Improvisata, Op. 22 | -4.83 | -29.11 | -25.5 | 14 |
30 | Pantomime, Op. 24 | -5.46 | -27.24 | -23.9 | 14 |
31 | Ariette dans le style ancien, Op. 28 | -9.55 | -30.60 | -27.6 | 14 |
32 | Première mazurka, Op. 28bis | -4.53 | -25.37 | -22.2 | 14 |
33 | No. 3, Scherzando de concert (Transcr. pour piano) | -0.62 | -22.76 | -19.6 | 14 |
34 | Pastorale variée dans le style ancien, Op. 30 | -3.95 | -26.05 | -22.4 | 14 |
35 | Sérénade (Transcr. pour piano) | -4.57 | -30.29 | -26.9 | 16 |
36 | Premier nocturne, Op. 31 | -6.75 | -31.74 | -28.0 | 15 |
37 | Sérénade à Colombine, Op. 32 | -6.51 | -30.04 | -26.6 | 14 |
38 | Bagatelle, Op. 33 | -7.94 | -27.99 | -24.0 | 13 |
39 | Sérénade vénitienne, Op. 34 | -4.73 | -27.41 | -23.9 | 15 |
40 | No. 1, Rigaudon | -4.87 | -25.86 | -22.6 | 13 |
41 | No. 2, Passepied | -6.65 | -28.89 | -25.7 | 13 |
42 | No. 3, La canarie | -5.89 | -27.70 | -24.5 | 15 |
43 | No. 4, Pavane et saltarelle | -2.97 | -28.30 | -25.1 | 16 |
44 | No. 5, Menuet du Roy | -7.45 | -26.76 | -23.7 | 14 |
45 | No. 6, Passamezzo | -2.10 | -22.90 | -19.5 | 13 |
46 | No. 1, Preludio e fughetta | -3.10 | -23.47 | -20.0 | 13 |
47 | No. 2, Nocturne en forme de valse | -6.23 | -29.80 | -25.4 | 15 |
48 | No. 3, Étude symphonique | -1.47 | -21.37 | -17.7 | 13 |
49 | I. Lent | -3.22 | -30.36 | -26.4 | 17 |
50 | II. Allegro non troppo | -1.02 | -22.52 | -18.7 | 13 |
51 | III. Très lent | -8.98 | -32.63 | -29.2 | 15 |
52 | IV. Le double plus vite | -1.92 | -22.78 | -19.1 | 13 |
53 | Passacaille, Op. 52 | -1.52 | -25.46 | -21.3 | 15 |
54 | No. 1, Prélude sur le nom de Paul Dukas, pour son tombeau | -7.58 | -34.82 | -31.3 | 16 |
55 | No. 2, La poupée mécanique de Debussy "Divertissement grave sur un thème puéril" | -7.77 | -30.99 | -27.2 | 14 |
56 | No. 3, Mendelssohnia "Romance sans paroles" | -4.39 | -30.43 | -27.1 | 16 |
57 | No. 4, Le tombeau de César Franck | -8.04 | -30.45 | -27.0 | 15 |
58 | No. 5, Voyage au pays du Tendre | -5.25 | -29.38 | -25.2 | 16 |
59 | No. 6, Gulliver au pays de Lilliput | -5.05 | -26.49 | -22.4 | 14 |