℗ 2022 Tresona Multimedia
| Released | March 22, 2022 |
| Duration | 1h 02m 45s |
| Record Label | Soundset |
| Catalogue No. | SR1135 |
| Genre | Classical (Guitar) |
Things to Be Heard with a Single Ear: Works by Ellen C. Covito & Philip Corner
Elliot Simpson
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Composed Improvisation G
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1.1
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I. Da Milano, after Josquin
Ellen C. Covito; Elliot Simpson |
9:21 | |||
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1.2
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II. Matiegka, after Haydn III
Ellen C. Covito; Elliot Simpson |
10:54 | |||
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1.3
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III. Matiegka, after Haydn II
Ellen C. Covito; Elliot Simpson |
10:30 | |||
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1.4
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IV. Cage, after Satie I
Ellen C. Covito; Elliot Simpson |
9:07 | |||
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La Plata (4 pieces for guitar for Claudio Calmens)
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1.5
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I. Toccatata
Philip Corner; Elliot Simpson |
5:33 | |||
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1.6
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II. SuperScale
Philip Corner; Elliot Simpson |
9:06 | |||
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1.7
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III. Lingering Random Chords (after William Faulkner)
Philip Corner; Elliot Simpson |
3:53 | |||
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1.8
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IV. ‘Woody’ (guitar laugh)
Philip Corner; Elliot Simpson |
4:21 | |||
96 kHz / 24-bit PCM – Soundset Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.40 -9.43 to -1.00 | -27.67 -39.13 to -18.37 | -22.94 -31.10 to -14.60 | 15 10 to 20 | |
| 1 | I. Da Milano, after Josquin | -1.00 | -25.93 | -22.5 | 17 |
| 2 | II. Matiegka, after Haydn III | -1.00 | -22.55 | -19.0 | 14 |
| 3 | III. Matiegka, after Haydn II | -1.00 | -29.18 | -24.2 | 20 |
| 4 | IV. Cage, after Satie I | -1.37 | -31.13 | -25.8 | 17 |
| 5 | I. Toccatata | -1.00 | -18.88 | -15.3 | 10 |
| 6 | II. SuperScale | -9.43 | -36.21 | -31.0 | 16 |
| 7 | III. Lingering Random Chords (after William Faulkner) | -3.38 | -39.13 | -31.1 | 19 |
| 8 | IV. ‘Woody’ (guitar laugh) | -1.00 | -18.37 | -14.6 | 10 |