Couperin: 3 Leçons de tenébres
Carolyn Sampson, Marianne Beate Kielland, The King's Consort, Robert King
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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3 Leçons de tenébres, Première leçon
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1.1
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Aleph. Quomodo sedet sola
François Couperin; Carolyn Sampson; The King's Consort; Robert King |
3:12 | |||
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1.2
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Beth. Plorans ploravit in nocte
François Couperin; Carolyn Sampson; The King's Consort; Robert King |
4:19 | |||
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1.3
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Ghimel. Migravit Juda
François Couperin; Carolyn Sampson; The King's Consort; Robert King |
2:35 | |||
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1.4
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Daleth. Viae Sion lugent
François Couperin; Carolyn Sampson; The King's Consort; Robert King |
1:46 | |||
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1.5
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He. Facti sunt hostes
François Couperin; Carolyn Sampson; The King's Consort; Robert King |
3:14 | |||
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1.6
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Jerusalem
François Couperin; Carolyn Sampson; The King's Consort; Robert King |
3:32 | |||
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3 Leçons de tenébres, Seconde leçon
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1.7
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Vau
François Couperin; Marianne Beate Kielland; The King's Consort; Robert King |
2:08 | |||
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1.8
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Zain. Recordata est Jerusalem
François Couperin; Marianne Beate Kielland; The King's Consort; Robert King |
2:57 | |||
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1.9
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Heth. Peccatum peccavit Jerusalem.
François Couperin; Marianne Beate Kielland; The King's Consort; Robert King |
1:51 | |||
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1.10
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Teth. Sordes ejus
François Couperin; Marianne Beate Kielland; The King's Consort; Robert King |
2:49 | |||
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1.11
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Jerusalem
François Couperin; Marianne Beate Kielland; The King's Consort; Robert King |
2:33 | |||
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3 Leçons de tenébres, Troisième leçon
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1.12
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Jod
François Couperin; Carolyn Sampson; Marianne Beate Kielland; The King's Consort; Robert King |
2:32 | |||
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1.13
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Caph. Omnis populus
François Couperin; Carolyn Sampson; Marianne Beate Kielland; The King's Consort; Robert King |
1:47 | |||
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1.14
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Lamed. O vos omnes
François Couperin; Carolyn Sampson; Marianne Beate Kielland; The King's Consort; Robert King |
2:09 | |||
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1.15
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Mem. De excelso misit - Nun. Vigilavit
François Couperin; Carolyn Sampson; Marianne Beate Kielland; The King's Consort; Robert King |
3:55 | |||
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1.16
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Jerusalem
François Couperin; Carolyn Sampson; Marianne Beate Kielland; The King's Consort; Robert King |
2:22 | |||
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Pièces de viole, Book 2, Suite No. 6 in E Minor
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1.17
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Tombeau pour Monsieur de Sainte-Colombe
Marin Marais; The King's Consort; Robert King |
7:28 | |||
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Pièces de viole, Book 5, Suite No. 2 in A Major
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1.18
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XII. Chaconne
Marin Marais; The King's Consort; Robert King |
2:51 | |||
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Motet pour le jour de Pâques "Victoria"
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1.19
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Victoria -
François Couperin; Carolyn Sampson; Marianne Beate Kielland; The King's Consort; Robert King |
3:07 | |||
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1.20
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Sic Jesus pastor bonus -
François Couperin; Carolyn Sampson; Marianne Beate Kielland; The King's Consort; Robert King |
1:53 | |||
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1.21
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O Jesu, Jesu, salus, lux et vita
François Couperin; Carolyn Sampson; Marianne Beate Kielland; The King's Consort; Robert King |
2:29 | |||
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1.22
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Prelude in E Minor
Jean de Sainte-Colombe; Susanne Heinrich |
5:00 | |||
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Magnificat
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1.23
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Magnificat anima mea Dominum
François Couperin; Carolyn Sampson; Marianne Beate Kielland; The King's Consort; Robert King |
3:42 | |||
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1.24
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Et misericordia ejus a progenie
François Couperin; Carolyn Sampson; Marianne Beate Kielland; The King's Consort; Robert King |
3:45 | |||
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1.25
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Suscepit Israel puerum suum
François Couperin; Carolyn Sampson; Marianne Beate Kielland; The King's Consort; Robert King |
2:20 | |||
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1.26
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Gloria Patri, et Filio
François Couperin; Carolyn Sampson; Marianne Beate Kielland; The King's Consort; Robert King |
2:17 | |||
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Digital Booklet
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Couperin’s vividly atmospheric and richly dissonant settings of Jeremiah’s anguished texts present music of an intensity and power that is rather unique in Baroque sacred repertoire. The three glorious Leçons are performed by two of the finest singers in the field, British soprano Carolyn Sampson and Norwegian mezzo Marianne Beate Kielland, whose exquisite, intertwining duets are a highlight of the programme. Accompanying the two vocalists are theorbo player Lynda Sayce, organist Robert King and award-winning violist Susanne Heinrich, who also contributes a striking Prélude by the shadowy Monsieur de Sainte-Colombe le fils and two ravishing solos by Marais, including the wonderfully melancholy Tombeau.
96 kHz / 24-bit PCM – VIVAT Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.32 -12.76 to -0.53 | -27.15 -34.25 to -23.75 | -23.82 -31.00 to -19.80 | 13 12 to 17 | |
| 1 | Aleph. Quomodo sedet sola | -4.13 | -26.97 | -23.6 | 14 |
| 2 | Beth. Plorans ploravit in nocte | -4.03 | -28.19 | -24.9 | 14 |
| 3 | Ghimel. Migravit Juda | -7.36 | -30.27 | -27.2 | 14 |
| 4 | Daleth. Viae Sion lugent | -2.35 | -26.54 | -23.3 | 12 |
| 5 | He. Facti sunt hostes | -6.56 | -27.72 | -24.7 | 13 |
| 6 | Jerusalem | -2.97 | -28.35 | -24.9 | 15 |
| 7 | Vau | -4.67 | -25.46 | -22.2 | 13 |
| 8 | Zain. Recordata est Jerusalem | -2.68 | -25.22 | -21.8 | 13 |
| 9 | Heth. Peccatum peccavit Jerusalem. | -1.78 | -28.17 | -23.7 | 12 |
| 10 | Teth. Sordes ejus | -2.12 | -28.46 | -25.4 | 17 |
| 11 | Jerusalem | -2.54 | -25.05 | -21.2 | 12 |
| 12 | Jod | -3.51 | -24.76 | -21.4 | 12 |
| 13 | Caph. Omnis populus | -0.53 | -23.75 | -19.8 | 13 |
| 14 | Lamed. O vos omnes | -2.35 | -24.71 | -20.6 | 12 |
| 15 | Mem. De excelso misit - Nun. Vigilavit | -1.60 | -26.98 | -23.7 | 15 |
| 16 | Jerusalem | -1.89 | -23.88 | -20.5 | 12 |
| 17 | Tombeau pour Monsieur de Sainte-Colombe | -10.25 | -31.72 | -29.2 | 14 |
| 18 | XII. Chaconne | -11.42 | -30.28 | -27.9 | 12 |
| 19 | Victoria - | -2.47 | -24.92 | -21.7 | 13 |
| 20 | Sic Jesus pastor bonus - | -6.22 | -27.60 | -24.7 | 13 |
| 21 | O Jesu, Jesu, salus, lux et vita | -4.87 | -27.32 | -23.9 | 14 |
| 22 | Prelude in E Minor | -12.76 | -34.25 | -31.0 | 12 |
| 23 | Magnificat anima mea Dominum | -2.80 | -25.96 | -22.5 | 14 |
| 24 | Et misericordia ejus a progenie | -2.54 | -26.29 | -23.1 | 15 |
| 25 | Suscepit Israel puerum suum | -4.97 | -28.33 | -25.4 | 13 |
| 26 | Gloria Patri, et Filio | -2.84 | -24.82 | -21.1 | 14 |