℗ 2022 Glossa
Released April 15, 2022
Duration 1h 06m 40s
Record Label Glossa
Catalogue No. GCD924701
Genre Classical (Violin)
 

Biber: Violin Sonatas

Lina Tur Bonet, Musica Alchemica

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Violin Sonata III in F Major, C. 140  
1.1
I. Adagio
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
1:51
1.2
II. Aria
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
2:38
1.3
III. Presto
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
3:01
1.4
IV. Variation
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
5:11
Violin Sonata V in E Minor, C. 142  
1.5
I. —
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
2:20
1.6
II. Variation
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
5:15
1.7
III. Aria
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
3:58
Violin Sonata I in A Major, C. 138  
1.8
I. —
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
3:11
1.9
II. Presto
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
0:44
1.10
III. Variation
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
5:33
1.11
IV. Finale
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
1:26
Violin Sonata VI in C Minor, C. 143  
1.12
I. —
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
1:22
1.13
II. Passacagli
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
4:26
1.14
III. —
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
2:12
1.15
IV. Gavotte
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
2:19
1.16
V. Adagio
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
3:03
Violin Parthia No. 7 in C Minor "Artificioso-ariosa"  
1.17
I. Praeludium
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
2:58
1.18
II. Allamande
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
2:11
1.19
III. Sarabande
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
1:13
1.20
IV. Gigue
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
2:06
1.21
V. Aria
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
2:00
1.22
VI. Trezza
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
0:48
1.23
VII. Arietta variata
Heinrich Ignaz Franz von Biber; Lina Tur Bonet; Musica Alchemica
6:54
Digital Booklet
Heinrich Ignaz Franz Biber is the most dazzling figure among the violin virtuosos of the 17th century, comparable to a Paganini in the 19th, even though Biber did not travel around and spent most of his life permanently employed as a Kapellmeister in Salzburg. Biber's pieces are bursting with virtuoso elements, new techniques, bizarreness and endless ingenuity - the stylus phantasticus at the height of the age. His collection of violin sonatas, printed in Nuremberg in 1681, became a standard work and spread throughout Europe. Lina Tur Bonet has selected four of the eight sonatas for solo violin with basso continuo and added a parthia for two viola d'amore. The Spanish violinist Lina Tur Bonet is a pronounced specialist for virtuoso violin music of the early Baroque and has already recorded several albums with her ensemble Musica Alchemica on the Pan Classics label. Her complete recording of Biber's Rosary Sonatas was celebrated by critics and audiences alike, and she received the Diapason d'or in France for her album "La Bellezza". Her two albums with Vivaldi concertos and sonatas also received great acclaim. Biber's violin sonatas are now her debut on the Glossa label.
96 kHz / 24-bit PCM – Glossa Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.91
-4.13 to -0.70
-16.89
-20.64 to -14.36
-14.03
-18.30 to -11.50
10
7 to 12
1
I. Adagio
-0.71-16.91-13.89
2
II. Aria
-0.72-18.12-15.49
3
III. Presto
-0.71-18.00-14.511
4
IV. Variation
-0.71-17.63-14.39
5
I. —
-0.71-15.47-12.89
6
II. Variation
-0.70-14.77-12.09
7
III. Aria
-0.71-18.64-15.211
8
I. —
-0.72-17.89-15.312
9
II. Presto
-0.73-17.25-14.610
10
III. Variation
-0.72-16.21-13.610
11
IV. Finale
-0.72-18.66-15.311
12
I. —
-4.13-20.64-18.311
13
II. Passacagli
-0.71-15.68-13.29
14
III. —
-1.46-19.88-17.410
15
IV. Gavotte
-1.09-17.54-14.911
16
V. Adagio
-0.70-15.10-12.38
17
I. Praeludium
-0.70-14.36-11.57
18
II. Allamande
-0.71-15.11-12.09
19
III. Sarabande
-0.71-16.27-13.410
20
IV. Gigue
-0.71-16.57-13.810
21
V. Aria
-0.71-16.31-13.510
22
VI. Trezza
-0.86-16.52-13.210
23
VII. Arietta variata
-0.70-14.95-12.39

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