Haydn: Symphonies Nos. 53, 64 & 96 (Live)
Oregon Symphony, Carlos Kalmar
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Symphony No. 53 in D Major, Hob. I:53 "Imperial"
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1.1
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I. Largo maestoso - Vivace
Franz Joseph Haydn; Oregon Symphony; Carlos Kalmar |
6:42 | |||
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1.2
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II. Andante
Franz Joseph Haydn; Oregon Symphony; Carlos Kalmar |
6:30 | |||
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1.3
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III. Menuetto
Franz Joseph Haydn; Oregon Symphony; Carlos Kalmar |
3:33 | |||
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1.4
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IVa. Finale. Capriccio moderato
Franz Joseph Haydn; Oregon Symphony; Carlos Kalmar |
5:14 | |||
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Symphony No. 64 in A Major, Hob. I:64 "Tempora mutantur"
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1.5
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I. Allegro con spirito
Franz Joseph Haydn; Oregon Symphony; Carlos Kalmar |
6:07 | |||
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1.6
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II. Largo
Franz Joseph Haydn; Oregon Symphony; Carlos Kalmar |
6:27 | |||
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1.7
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III. Menuet. Allegretto
Franz Joseph Haydn; Oregon Symphony; Carlos Kalmar |
3:03 | |||
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1.8
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IV. Finale: Presto
Franz Joseph Haydn; Oregon Symphony; Carlos Kalmar |
3:04 | |||
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Symphony No. 96 in D Major, Hob. I:96 "The Miracle"
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1.9
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I. Adagio - Allegro
Franz Joseph Haydn; Oregon Symphony; Carlos Kalmar |
6:58 | |||
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1.10
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II. Andante
Franz Joseph Haydn; Oregon Symphony; Carlos Kalmar |
5:30 | |||
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1.11
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III. Menuetto. Allegretto
Franz Joseph Haydn; Oregon Symphony; Carlos Kalmar |
5:03 | |||
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1.12
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IV. Finale. Vivace assai
Franz Joseph Haydn; Oregon Symphony; Carlos Kalmar |
3:31 | |||
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Digital Booklet
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Grammy Award nomination – Producer Of The Year, Classical, 2017
Whether it’s a confident swagger or a balletic grace, a beguiling folk melody or a quicksilver rondo, there is always something new to discover in the endlessly inventive symphonies of Haydn, especially in these firm favourites recorded live by the multiple Grammy-nominated Oregon Symphony under Carlos Kalmar. While Haydn wrote only one “Surprise” symphony, there are surprises to be enjoyed aplenty here. From the bewildering Largo in the Symphony No. 64, with its unexpected turns and derailments, to the ceremonial elegance and ear-tickling melodies of the Symphony No. 53 or the mock heroics and propulsive rhythms of the Symphony No. 96, Haydn’s irrepressible and dazzling ingenuity constantly delights and astonishes.
88.2 kHz / 24-bit PCM – PentaTone Studio Masters
Recorded live at the Arlene Schnitzer Concert Hall, Portland, Oregon, 2013 (Symphony No. 64) and 2016 (Symphony No. 53 and Symphony No. 96) Executive producer: Job Maarse Recording producer: Blanton Alspaugh Recording engineer: John Newton Mixing and mastering: Mark Donahue Liner notes: Elizabeth Schwartz Cover image: Nancy Horowitz Orchestra photo: Leah Nash Designer: Joost de Boo Product manager: Max Tiel
Recorded live at the Arlene Schnitzer Concert Hall, Portland, Oregon, 2013 (Symphony No. 64) and 2016 (Symphony No. 53 and Symphony No. 96) Executive producer: Job Maarse Recording producer: Blanton Alspaugh Recording engineer: John Newton Mixing and mastering: Mark Donahue Liner notes: Elizabeth Schwartz Cover image: Nancy Horowitz Orchestra photo: Leah Nash Designer: Joost de Boo Product manager: Max Tiel
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.26 -6.97 to -0.30 | -22.28 -27.49 to -19.89 | -19.01 -23.60 to -16.20 | 13 12 to 16 | |
| 1 | I. Largo maestoso - Vivace | -0.32 | -20.69 | -17.6 | 13 |
| 2 | II. Andante | -6.97 | -26.63 | -23.6 | 13 |
| 3 | III. Menuetto | -0.51 | -21.71 | -19.1 | 13 |
| 4 | IVa. Finale. Capriccio moderato | -0.32 | -21.20 | -17.9 | 13 |
| 5 | I. Allegro con spirito | -1.85 | -21.83 | -18.6 | 13 |
| 6 | II. Largo | -2.54 | -27.49 | -23.6 | 16 |
| 7 | III. Menuet. Allegretto | -1.00 | -23.03 | -20.0 | 13 |
| 8 | IV. Finale: Presto | -0.32 | -20.79 | -17.4 | 13 |
| 9 | I. Adagio - Allegro | -0.30 | -19.89 | -16.2 | 12 |
| 10 | II. Andante | -0.42 | -23.29 | -19.7 | 14 |
| 11 | III. Menuetto. Allegretto | -0.31 | -20.51 | -17.6 | 14 |
| 12 | IV. Finale. Vivace assai | -0.30 | -20.32 | -16.8 | 13 |