℗ 2022 Glossa
| Released | April 15, 2022 |
| Duration | 1h 20m 58s |
| Record Label | Glossa |
| Catalogue No. | GCD923531 |
| Genre | Classical (Baroque Era) |
A Souvenir from London
Francesca Cassinari, Stile Galante, Andrea Friggi, Chiara Granata, Agnieszka Oszańca, Giulia Gillio Gianetta
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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6 Ariettes, Op. 1 (Version for Voice & Piano)
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1.1
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No. 1, Nice mia, oh Dio, rammenta
Luigi Marchesi; Francesca Cassinari; Stile Galante; Andrea Friggi |
3:49 | |||
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1.2
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No. 2, Che ciascun per te sospiri
Luigi Marchesi; Francesca Cassinari; Stile Galante; Andrea Friggi |
3:06 | |||
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1.3
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No. 3, Sembianze amabili
Luigi Marchesi; Francesca Cassinari; Stile Galante; Andrea Friggi |
3:14 | |||
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6 Ariettes, Op. 11
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1.4
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No. 5, Auretta grata
Luigi Marchesi; Francesca Cassinari; Stile Galante; Andrea Friggi |
2:05 | |||
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1.5
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Variations on a Piemontois Air (Arr. A. Krumpholtz for Harp)
Anne-Marie Krumpholz; Martin-Pierre Dalvimare; Stile Galante; Chiara Granata |
8:21 | |||
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1.6
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No. 1, Tu che parli all'idol mio
Luigi Marchesi; Francesca Cassinari; Stile Galante; Andrea Friggi |
2:44 | |||
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1.7
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No. 3, Che fa il mio bene?
Luigi Marchesi; Francesca Cassinari; Stile Galante; Andrea Friggi |
2:57 | |||
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1.8
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No. 4, Non è ver che l'ira insegni
Luigi Marchesi; Francesca Cassinari; Stile Galante; Andrea Friggi |
2:07 | |||
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6 Duets, Op. 5 No. 1 (Version for 2 Cellos)
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1.9
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I. Allegro
James Cervetto; Stile Galante; Agnieszka Oszańca; Giulia Gillio Gianetta |
7:06 | |||
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1.10
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II. Aria. Andantino
James Cervetto; Stile Galante; Agnieszka Oszańca; Giulia Gillio Gianetta |
6:13 | |||
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1.11
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III. Allegro
James Cervetto; Stile Galante; Agnieszka Oszańca; Giulia Gillio Gianetta |
3:56 | |||
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6 Ariettes, Op. 1 (Version for Voice & Piano)
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1.12
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No. 5, Son vicino al ben che adoro
Luigi Marchesi; Francesca Cassinari; Stile Galante; Andrea Friggi |
1:56 | |||
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6 Ariettes, Op. 11
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1.13
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No. 6, Il capriccio
Luigi Marchesi; Francesca Cassinari; Stile Galante; Andrea Friggi |
2:15 | |||
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6 Ariettes, Op. 1 (Version for Voice & Piano)
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1.14
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No. 4, Ah, furbicel d'Amore
Luigi Marchesi; Francesca Cassinari; Stile Galante; Andrea Friggi |
2:30 | |||
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Piano Sonata in F Major, Op. 2
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1.15
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I. Allegro moderato
Katerina Veronika Anna Dusíková; Stile Galante; Andrea Friggi |
5:58 | |||
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1.16
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II. Adeste Fideles with 5 Variations
Katerina Veronika Anna Dusíková; Stile Galante; Andrea Friggi |
6:48 | |||
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1.17
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III. Waltz. Allegro moderato
Katerina Veronika Anna Dusíková; Stile Galante; Andrea Friggi |
3:22 | |||
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6 Ariettes, Op. 1 (Version for Voice & Piano)
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1.18
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No. 6, Se guido il gregge al prato
Luigi Marchesi; Francesca Cassinari; Stile Galante; Andrea Friggi |
1:28 | |||
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6 Ariettes, Op. 11
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1.19
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No. 2, Se mai di lei t'accendi
Luigi Marchesi; Francesca Cassinari; Stile Galante; Andrea Friggi |
2:00 | |||
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1.20
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Minuet & Variations (Arr. A. Krumpholtz for Harp)
Jean-Baptiste Krumpholz; Anne-Marie Krumpholz; Stile Galante; Chiara Granata |
9:03 | |||
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Digital Booklet
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Five years ago, Stile Galante dedicated a recording with the renowned Swedish mezzosoprano Ann Hallenberg to the celebrated soprano castrato Luigi Marchesi (1754-1829). Accompanied by soprano Francesca Cassinari, Stile Galante is now going back to this extraordinary musician and presents his work as a composer of chamber vocal music. Marchesi published during his stay in London two different collections of ariettas with fortepiano and harp accompaniment. The Ariette op. 1 & 2 are sweet musical cameos dominated by remarkable elegance. They perfectly embody the taste of the time and represent Marchesi’s wish to use his popularity as an opera singer to push in front of the audience a more all-round image of himself as an artist. The program is rounded off with brilliant instrumental pieces for fortepiano and harps by female composers Anne-Marie Krumpholz (1766-1824) and Veronika Rosalia Cianchettini (1769–1833) who worked with Marchesi in London.
96 kHz / 24-bit PCM – Glossa Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.16 -7.23 to -0.02 | -24.68 -29.90 to -20.02 | -20.92 -25.90 to -16.20 | 13 11 to 16 | |
| 1 | No. 1, Nice mia, oh Dio, rammenta | -1.81 | -21.29 | -17.0 | 11 |
| 2 | No. 2, Che ciascun per te sospiri | -0.15 | -20.02 | -16.2 | 13 |
| 3 | No. 3, Sembianze amabili | -2.28 | -22.28 | -18.2 | 13 |
| 4 | No. 5, Auretta grata | -4.22 | -26.74 | -22.3 | 14 |
| 5 | Variations on a Piemontois Air (Arr. A. Krumpholtz for Harp) | -3.64 | -27.81 | -24.5 | 16 |
| 6 | No. 1, Tu che parli all'idol mio | -0.02 | -21.81 | -18.1 | 11 |
| 7 | No. 3, Che fa il mio bene? | -1.51 | -25.10 | -20.4 | 14 |
| 8 | No. 4, Non è ver che l'ira insegni | -2.72 | -24.27 | -20.7 | 12 |
| 9 | I. Allegro | -5.73 | -25.72 | -22.7 | 13 |
| 10 | II. Aria. Andantino | -7.23 | -27.75 | -24.7 | 12 |
| 11 | III. Allegro | -6.42 | -26.26 | -23.3 | 12 |
| 12 | No. 5, Son vicino al ben che adoro | -1.28 | -23.87 | -19.4 | 15 |
| 13 | No. 6, Il capriccio | -0.53 | -22.03 | -18.2 | 13 |
| 14 | No. 4, Ah, furbicel d'Amore | -2.52 | -25.94 | -21.4 | 14 |
| 15 | I. Allegro moderato | -3.70 | -23.79 | -21.1 | 13 |
| 16 | II. Adeste Fideles with 5 Variations | -3.68 | -24.87 | -22.0 | 13 |
| 17 | III. Waltz. Allegro moderato | -3.70 | -24.00 | -21.1 | 13 |
| 18 | No. 6, Se guido il gregge al prato | -2.43 | -25.36 | -21.1 | 14 |
| 19 | No. 2, Se mai di lei t'accendi | -3.55 | -24.84 | -20.1 | 13 |
| 20 | Minuet & Variations (Arr. A. Krumpholtz for Harp) | -6.08 | -29.90 | -25.9 | 15 |