℗ 2022 BIS Records
Released | June 3, 2022 |
Duration | 1h 08m 16s |
Record Label | BIS Records |
Catalogue No. | BIS-2523 |
Genre | Classical (Orchestral) |
Tomasi, Jolivet & Others: French Trumpet Concertos
Håkan Hardenberger, Royal Stockholm Philharmonic Orchestra, Fabien Gabel, Roland Pöntinen
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Trumpet Concerto (Ed. F. Villard)
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1.1
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I. Allegro et cadence
Franck Villard; Henri Tomasi; Håkan Hardenberger; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
8:25 | |||
1.2
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II. Nocturne
Franck Villard; Henri Tomasi; Håkan Hardenberger; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
4:57 | |||
1.3
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III. Finale
Franck Villard; Henri Tomasi; Håkan Hardenberger; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
4:12 | |||
Concertino for Trumpet, Piano & Orchestra
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1.4
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Allegro
André Jolivet; Håkan Hardenberger; Roland Pöntinen; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
4:57 | |||
1.5
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Fig. 19
André Jolivet; Håkan Hardenberger; Roland Pöntinen; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
2:53 | |||
1.6
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Fig. 24
André Jolivet; Håkan Hardenberger; Roland Pöntinen; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
2:39 | |||
Suite for Trumpet & Piano, Op. 133 (Version for Trumpet & Orchestra)
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1.7
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I. Gaiement
Florent Schmitt; Håkan Hardenberger; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
3:17 | |||
1.8
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II. Lent sens excès
Florent Schmitt; Håkan Hardenberger; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
6:07 | |||
1.9
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III. Vif
Florent Schmitt; Håkan Hardenberger; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
2:16 | |||
Onze Lieder
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1.10
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Beginning
Betsy Jolas; Håkan Hardenberger; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
2:19 | |||
1.11
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Bar 37
Betsy Jolas; Håkan Hardenberger; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
2:13 | |||
1.12
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Bar 79
Betsy Jolas; Håkan Hardenberger; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
2:44 | |||
1.13
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Bar 88
Betsy Jolas; Håkan Hardenberger; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
2:50 | |||
1.14
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Bar 157
Betsy Jolas; Håkan Hardenberger; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
2:45 | |||
1.15
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Bar 196
Betsy Jolas; Håkan Hardenberger; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
2:31 | |||
Trumpet Concert No. 2
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1.16
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I. Mesto - Concitato
André Jolivet; Håkan Hardenberger; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
5:17 | |||
Trumpet Concerto No. 2
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1.17
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II. Grave - Più mosso
André Jolivet; Håkan Hardenberger; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
3:50 | |||
1.18
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III. Giocoso
André Jolivet; Håkan Hardenberger; Royal Stockholm Philharmonic Orchestra; Fabien Gabel |
4:04 | |||
Digital Booklet
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During the second half of the 19th century, a French school of trumpet playing was established, with French musicians and composers at the forefront of the instrument’s musical and technical development. As a result, it was entrusted with a more prominent role within the orchestra and soon also as a solo instrument. On the present disc, Håkan Hardenberger – who like so many other leading trumpet players studied in Paris – presents some of the fruits of this development: five important French works composed between 1944 and 1977. With the support of the Royal Stockholm Philharmonic Orchestra and conductor Fabien Gabel – who incidentally began his career as a trumpet player – he opens the disc with Henri Tomasi’s Trumpet Concerto. Often performed and recorded, it here appears on disc for the first time with its original, longer ending, reconstructed from a newly discovered manuscript.
Another rarity is the version for trumpet and orchestra of Florent Schmitt’s Suite, a work which is more commonly heard with piano accompaniment. Rather more frequent in concert are André Jolivet’s Concerto and the Concertino in which Hardenberger is joined by his regular chamber music partner Roland Pöntinen as co-soloist. The most recent work on the disc is Onze Lieder by Betsy Jolas, a work which has a special resonance for both soloist and conductor as it was written for their trumpet teacher Pierre Thibaud.
96 kHz / 24-bit PCM – BIS Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.22 -9.18 to -0.10 | -25.58 -34.22 to -19.96 | -20.81 -27.80 to -16.10 | 13 11 to 16 | |
1 | I. Allegro et cadence | -3.49 | -25.16 | -20.4 | 13 |
2 | II. Nocturne | -2.57 | -24.69 | -19.6 | 13 |
3 | III. Finale | -0.16 | -22.34 | -18.1 | 13 |
4 | Allegro | -2.33 | -22.86 | -18.9 | 12 |
5 | Fig. 19 | -4.06 | -25.53 | -20.4 | 11 |
6 | Fig. 24 | -1.20 | -22.41 | -18.0 | 12 |
7 | I. Gaiement | -0.10 | -23.51 | -19.8 | 16 |
8 | II. Lent sens excès | -0.65 | -24.97 | -19.8 | 14 |
9 | III. Vif | -0.10 | -20.82 | -16.8 | 14 |
10 | Beginning | -6.88 | -30.54 | -25.1 | 13 |
11 | Bar 37 | -5.63 | -26.90 | -21.3 | 12 |
12 | Bar 79 | -7.58 | -34.22 | -27.8 | 13 |
13 | Bar 88 | -9.18 | -30.67 | -26.1 | 13 |
14 | Bar 157 | -5.89 | -28.73 | -24.4 | 13 |
15 | Bar 196 | -0.24 | -26.64 | -20.1 | 15 |
16 | I. Mesto - Concitato | -0.26 | -23.29 | -18.6 | 14 |
17 | II. Grave - Più mosso | -7.42 | -27.19 | -23.2 | 11 |
18 | III. Giocoso | -0.20 | -19.96 | -16.1 | 13 |