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12 Etudes, L. 136, Book 1
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1.1
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No. 1. Pour les cinq doigts (For the five fingers)
Claude Debussy; Paulina Zamora |
3:22 | |||
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1.2
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No. 2. Pour les tierces (For thirds)
Claude Debussy; Paulina Zamora |
3:41 | |||
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1.3
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No. 3. Pour les quartes (For fourths)
Claude Debussy; Paulina Zamora |
5:25 | |||
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1.4
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No. 4. Pour les sixtes (For sixths)
Claude Debussy; Paulina Zamora |
4:04 | |||
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1.5
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No. 5. Pour les octaves (For octaves)
Claude Debussy; Paulina Zamora |
2:56 | |||
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1.6
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No. 6. Pour les huit doigts (For eight fingers)
Claude Debussy; Paulina Zamora |
1:39 | |||
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12 Etudes, L. 136, Book 2
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1.7
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No. 7. Pour les degrés chromatiques (For chromatic steps)
Claude Debussy; Paulina Zamora |
2:40 | |||
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1.8
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No. 8. Pour les agréments (For ornaments)
Claude Debussy; Paulina Zamora |
5:49 | |||
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1.9
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No. 9. Pour les notes répétées (For repeated notes)
Claude Debussy; Paulina Zamora |
3:21 | |||
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1.10
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No. 10. Pour les sonorités opposées (For opposing sonorities)
Claude Debussy; Paulina Zamora |
6:13 | |||
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1.11
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No. 11. Pour les arpèges composés (For written arpeggios)
Claude Debussy; Paulina Zamora |
5:01 | |||
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1.12
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No. 12. Pour les accords (For chords)
Claude Debussy; Paulina Zamora |
4:49 | |||
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Digital Booklet
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"... the musicality and solid technique of Paulina Zamora displays clarity of phrasing combined with a convincing sense of style ..."
- Visiones Críticas
Pianist Paulina Zamora takes on Debussy’s Twelve Études, regarded as being among the most enigmatic of his piano works. Zamora’s brilliant performance of these seldom heard études transcend the technical difficulty of these pieces, bringing marvels of rare atmosphere, tone colour and sheer beauty.
44.1 kHz / 24-bit PCM – Delos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.98 -1.91 to -0.31 | -22.62 -27.40 to -18.65 | -19.11 -23.20 to -15.70 | 13 12 to 17 | |
| 1 | No. 1. Pour les cinq doigts (For the five fingers) | -0.86 | -20.43 | -17.0 | 12 |
| 2 | No. 2. Pour les tierces (For thirds) | -0.58 | -20.77 | -18.0 | 13 |
| 3 | No. 3. Pour les quartes (For fourths) | -1.91 | -25.34 | -20.7 | 14 |
| 4 | No. 4. Pour les sixtes (For sixths) | -1.54 | -23.94 | -20.1 | 13 |
| 5 | No. 5. Pour les octaves (For octaves) | -0.31 | -18.65 | -15.7 | 12 |
| 6 | No. 6. Pour les huit doigts (For eight fingers) | -1.10 | -21.96 | -19.0 | 12 |
| 7 | No. 7. Pour les degrés chromatiques (For chromatic steps) | -1.03 | -22.68 | -19.7 | 13 |
| 8 | No. 8. Pour les agréments (For ornaments) | -1.45 | -22.70 | -18.8 | 13 |
| 9 | No. 9. Pour les notes répétées (For repeated notes) | -1.59 | -23.64 | -20.6 | 14 |
| 10 | No. 10. Pour les sonorités opposées (For opposing sonorities) | -0.74 | -27.40 | -23.2 | 17 |
| 11 | No. 11. Pour les arpèges composés (For written arpeggios) | -0.31 | -23.33 | -19.8 | 14 |
| 12 | No. 12. Pour les accords (For chords) | -0.31 | -20.56 | -16.7 | 13 |