℗ 2022 Tactus
Released | July 1, 2022 |
Duration | 1h 01m 52s |
Record Label | Tactus |
Catalogue No. | TC850006 |
Genre | Classical (Chamber) |
Martucci, Casella & Clementi: Piano Trios
Hèsperos Piano Trio, Filippo Lama, Stefano Guarino, Riccardo Zadra
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Piano Trio No. 1 in C Major, Op. 59
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1.1
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I. Allegro
Giuseppe Martucci; Hèsperos Piano Trio; Filippo Lama; Stefano Guarino; Riccardo Zadra |
13:44 | |||
1.2
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II. Scherzo. Allegro molto
Giuseppe Martucci; Hèsperos Piano Trio; Filippo Lama; Stefano Guarino; Riccardo Zadra |
8:02 | |||
1.3
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III. Andante con moto
Giuseppe Martucci; Hèsperos Piano Trio; Filippo Lama; Stefano Guarino; Riccardo Zadra |
10:22 | |||
1.4
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IV. Finale. Allegro risoluto
Giuseppe Martucci; Hèsperos Piano Trio; Filippo Lama; Stefano Guarino; Riccardo Zadra |
7:44 | |||
Sicilienne et burlesque, Op. 23 (Arr. for Violin, Cello & Piano)
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1.5
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No. 1, Siciliana. Andantino languido e dolce
Alfredo Casella; Hèsperos Piano Trio; Filippo Lama; Stefano Guarino; Riccardo Zadra |
5:50 | |||
1.6
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No. 2, Burlesca. Presto vivace
Alfredo Casella; Hèsperos Piano Trio; Filippo Lama; Stefano Guarino; Riccardo Zadra |
3:28 | |||
Piano Trio in D Major, Op. 28 No. 2 (Arr. A. Casella)
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1.7
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I. Allegro amabile
Muzio Clementi; Alfredo Casella; Hèsperos Piano Trio; Filippo Lama; Stefano Guarino; Riccardo Zadra |
5:28 | |||
1.8
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II. Polonese. Un poco andante
Muzio Clementi; Alfredo Casella; Hèsperos Piano Trio; Filippo Lama; Stefano Guarino; Riccardo Zadra |
3:22 | |||
1.9
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III. Rondo. Molto vivace
Muzio Clementi; Alfredo Casella; Hèsperos Piano Trio; Filippo Lama; Stefano Guarino; Riccardo Zadra |
3:52 | |||
Digital Booklet
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A plunge among the sunken composers of Italian chamber music and the salvaged ones. The programme recorded in this CD is a ticket for a journey of a century and a half, that is the distance between the composition of the Sonata “con accompagnamento” by Muzio Clementi (1792) and its transformation into the Trio ortodosso by Alfredo Casella (1936). An intermediate stop is represented by the Trio op. 59 by Giuseppe Martucci (1882). The route of this journey retraces a history that is not unimportant or unsurprising: it summarises the significance and vicissitudes of the chamber music produced by Italian composers from the middle of the eighteenth century onwards. In many texts of music history this topic is relegated in a note, or at most is dealt with in a paragraph, not even a chapter: an upgraded echo of the Fascist nationalism and dislike for Puccini that, for ideological reasons rather than for a historical or critical conviction, made themselves useful in raising the issue in the twentieth century. This recording, which presents a performance for piano, violin and cello, is a tiny artistic compensation, and an aesthetic and formal clarification. It leads us to consider and understand the role that Italian composers played also in the specific area of non-theatrical music.
96 kHz / 24-bit PCM – Tactus Studio Masters
Tracks 1-9 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-9 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.80 -5.21 to -0.20 | -23.36 -26.22 to -21.83 | -20.23 -23.10 to -18.50 | 14 13 to 16 | |
1 | I. Allegro | -0.20 | -22.04 | -19.0 | 14 |
2 | II. Scherzo. Allegro molto | -0.20 | -21.83 | -18.8 | 14 |
3 | III. Andante con moto | -0.57 | -25.46 | -22.7 | 15 |
4 | IV. Finale. Allegro risoluto | -0.20 | -22.13 | -19.2 | 15 |
5 | No. 1, Siciliana. Andantino languido e dolce | -0.20 | -25.90 | -22.2 | 16 |
6 | No. 2, Burlesca. Presto vivace | -0.20 | -22.01 | -18.9 | 15 |
7 | I. Allegro amabile | -0.20 | -22.69 | -19.7 | 14 |
8 | II. Polonese. Un poco andante | -5.21 | -26.22 | -23.1 | 13 |
9 | III. Rondo. Molto vivace | -0.20 | -21.95 | -18.5 | 14 |