℗ 2017 Naxos
 

Dvořák: Mass in D Major, Op. 86, B. 153 - Te Deum, Op. 103, B. 176

Ewa Biegas, Marina Rodríguez-Cusí, Javier Tomé, José Antonio López, Orfeón Pamplonés, Orquesta Sinfónica de Navarra, Antoni Wit

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Mass in D Major, Op. 86, B. 175  
1
Kyrie
Antonín Dvořák; Ewa Biegas; Marina Rodríguez-Cusí; Javier Tomé; José Antonio López; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit
6:53
2
Gloria
Antonín Dvořák; Ewa Biegas; Marina Rodríguez-Cusí; Javier Tomé; José Antonio López; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit
8:53
3
Credo
Antonín Dvořák; Ewa Biegas; Marina Rodríguez-Cusí; Javier Tomé; José Antonio López; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit
12:04
4
Sanctus
Antonín Dvořák; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit
2:28
5
Benedictus
Antonín Dvořák; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit
6:57
6
Agnus Dei
Antonín Dvořák; Ewa Biegas; Marina Rodríguez-Cusí; Javier Tomé; José Antonio López; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit
4:55
Te Deum, Op. 103, B. 176  
7
Te Deum laudamus
Antonín Dvořák; Ewa Biegas; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit
6:24
8
Tu Rex gloriae, Christe
Antonín Dvořák; José Antonio López; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit
4:54
9
Aeterna fac cum sanctis
Antonín Dvořák; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit
3:17
10
Benedicamus Patrem
Antonín Dvořák; Ewa Biegas; José Antonio López; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit
5:46
Digital Booklet
Total Playing Time    62:31
“(Antoni Wit is) the best conductor around these days for big choral works.”
- ClassicsToday.com

Antoni Wit leads the Orfeón Pamplonés and the Orquesta Sinfónica de Navarra in this selection of two of Antonin Dvořák’s most well-loved choral works. The Mass in D, Op. 86 spoke to Dvořák’s popularity in England, as the orchestral version was performed for the first time at 1892 in London’s Crystal Palace. The celebratory Te Deum, written in the same year, was commissioned by the American National Conservatory in New York and its grandiose nature is highlighted by the unusual suggested form of a four movement symphony.
96 kHz / 24-bit PCM – Naxos Studio Masters

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