℗ 2017 ACT Music and Vision
Released April 28, 2017
Duration 49m 50s
Record Label ACT Music and Vision
Genre Jazz
 

Kyoto mon Amour

Eric Schaefer

Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 88.2 kHz | 24-bit
    • FLAC 88.2 kHz | 24-bit
Add to cart
discounted price

 
1.1
Shoshu-San
Umezu Kazutoki; Naoko Kikuchi; John Eckhardt; Eric Schaefer
3:49
1.2
Kussa Karu Otome
Umezu Kazutoki; Naoko Kikuchi; John Eckhardt; Eric Schaefer
5:07
1.3
Santoka's Walk
Umezu Kazutoki; Naoko Kikuchi; John Eckhardt; Eric Schaefer
4:22
1.4
Hiroshima mon Amour
Umezu Kazutoki; Naoko Kikuchi; John Eckhardt; Eric Schaefer
7:05
1.5
Tengu
Umezu Kazutoki; Naoko Kikuchi; John Eckhardt; Eric Schaefer
3:08
1.6
Hiei-zan Nightfall
Umezu Kazutoki; Naoko Kikuchi; John Eckhardt; Eric Schaefer
4:30
1.7
Tohoku
Umezu Kazutoki; Naoko Kikuchi; John Eckhardt; Eric Schaefer
5:17
1.8
Rokudan
Umezu Kazutoki; Naoko Kikuchi; John Eckhardt; Eric Schaefer
3:11
1.9
Ticket to Osaka
Umezu Kazutoki; Naoko Kikuchi; John Eckhardt; Eric Schaefer
2:43
1.10
Shadow in the Woods
Umezu Kazutoki; Naoko Kikuchi; John Eckhardt; Eric Schaefer
3:41
1.11
Kansai Two-Face
Umezu Kazutoki; Naoko Kikuchi; John Eckhardt; Eric Schaefer
4:24
Ma mere l'oye (Mother Goose)  
1.12
III. Tableau 2: Pavane de la Belle au bois dormant (arr. for Jazz Ensemble)
Umezu Kazutoki; Naoko Kikuchi; John Eckhardt; Eric Schaefer
2:33
Digital Booklet
Drummer and composer Eric Schaefer has been described as the central shining star of the German jazz scene. On Kyoto mon Amour, he takes on the challenge of building bridges between Japanese and Western music. Over more than a decade, he has made three visits to Korea and stayed in Japan no fewer than six times, trips which have greatly influenced Schaefer's musical psyche. "The music, philosophy, religion and culture of Asia have fascinated me for a long time ... I find myself longing for Asia, it has left its mark on my life." - Eric Schaefer
88.2 kHz / 24-bit PCM – ACT Music and Vision Studio Masters

Produced by Siggi Loch with the artist Recorded by Klaus Scheuermann at Hansa Studios, Berlin, Nov 30 - Dec 1, 2016 Assistant engineer: Nanni Johansson Mixed and mastered by Klaus Scheuermann
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.91
-2.25 to -0.78
-17.91
-21.93 to -15.11
-15.48
-18.90 to -13.20
11
9 to 13
1
Shoshu-San
-0.78-17.28-14.811
2
Kussa Karu Otome
-0.78-15.11-13.210
3
Santoka's Walk
-0.78-17.95-15.411
4
Hiroshima mon Amour
-0.78-19.77-17.313
5
Tengu
-0.78-17.02-15.410
6
Hiei-zan Nightfall
-0.78-16.92-13.99
7
Tohoku
-2.25-19.04-16.511
8
Rokudan
-0.78-21.93-18.913
9
Ticket to Osaka
-0.78-15.79-14.39
10
Shadow in the Woods
-0.78-17.86-15.412
11
Kansai Two-Face
-0.78-18.28-15.010
12
III. Tableau 2: Pavane de la Belle au bois dormant (arr. for Jazz Ensemble)
-0.78-17.99-15.611

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions