Different Things
Marcin Markowicz, Grzegorz Skrobiński
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Much Ado About Nothing Suite, Op. 11 (version for Violin & Piano)
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1.1
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I. Mädchen im Brautgemach
Erich Wolfgang Korngold; Marcin Markowicz; Grzegorz Skrobiński |
3:25 | |||
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1.2
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II. Holzapfel und Schlehwein
Erich Wolfgang Korngold; Marcin Markowicz; Grzegorz Skrobiński |
2:37 | |||
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1.3
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III. Gartenscene
Erich Wolfgang Korngold; Marcin Markowicz; Grzegorz Skrobiński |
6:16 | |||
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1.4
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IV. Mummenschanz
Erich Wolfgang Korngold; Marcin Markowicz; Grzegorz Skrobiński |
2:12 | |||
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Violin Sonata in G Major
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1.5
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I. Allegretto cantabile con moto
Nino Rota; Marcin Markowicz; Grzegorz Skrobiński |
7:12 | |||
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1.6
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II. Largo sostenuto
Nino Rota; Marcin Markowicz; Grzegorz Skrobiński |
4:03 | |||
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1.7
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III. Allegro assai moderato - Tempo vivace
Nino Rota; Marcin Markowicz; Grzegorz Skrobiński |
5:12 | |||
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Suite in Old Style, Op. 80
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1.8
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I. Pastorale "First Leaf"
Alfred Schnittke; Marcin Markowicz; Grzegorz Skrobiński |
3:32 | |||
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1.9
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II. Ballet "Story"
Alfred Schnittke; Marcin Markowicz; Grzegorz Skrobiński |
2:19 | |||
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1.10
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III. Minuet "Old World"
Alfred Schnittke; Marcin Markowicz; Grzegorz Skrobiński |
3:38 | |||
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1.11
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IV. Fugue "Creation"
Alfred Schnittke; Marcin Markowicz; Grzegorz Skrobiński |
2:23 | |||
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1.12
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V. Pantomime "Sunday"
Alfred Schnittke; Marcin Markowicz; Grzegorz Skrobiński |
4:00 | |||
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Violin Sonata
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1.13
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I. —
Philip Glass; Marcin Markowicz; Grzegorz Skrobiński |
7:39 | |||
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1.14
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II. —
Philip Glass; Marcin Markowicz; Grzegorz Skrobiński |
8:32 | |||
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1.15
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III. —
Philip Glass; Marcin Markowicz; Grzegorz Skrobiński |
7:00 | |||
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Digital Booklet
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Violinist Marcin Markowicz and pianist Grzegorz Skrobiński compare and contrast the music of Korngold, Rota, Schnittke and Glass on this album: four different artistic personalities, each composer active in totally different conditions, their life circumstances and consequently their artistic choices incomparable. What may connect Korngold and Nino Rota are their early debuts as composers, both considered prodigies. Seeking analogies in the lives of Alfred Schnittke and Philip Glass would be fruitless, however there is another common denominator for their work, as all of them were hugely successful in writing film music. Korngold codified its modern canons ruling to this day. Without Nino Rota it would be difficult to imagine Federico Fellini’s masterpieces. Alfred Schnittke found in the realm of cinema a domain of relative artistic freedom; Philip Glass a platform for his ambitiously non-clichéd art, opposing the mainstream of the last decades of the 20th century and the first decades of the 21st century.
96 kHz / 24-bit PCM – CD Accord Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.43 -7.69 to -0.10 | -24.82 -30.00 to -20.53 | -21.24 -27.10 to -17.30 | 13 10 to 15 | |
| 1 | I. Mädchen im Brautgemach | -5.68 | -26.03 | -21.8 | 12 |
| 2 | II. Holzapfel und Schlehwein | -1.61 | -23.33 | -19.7 | 14 |
| 3 | III. Gartenscene | -1.87 | -26.83 | -22.9 | 14 |
| 4 | IV. Mummenschanz | -1.11 | -20.76 | -17.4 | 12 |
| 5 | I. Allegretto cantabile con moto | -0.10 | -24.45 | -20.2 | 14 |
| 6 | II. Largo sostenuto | -5.62 | -27.78 | -23.6 | 13 |
| 7 | III. Allegro assai moderato - Tempo vivace | -1.96 | -22.08 | -18.6 | 12 |
| 8 | I. Pastorale "First Leaf" | -7.69 | -28.45 | -25.1 | 12 |
| 9 | II. Ballet "Story" | -3.02 | -20.90 | -17.7 | 10 |
| 10 | III. Minuet "Old World" | -7.55 | -30.00 | -27.1 | 14 |
| 11 | IV. Fugue "Creation" | -3.68 | -20.54 | -17.5 | 10 |
| 12 | V. Pantomime "Sunday" | -2.44 | -28.58 | -24.2 | 15 |
| 13 | I. — | -3.23 | -23.08 | -19.9 | 12 |
| 14 | II. — | -3.71 | -29.00 | -25.6 | 15 |
| 15 | III. — | -2.14 | -20.53 | -17.3 | 11 |