℗ 2017 Accentus Music
Released | May 19, 2017 |
Duration | 1h 19m 26s |
Record Label | Accentus Music |
Genre | Classical |
J.S. Bach: The French Suites
Zhu Xiao-Mei
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
French Suite No. 2 in C Minor, BWV 813
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1.1
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I. Allemande
Johann Sebastian Bach; Zhu Xiao-Mei |
2:49 | |||
1.2
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II. Courante
Johann Sebastian Bach; Zhu Xiao-Mei |
1:49 | |||
1.3
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III. Sarabande
Johann Sebastian Bach; Zhu Xiao-Mei |
2:33 | |||
1.4
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IV. Air
Johann Sebastian Bach; Zhu Xiao-Mei |
1:18 | |||
1.5
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V. Menuet
Johann Sebastian Bach; Zhu Xiao-Mei |
1:15 | |||
1.6
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VII. Gigue
Johann Sebastian Bach; Zhu Xiao-Mei |
2:12 | |||
French Suite No. 4 in E Flat Major, BWV 815
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1.7
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I. Allemande
Johann Sebastian Bach; Zhu Xiao-Mei |
2:33 | |||
1.8
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II. Courante
Johann Sebastian Bach; Zhu Xiao-Mei |
1:44 | |||
1.9
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III. Sarabande
Johann Sebastian Bach; Zhu Xiao-Mei |
2:32 | |||
1.10
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IV. Gavotte
Johann Sebastian Bach; Zhu Xiao-Mei |
1:11 | |||
1.11
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V. Air
Johann Sebastian Bach; Zhu Xiao-Mei |
1:27 | |||
1.12
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VII. Gigue
Johann Sebastian Bach; Zhu Xiao-Mei |
2:16 | |||
French Suite No. 1 in D Minor, BWV 812
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1.13
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I. Allemande
Johann Sebastian Bach; Zhu Xiao-Mei |
3:09 | |||
1.14
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II. Courante
Johann Sebastian Bach; Zhu Xiao-Mei |
1:54 | |||
1.15
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III. Sarabande
Johann Sebastian Bach; Zhu Xiao-Mei |
2:15 | |||
1.16
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IV. Menuet I
Johann Sebastian Bach; Zhu Xiao-Mei |
0:58 | |||
1.17
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V. Menuet II
Johann Sebastian Bach; Zhu Xiao-Mei |
1:36 | |||
1.18
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VI. Gigue
Johann Sebastian Bach; Zhu Xiao-Mei |
2:26 | |||
French Suite No. 6 in E Major, BWV 817
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1.19
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I. Allemande
Johann Sebastian Bach; Zhu Xiao-Mei |
2:20 | |||
1.20
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II. Courante
Johann Sebastian Bach; Zhu Xiao-Mei |
1:33 | |||
1.21
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III. Sarabande
Johann Sebastian Bach; Zhu Xiao-Mei |
2:49 | |||
1.22
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IV. Gavotte
Johann Sebastian Bach; Zhu Xiao-Mei |
1:07 | |||
1.23
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V. Polonaise
Johann Sebastian Bach; Zhu Xiao-Mei |
1:20 | |||
1.24
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VI. Bourrée
Johann Sebastian Bach; Zhu Xiao-Mei |
1:28 | |||
1.25
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VII. Menuet
Johann Sebastian Bach; Zhu Xiao-Mei |
1:08 | |||
1.26
|
VIII. Gigue
Johann Sebastian Bach; Zhu Xiao-Mei |
2:17 | |||
French Suite No. 3 in B Minor, BWV 814
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1.27
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I. Allemande
Johann Sebastian Bach; Zhu Xiao-Mei |
2:52 | |||
1.28
|
II. Courante
Johann Sebastian Bach; Zhu Xiao-Mei |
2:02 | |||
1.29
|
III. Sarabande
Johann Sebastian Bach; Zhu Xiao-Mei |
2:15 | |||
1.30
|
IV. Anglaise
Johann Sebastian Bach; Zhu Xiao-Mei |
1:23 | |||
1.31
|
IV. Menuet
Johann Sebastian Bach; Zhu Xiao-Mei |
1:10 | |||
1.32
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VI. Trio
Johann Sebastian Bach; Zhu Xiao-Mei |
1:25 | |||
1.33
|
VII. Gigue
Johann Sebastian Bach; Zhu Xiao-Mei |
1:59 | |||
French Suite No. 5 in G Major, BWV 816
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1.34
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I. Allemande
Johann Sebastian Bach; Zhu Xiao-Mei |
2:50 | |||
1.35
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II. Courante
Johann Sebastian Bach; Zhu Xiao-Mei |
1:35 | |||
1.36
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III. Sarabande
Johann Sebastian Bach; Zhu Xiao-Mei |
3:50 | |||
1.37
|
IV. Gavotte
Johann Sebastian Bach; Zhu Xiao-Mei |
1:05 | |||
1.38
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V. Bourrée
Johann Sebastian Bach; Zhu Xiao-Mei |
1:16 | |||
1.39
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VI. Loure
Johann Sebastian Bach; Zhu Xiao-Mei |
2:24 | |||
1.40
|
VII. Gigue
Johann Sebastian Bach; Zhu Xiao-Mei |
3:21 |
Chinese pianist Zhu Xiao-Mei interprets Bach's beloved French Suites, all written between 1722 and 1725 during the composer's most prolific period.
"It is with children in mind that I recorded these French Suites, always having heartfelt simplicity and purity in their mind. Children see the world with hope, optimism, and cast in light ... I find a childlike purity (in the French Suites)."
- Zhu Xiao-Mei
96 kHz / 24-bit PCM – Accentus Music Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.70 -7.32 to -0.66 | -20.95 -27.58 to -16.94 | -18.23 -24.40 to -14.30 | 12 10 to 14 | |
1 | I. Allemande | -4.87 | -23.31 | -20.7 | 12 |
2 | II. Courante | -1.28 | -17.94 | -15.3 | 10 |
3 | III. Sarabande | -4.48 | -23.73 | -20.4 | 12 |
4 | IV. Air | -0.66 | -18.41 | -15.7 | 11 |
5 | V. Menuet | -5.18 | -22.09 | -19.4 | 11 |
6 | VII. Gigue | -0.66 | -20.19 | -17.3 | 13 |
7 | I. Allemande | -5.16 | -22.56 | -19.9 | 11 |
8 | II. Courante | -1.11 | -18.04 | -15.3 | 12 |
9 | III. Sarabande | -6.00 | -25.22 | -22.4 | 12 |
10 | IV. Gavotte | -3.41 | -20.21 | -17.5 | 12 |
11 | V. Air | -0.66 | -17.67 | -15.2 | 11 |
12 | VII. Gigue | -0.66 | -16.94 | -14.3 | 11 |
13 | I. Allemande | -3.77 | -22.76 | -20.2 | 12 |
14 | II. Courante | -1.60 | -18.38 | -15.8 | 12 |
15 | III. Sarabande | -1.64 | -24.65 | -21.6 | 14 |
16 | IV. Menuet I | -3.87 | -21.43 | -18.8 | 11 |
17 | V. Menuet II | -2.21 | -20.69 | -17.9 | 12 |
18 | VI. Gigue | -0.66 | -17.39 | -14.4 | 11 |
19 | I. Allemande | -1.18 | -19.62 | -17.1 | 12 |
20 | II. Courante | -1.94 | -18.83 | -16.3 | 11 |
21 | III. Sarabande | -7.32 | -27.32 | -24.4 | 13 |
22 | IV. Gavotte | -0.73 | -19.31 | -16.6 | 12 |
23 | V. Polonaise | -3.51 | -22.65 | -19.9 | 12 |
24 | VI. Bourrée | -0.66 | -17.22 | -14.6 | 11 |
25 | VII. Menuet | -6.22 | -23.59 | -20.9 | 11 |
26 | VIII. Gigue | -0.66 | -17.70 | -15.0 | 11 |
27 | I. Allemande | -5.20 | -23.83 | -21.2 | 12 |
28 | II. Courante | -0.73 | -18.40 | -15.8 | 12 |
29 | III. Sarabande | -6.01 | -25.53 | -22.9 | 12 |
30 | IV. Anglaise | -1.34 | -18.61 | -16.0 | 12 |
31 | IV. Menuet | -3.55 | -23.12 | -20.5 | 12 |
32 | VI. Trio | -1.88 | -22.77 | -20.0 | 13 |
33 | VII. Gigue | -0.66 | -18.31 | -15.6 | 13 |
34 | I. Allemande | -3.96 | -22.04 | -19.4 | 11 |
35 | II. Courante | -0.66 | -18.13 | -15.6 | 12 |
36 | III. Sarabande | -5.12 | -26.75 | -23.7 | 12 |
37 | IV. Gavotte | -0.66 | -18.29 | -15.6 | 11 |
38 | V. Bourrée | -0.70 | -19.35 | -16.7 | 12 |
39 | VI. Loure | -6.66 | -27.58 | -24.4 | 12 |
40 | VII. Gigue | -0.66 | -17.34 | -14.7 | 11 |