℗ 2022 Tower Top Tours under exclusive license to Shelter Music Group / BMG Rights Management (US)
| Released | March 25, 2022 |
| Duration | 46m 03s |
| Record Label | BMG Rights Management (US) |
| Genre | Soundtrack |
RAW ('That Little Ol' Band From Texas' Original Soundtrack)
ZZ Top
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Brown Sugar
ZZ Top |
4:17 | |||
|
1.2
|
Just Got Paid
ZZ Top |
3:49 | |||
|
1.3
|
Heard It On The X
ZZ Top |
2:50 | |||
|
1.4
|
La Grange
ZZ Top |
4:41 | |||
|
1.5
|
Tush
ZZ Top |
2:30 | |||
|
1.6
|
Thunderbird
ZZ Top |
4:04 | |||
|
1.7
|
I'm Bad, I'm Nationwide
ZZ Top |
4:36 | |||
|
1.8
|
Legs
ZZ Top |
4:21 | |||
|
1.9
|
Gimme All Your Lovin'
ZZ Top |
4:01 | |||
|
1.10
|
Blue Jean Blues
ZZ Top |
3:54 | |||
|
1.11
|
Certified Blues
ZZ Top |
3:54 | |||
|
1.12
|
Tube Snake Boogie
ZZ Top |
3:06 |
RAW was recorded in connection with the band’s wildly popular and critically lauded 2019 Netflix Documentary That Little Ol’ Band From Texas. The Grammy-nominated feature from Banger Films and director Sam Dunn includes an interlude that finds the group’s classic line up -- Billy Gibbons, Frank Beard and the late Dusty Hill -- gathering for a very intimate session at Gruene Hall, “The oldest continually run dance hall in Texas.” that performance provided the basis for the RAW album release.
"It was, in a very real way, a return to our roots. Just us and the music, no audience of thousands, no concession stands, no parking lot social hour, no phalanx of tour busses. Just us and the music. We knew right then it was a very special circumstance, all of us in the same place at the same time and what a time it most certainly was! It was as bare bones as when we first started touring in a behemoth Chrysler station wagon, driving vast stretches between those early far-flung shows under blackened Texas skies and first hearing our records on the radio. We were bonded as brothers. The Dust' may have left the building but he's still very much with us."
- ZZ Top
96 kHz / 24-bit PCM – BMG Rights Management (US) Studio Masters
Tracks 1, 3, 5, 6, 8, 9 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 2, 4, 7, 10, 11, 12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1, 3, 5, 6, 8, 9 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 2, 4, 7, 10, 11, 12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.10 -0.10 to -0.10 | -9.83 -10.85 to -8.76 | -7.58 -8.30 to -6.90 | 6 5 to 6 | |
| 1 | Brown Sugar | -0.10 | -10.85 | -8.3 | 5 |
| 2 | Just Got Paid | -0.10 | -9.48 | -7.0 | 6 |
| 3 | Heard It On The X | -0.10 | -9.85 | -7.6 | 6 |
| 4 | La Grange | -0.10 | -9.86 | -7.6 | 6 |
| 5 | Tush | -0.10 | -10.23 | -7.9 | 6 |
| 6 | Thunderbird | -0.10 | -9.27 | -6.9 | 6 |
| 7 | I'm Bad, I'm Nationwide | -0.10 | -9.84 | -7.6 | 6 |
| 8 | Legs | -0.10 | -10.05 | -8.1 | 6 |
| 9 | Gimme All Your Lovin' | -0.10 | -9.42 | -7.4 | 6 |
| 10 | Blue Jean Blues | -0.10 | -8.76 | -7.5 | 5 |
| 11 | Certified Blues | -0.10 | -10.28 | -7.6 | 6 |
| 12 | Tube Snake Boogie | -0.10 | -10.04 | -7.4 | 5 |