![](http://d24jnm9llkb1ub.cloudfront.net/icpn/7318599923390/7318599923390-cover-zoom.jpg)
℗ 2022 BIS Records
Released | September 2, 2022 |
Duration | 1h 06m 36s |
Record Label | BIS Records |
Catalogue No. | BIS-2339 |
Genre | Classical (Orchestral) |
Synergy
Sharon Bezaly, Various Artists
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Concerto for Recorder & Flute in E Minor, TWV 52:e1
|
|||||
1.1
|
I. Largo
Georg Philipp Telemann; Sharon Bezaly; Michala Petri; Swedish Chamber Orchestra; Björn Gäfvert; Urban Svensson |
4:10 | |||
1.2
|
II. Allegro
Georg Philipp Telemann; Sharon Bezaly; Michala Petri; Swedish Chamber Orchestra; Björn Gäfvert; Urban Svensson |
4:09 | |||
1.3
|
III. Largo
Georg Philipp Telemann; Sharon Bezaly; Michala Petri; Swedish Chamber Orchestra; Björn Gäfvert; Urban Svensson |
3:45 | |||
1.4
|
IV. Presto
Georg Philipp Telemann; Sharon Bezaly; Michala Petri; Swedish Chamber Orchestra; Björn Gäfvert; Urban Svensson |
2:43 | |||
1.5
|
Tarentelle, Op. 6
Camille Saint-Saëns; Sharon Bezaly; Michael Collins; Swedish Chamber Orchestra |
6:22 | |||
Flute Concerto in D Minor (Arr. A. Adorján)
|
|||||
1.6
|
I. Allegro maestoso
András Adorján; Franz Doppler; Walter Auer; Sharon Bezaly; Swedish Chamber Orchestra; Thomas Dausgaard |
7:41 | |||
1.7
|
II. Andante
András Adorján; Franz Doppler; Walter Auer; Sharon Bezaly; Swedish Chamber Orchestra; Thomas Dausgaard |
3:32 | |||
1.8
|
III. Allegro
András Adorján; Franz Doppler; Walter Auer; Sharon Bezaly; Swedish Chamber Orchestra; Thomas Dausgaard |
6:05 | |||
Bachianas Brasileiras No. 6, W392
|
|||||
1.9
|
I. Ária
Heitor Villa-Lobos; Sharon Bezaly; Bram van Sambeek |
3:56 | |||
1.10
|
II. Fantasia
Heitor Villa-Lobos; Sharon Bezaly; Bram van Sambeek |
4:51 | |||
Orchestral Suite No. 2 in B Minor, BWV 1067 (Arr. G. Mahler) (Excerpts)
|
|||||
1.11
|
I. Ouverture
Gustav Mahler; Johann Sebastian Bach; Sharon Bezaly; Swedish Chamber Orchestra; Björn Gäfvert; Michael Collins |
6:18 | |||
1.12
|
II. Rondeau - Badinerie - Rondeau
Gustav Mahler; Johann Sebastian Bach; Sharon Bezaly; Swedish Chamber Orchestra; Björn Gäfvert; Michael Collins |
3:44 | |||
Orchestral Suite No. 3 in D Major, BWV 1068 (Arr. G. Mahler) (Excerpts)
|
|||||
1.13
|
III. Air
Gustav Mahler; Johann Sebastian Bach; Swedish Chamber Orchestra; Björn Gäfvert; Michael Collins |
4:26 | |||
1.14
|
IV. Gavottes I & II
Gustav Mahler; Johann Sebastian Bach; Swedish Chamber Orchestra; Björn Gäfvert; Michael Collins |
3:35 | |||
Orchestral Suite No. 2 in B Minor, BWV 1067 (Arr. G. Mahler) (Excerpts)
|
|||||
1.15
|
VII. Badinerie
Gustav Mahler; Johann Sebastian Bach; Sharon Bezaly; Swedish Chamber Orchestra; Björn Gäfvert; Michael Collins |
1:19 | |||
Digital Booklet
|
On Synergy, flautist Sharon Bezaly and her musician friends demonstrate that one plus one can be much greater than two. Featuring works that celebrate the coming together of like-minded musicians, this project is a reminder, after more than two years of a pandemic that has affected all of us, that true musical synergy can only be achieved 'face-to-face’, rather than ‘remotely’.
With his Concerto for flute and recorder, Telemann not only creates a fusion of different musical styles of his time – namely Italian, German and French – but also shows a gift for borrowing elements from popular music. Saint-Saëns brings swirling colours and energy with a Tarentelle for flute, clarinet and orchestra that at times displays obsessive, even threatening undertones. From the same period, Doppler’s Concerto for two flutes is not far from the world of opera, providing the two soloists with ample opportunity to shine like two singers in front of an orchestra. In addition to celebrating the synergy created between musicians, the last two works featured on this disc, Bachianas Brasileiras No. 6 and Suite from the Orchestral Works, are telling examples of synergy between composers: it is as if Villa-Lobos and Mahler were shaking hands with Johann Sebastian Bach across distances of thousands of miles and hundreds of years.
96 kHz / 24-bit PCM – BIS Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.05 -11.77 to -0.60 | -25.81 -33.16 to -22.26 | -22.24 -29.70 to -18.40 | 13 9 to 16 | |
1 | I. Largo | -7.29 | -25.02 | -21.9 | 11 |
2 | II. Allegro | -7.29 | -26.10 | -23.1 | 12 |
3 | III. Largo | -9.90 | -27.12 | -23.3 | 9 |
4 | IV. Presto | -6.11 | -24.80 | -21.4 | 12 |
5 | Tarentelle, Op. 6 | -0.60 | -24.86 | -20.4 | 16 |
6 | I. Allegro maestoso | -0.60 | -23.30 | -19.5 | 14 |
7 | II. Andante | -6.21 | -28.84 | -25.1 | 13 |
8 | III. Allegro | -0.60 | -22.86 | -18.7 | 13 |
9 | I. Ária | -5.99 | -24.20 | -20.6 | 11 |
10 | II. Fantasia | -3.90 | -25.08 | -21.1 | 14 |
11 | I. Ouverture | -3.96 | -25.51 | -22.7 | 13 |
12 | II. Rondeau - Badinerie - Rondeau | -5.25 | -26.72 | -23.8 | 13 |
13 | III. Air | -11.77 | -33.16 | -29.7 | 13 |
14 | IV. Gavottes I & II | -0.60 | -22.26 | -18.4 | 14 |
15 | VII. Badinerie | -5.74 | -27.39 | -23.9 | 13 |