℗ 2017 Sono Luminus
| Released | June 16, 2017 |
| Duration | 1h 25m 53s |
| Record Label | Sono Luminus |
| Genre | Classical |
Beyond
Los Angeles Percussion Quartet
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 5.6448 MHz, 2.8224 MHz DSD high resolution audio formats
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1.1
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Qui tollis
Daníel Bjarnason; Los Angeles Percussion Quartet |
9:48 | |||
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1.2
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Aura (Version for Percussion Quartet)
Anna Þorvaldsdóttir; Los Angeles Percussion Quartet |
6:13 | |||
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Memory Palace
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1.3
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I. Harriman
Christopher Cerrone; Christopher Cerrone; Los Angeles Percussion Quartet |
3:19 | |||
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1.4
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II. Power Lines
Christopher Cerrone; Christopher Cerrone; Los Angeles Percussion Quartet |
4:50 | |||
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1.5
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III. Foxhurst
Christopher Cerrone; Christopher Cerrone; Los Angeles Percussion Quartet |
5:04 | |||
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1.6
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IV. L.I.E.
Christopher Cerrone; Christopher Cerrone; Los Angeles Percussion Quartet |
4:23 | |||
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1.7
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V. Claremont
Christopher Cerrone; Christopher Cerrone; Los Angeles Percussion Quartet |
3:58 | |||
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1.8
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Fear-Release
Ellen Reid; Los Angeles Percussion Quartet |
8:47 | |||
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I Hold the Lion's Paw
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2.1
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I. —
Andrew McIntosh; Los Angeles Percussion Quartet |
2:43 | |||
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2.2
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II. —
Andrew McIntosh; Los Angeles Percussion Quartet |
6:52 | |||
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2.3
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III. —
Andrew McIntosh; Los Angeles Percussion Quartet |
5:07 | |||
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2.4
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IV. —
Andrew McIntosh; Los Angeles Percussion Quartet |
4:16 | |||
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2.5
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V. —
Andrew McIntosh; Los Angeles Percussion Quartet |
5:12 | |||
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2.6
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VI. —
Andrew McIntosh; Los Angeles Percussion Quartet |
1:51 | |||
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2.7
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VII. —
Andrew McIntosh; Los Angeles Percussion Quartet |
7:00 | |||
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2.8
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VIII. —
Andrew McIntosh; Los Angeles Percussion Quartet |
2:19 | |||
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2.9
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IX. —
Andrew McIntosh; Los Angeles Percussion Quartet |
4:11 | |||
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Digital Booklet
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“The recording is stunningly lifelike: producer Dan Merceruio and engineer Dan Shores have expertly captured LAPQ's precision, interpretive empathy, and command of instrumental colour.”
- Broadway World
The Los Angeles Percussion Quartet have worked tirelessly since 2009 to showcase the contributions of 20th-century West Coast composers, and they continue their mission with Beyond, a remarkable epic that explores the space, place and awareness of L.A.
192 kHz / 24-bit, 96 kHz / 24-bit PCM and 5.6448 MHz, 2.8224 MHz DSD – Sono Luminus Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.53 -27.69 to -0.23 | -29.07 -46.84 to -16.76 | -24.00 -41.60 to -10.20 | 13 7 to 20 | |
| 1.1 | Qui tollis | -0.30 | -17.62 | -10.2 | 7 |
| 1.2 | Aura (Version for Percussion Quartet) | -8.17 | -27.45 | -24.4 | 10 |
| 1.3 | I. Harriman | -9.14 | -28.51 | -25.8 | 12 |
| 1.4 | II. Power Lines | -0.30 | -19.73 | -15.6 | 12 |
| 1.5 | III. Foxhurst | -0.31 | -22.34 | -17.5 | 14 |
| 1.6 | IV. L.I.E. | -0.23 | -16.76 | -13.2 | 10 |
| 1.7 | V. Claremont | -8.88 | -25.93 | -23.3 | 9 |
| 1.8 | Fear-Release | -0.24 | -24.25 | -16.7 | 14 |
| 2.1 | I. — | -19.19 | -38.48 | -33.9 | 14 |
| 2.2 | II. — | -0.30 | -17.62 | -12.2 | 8 |
| 2.3 | III. — | -1.77 | -34.63 | -28.1 | 20 |
| 2.4 | IV. — | -16.52 | -44.46 | -36.9 | 18 |
| 2.5 | V. — | -8.17 | -37.12 | -33.8 | 17 |
| 2.6 | VI. — | -9.14 | -37.27 | -34.7 | 10 |
| 2.7 | VII. — | -0.30 | -27.98 | -18.8 | 17 |
| 2.8 | VIII. — | -0.30 | -27.22 | -21.3 | 18 |
| 2.9 | IX. — | -27.69 | -46.84 | -41.6 | 9 |