℗ 2017 Grand Piano
| Released | June 9, 2017 |
| Duration | 1h 03m 11s |
| Record Label | Grand Piano |
| Genre | Classical |
Ponce: Complete Piano Works, Vol. 2
Álvaro Cendoya
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Rapsodia cubana I
Manuel María Ponce; Álvaro Cendoya |
12:04 | |||
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1.2
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Guateque
Manuel María Ponce; Álvaro Cendoya |
2:38 | |||
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Suite cubana
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1.3
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I. Serenata marina
Manuel María Ponce; Álvaro Cendoya |
3:09 | |||
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1.4
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II. Plenilunio
Manuel María Ponce; Álvaro Cendoya |
4:26 | |||
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1.5
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III. Paz de ocaso
Manuel María Ponce; Álvaro Cendoya |
5:37 | |||
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1.6
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Preludio cubano
Manuel María Ponce; Álvaro Cendoya |
1:25 | |||
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1.7
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Elegía de la ausencia
Manuel María Ponce; Álvaro Cendoya |
2:57 | |||
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1.8
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Cubana (Danza de salón)
Manuel María Ponce; Álvaro Cendoya |
1:41 | |||
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1.9
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Moderato malinconico
Manuel María Ponce; Álvaro Cendoya |
2:19 | |||
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1.10
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Scherzino (Homenaje a Debussy)
Manuel María Ponce; Álvaro Cendoya |
3:04 | |||
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1.11
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Intermezzo No. 2
Manuel María Ponce; Álvaro Cendoya |
4:33 | |||
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1.12
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Preludios encadenados
Manuel María Ponce; Álvaro Cendoya |
7:01 | |||
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4 Piezas "Suite bitonal"
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1.13
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I. Preludio scherzoso
Manuel María Ponce; Álvaro Cendoya |
3:12 | |||
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1.14
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II. Arietta
Manuel María Ponce; Álvaro Cendoya |
2:25 | |||
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1.15
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III. Sarabande
Manuel María Ponce; Álvaro Cendoya |
3:57 | |||
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1.16
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IV. Gigue
Manuel María Ponce; Álvaro Cendoya |
2:43 | |||
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Digital Booklet
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This is the second volume in a series by Álvaro Cendoya of the complete piano works of Manuel Ponce, one of Mexico’s most prolific and decorated composers. Written after leaving Mexico during the Revolution, his later works are indicative of the influence he absorbed from his new homes in Cuba and later Paris, with works like Rapsodia cabana I demonstrating his interest in the island’s sensual and seductive dances and the Suite bitonal, which is notable for its use of polytonality and other new compositional techniques Ponce explored while living in the French capital.
48 kHz / 24-bit PCM – Grand Piano Studio Masters
Tracks 13, 14, 15, 16 – 44.1 kHz / 24-bit PCM
Tracks 13, 14, 15, 16 – 44.1 kHz / 24-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.41 -11.52 to 0.00 | -25.14 -32.89 to -19.31 | -21.78 -30.20 to -15.60 | 14 12 to 17 | |
| 1 | Rapsodia cubana I | 0.00 | -22.89 | -19.2 | 14 |
| 2 | Guateque | -2.75 | -23.79 | -21.1 | 12 |
| 3 | I. Serenata marina | -0.10 | -24.91 | -21.5 | 13 |
| 4 | II. Plenilunio | -0.10 | -24.37 | -20.8 | 14 |
| 5 | III. Paz de ocaso | -11.52 | -32.89 | -30.2 | 14 |
| 6 | Preludio cubano | -3.72 | -23.72 | -20.7 | 12 |
| 7 | Elegía de la ausencia | -0.44 | -24.50 | -21.6 | 13 |
| 8 | Cubana (Danza de salón) | -0.53 | -21.76 | -19.1 | 14 |
| 9 | Moderato malinconico | -8.04 | -28.56 | -25.9 | 13 |
| 10 | Scherzino (Homenaje a Debussy) | -1.10 | -24.69 | -21.3 | 15 |
| 11 | Intermezzo No. 2 | -0.10 | -22.90 | -18.4 | 13 |
| 12 | Preludios encadenados | 0.00 | -23.33 | -19.7 | 14 |
| 13 | I. Preludio scherzoso | -0.10 | -23.97 | -20.4 | 15 |
| 14 | II. Arietta | -4.75 | -29.63 | -25.8 | 14 |
| 15 | III. Sarabande | -5.09 | -31.10 | -27.2 | 17 |
| 16 | IV. Gigue | -0.20 | -19.31 | -15.6 | 12 |