Gordon Getty: The Canterville Ghost
Oper Leipzig, Gewandhausorchester Leipzig, Matthias Foremny
Available in 96 kHz / 24-bit AIFF, FLAC and 2.8224 MHz DSD high resolution audio formats
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The Canterville Ghost
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1.1
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Great Grandpapa, Is There Really a Ghost Here?
Gordon Getty; Denise Wernly; Timothy Oliver; Rachel Marie Hauge; Alexandra Hutton; Gewandhausorchester Leipzig; Matthias Foremny |
5:30 | |||
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1.2
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My Dear Otises
Gordon Getty; Anooshah Golesorkhi; Denise Wernly; Rachel Marie Hauge; Alexandra Hutton; Jonathan Michie; Jean Broekhuizen; Gewandhausorchester Leipzig; Matthias Foremny |
5:10 | |||
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1.3
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Daddy, Hurry! Bring the Key!
Gordon Getty; Denise Wernly; Rachel Marie Hauge; Jonathan Michie; Alexandra Hutton; Jean Broekhuizen; Gewandhausorchester Leipzig; Matthias Foremny |
2:18 | |||
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1.4
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My Dear Sir, I Really Must Insist on Your Oiling Those Chains
Gordon Getty; Jonathan Michie; Matthew Treviño; Denise Wernly; Rachel Marie Hauge; Gewandhausorchester Leipzig; Matthias Foremny |
1:16 | |||
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1.5
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Rising Sun Lubricator!
Gordon Getty; Matthew Treviño; Gewandhausorchester Leipzig; Matthias Foremny |
3:00 | |||
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1.6
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I Confess Disappointment
Gordon Getty; Jonathan Michie; Jean Broekhuizen; Denise Wernly; Rachel Marie Hauge; Alexandra Hutton; Gewandhausorchester Leipzig; Matthias Foremny |
2:54 | |||
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1.7
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I Fear You Are Far from Well
Gordon Getty; Jean Broekhuizen; Matthew Treviño; Denise Wernly; Rachel Marie Hauge; Gewandhausorchester Leipzig; Matthias Foremny |
1:36 | |||
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1.8
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Insupportable! To Be Lectured on Professionalism!
Gordon Getty; Matthew Treviño; Gewandhausorchester Leipzig; Matthias Foremny |
3:50 | |||
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1.9
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Boo!
Gordon Getty; Matthew Treviño; Denise Wernly; Rachel Marie Hauge; Gewandhausorchester Leipzig; Matthias Foremny |
0:33 | |||
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1.10
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Unclean!
Gordon Getty; Matthew Treviño; Denise Wernly; Rachel Marie Hauge; Gewandhausorchester Leipzig; Matthias Foremny |
0:31 | |||
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1.11
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Scene 11
Gordon Getty; Matthew Treviño; Denise Wernly; Rachel Marie Hauge; Gewandhausorchester Leipzig; Matthias Foremny |
0:35 | |||
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1.12
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Fiasco! Disgrace!
Gordon Getty; Matthew Treviño; Gewandhausorchester Leipzig; Matthias Foremny |
1:17 | |||
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1.13
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Again No Bloodstain on the Armor
Gordon Getty; Jonathan Michie; Jean Broekhuizen; Alexandra Hutton; Denise Wernly; Rachel Marie Hauge; Gewandhausorchester Leipzig; Matthias Foremny |
1:49 | |||
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1.14
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I Hear the Ghost Has Packed His Bags
Gordon Getty; Anooshah Golesorkhi; Jean Broekhuizen; Jonathan Michie; Gewandhausorchester Leipzig; Matthias Foremny |
2:38 | |||
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1.15
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Barbara! Barbara! Does Anyone Hear Me?
Gordon Getty; Alexandra Hutton; Matthew Treviño; Denise Wernly; Rachel Marie Hauge; Gewandhausorchester Leipzig; Matthias Foremny |
13:27 | |||
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1.16
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Hiram, She Is Nowhere in the House
Gordon Getty; Jean Broekhuizen; Jonathan Michie; Denise Wernly; Rachel Marie Hauge; Anooshah Golesorkhi; Timothy Oliver; Gewandhausorchester Leipzig; Matthias Foremny |
0:54 | |||
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1.17
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She Isn't Here
Gordon Getty; Anooshah Golesorkhi; Jonathan Michie; Timothy Oliver; Gewandhausorchester Leipzig; Matthias Foremny |
0:43 | |||
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1.18
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Thank You, Mrs. Umney. You May All Go to Bed Now
Gordon Getty; Jonathan Michie; Jean Broekhuizen; Denise Wernly; Rachel Marie Hauge; Alexandra Hutton; Gewandhausorchester Leipzig; Matthias Foremny |
2:45 | |||
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1.19
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My Good Otis, Thank You for Putting Me up Again
Gordon Getty; Anooshah Golesorkhi; Jonathan Michie; Gewandhausorchester Leipzig; Matthias Foremny |
2:28 | |||
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1.20
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Then Shall All the House Be Still
Gordon Getty; Alexandra Hutton; Timothy Oliver; Jean Broekhuizen; Jonathan Michie; Anooshah Golesorkhi; Gewandhausorchester Leipzig; Matthias Foremny |
8:43 | |||
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Digital Booklet
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Recorded here for the first time, Gordon Getty’s The Canterville Ghost is a one-act opera adaptation of Oscar Wilde’s novella of the same name, set in a haunted mansion in Victorian England and depicting the Old World invaded by modern Americans. PentaTone’s American Opera Series aims to highlight the rich and varied examples of this art form’s evolution in America and the theme of Getty’s piece is perfect for the series, mirroring how European opera has been transformed by New World citizens into something fresh.
96 kHz / 24-bit PCM and 2.8224 MHz DSD – PentaTone Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.70 -8.91 to -0.12 | -26.95 -33.34 to -23.69 | -21.38 -28.90 to -16.40 | 14 11 to 17 | |
| 1 | Great Grandpapa, Is There Really a Ghost Here? | -8.91 | -33.34 | -28.9 | 16 |
| 2 | My Dear Otises | -0.15 | -25.09 | -20.0 | 15 |
| 3 | Daddy, Hurry! Bring the Key! | -3.96 | -29.04 | -24.1 | 14 |
| 4 | My Dear Sir, I Really Must Insist on Your Oiling Those Chains | -1.12 | -24.98 | -19.2 | 13 |
| 5 | Rising Sun Lubricator! | -1.81 | -25.88 | -21.1 | 15 |
| 6 | I Confess Disappointment | -0.24 | -27.76 | -23.1 | 15 |
| 7 | I Fear You Are Far from Well | -0.17 | -23.86 | -17.0 | 14 |
| 8 | Insupportable! To Be Lectured on Professionalism! | -0.22 | -24.23 | -18.0 | 15 |
| 9 | Boo! | -0.12 | -25.50 | -17.0 | 13 |
| 10 | Unclean! | -0.12 | -23.69 | -16.4 | 11 |
| 11 | Scene 11 | -2.87 | -26.24 | -18.9 | 11 |
| 12 | Fiasco! Disgrace! | -3.21 | -25.19 | -19.8 | 12 |
| 13 | Again No Bloodstain on the Armor | -2.40 | -28.50 | -23.3 | 16 |
| 14 | I Hear the Ghost Has Packed His Bags | -7.18 | -29.29 | -24.7 | 13 |
| 15 | Barbara! Barbara! Does Anyone Hear Me? | -0.19 | -26.71 | -21.9 | 17 |
| 16 | Hiram, She Is Nowhere in the House | -8.01 | -30.09 | -25.6 | 15 |
| 17 | She Isn't Here | -8.63 | -30.14 | -25.3 | 14 |
| 18 | Thank You, Mrs. Umney. You May All Go to Bed Now | -2.70 | -27.40 | -22.3 | 16 |
| 19 | My Good Otis, Thank You for Putting Me up Again | -1.76 | -28.18 | -23.7 | 16 |
| 20 | Then Shall All the House Be Still | -0.17 | -23.94 | -17.3 | 14 |