℗ 2022 Dacapo Records
| Released | August 26, 2022 |
| Duration | 58m 20s |
| Record Label | Dacapo Records |
| Catalogue No. | 8.226546 |
| Genre | Classical (Contemporary Era) |
Idylls, Elegies
Esbjerg Ensemble, Rei Munakata, Signe Asmussen, Magnus Larsson
Available in 176.4 kHz / 24-bit AIFF, FLAC high resolution audio formats
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3 Idylls
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1.1
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No. 1, Pifa
Matias Vestergård; Esbjerg Ensemble; Rei Munakata |
3:26 | |||
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1.2
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No. 2, Hetärengräber
Matias Vestergård; Esbjerg Ensemble; Rei Munakata |
5:17 | |||
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1.3
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No. 3, Caccia
Matias Vestergård; Esbjerg Ensemble; Rei Munakata |
4:25 | |||
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6 Elegies
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1.4
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No. 1, Frozen. Strict
Matias Vestergård; Esbjerg Ensemble; Rei Munakata |
3:10 | |||
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1.5
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No. 2, Nervous. Urgent
Matias Vestergård; Esbjerg Ensemble; Rei Munakata |
2:05 | |||
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1.6
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No. 3, With Desperation
Matias Vestergård; Esbjerg Ensemble; Rei Munakata |
1:21 | |||
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1.7
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No. 4, Funereal
Matias Vestergård; Esbjerg Ensemble; Rei Munakata |
2:07 | |||
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1.8
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No. 5, Fleeting. Unwinding
Matias Vestergård; Esbjerg Ensemble; Rei Munakata |
1:37 | |||
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1.9
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No. 6, Adagio nach J.S. Bach (After J.S. Bach's BWV 614)
Matias Vestergård; Esbjerg Ensemble; Rei Munakata |
3:00 | |||
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Træk
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1.10
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I. Bastard Wing
Matias Vestergård; Esbjerg Ensemble |
3:55 | |||
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1.11
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II. Ghost Movement
Matias Vestergård; Esbjerg Ensemble |
0:09 | |||
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1.12
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III. Strejffugle
Matias Vestergård; Esbjerg Ensemble |
6:11 | |||
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2 Løppenthin-sange
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1.13
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No. 1, Vind
Matias Vestergård; Esbjerg Ensemble; Signe Asmussen; Magnus Larsson |
5:07 | |||
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1.14
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No. 2, Søvn
Matias Vestergård; Esbjerg Ensemble; Signe Asmussen; Magnus Larsson |
7:43 | |||
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Francesca Nocturnes
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1.15
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A
Matias Vestergård; Esbjerg Ensemble |
1:28 | |||
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1.16
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B
Matias Vestergård; Esbjerg Ensemble |
2:47 | |||
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1.17
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C
Matias Vestergård; Esbjerg Ensemble |
2:49 | |||
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1.18
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D
Matias Vestergård; Esbjerg Ensemble |
1:43 | |||
Even as he emerges onto Denmark’s new music scene as a major new voice, Matias Vestergård is a rarity on it: a composer fluent, flexible, prolific and poly-stylistic who draws on genres ranging from hymnody to cabaret while probing some of the basic theories of sound and its production. The music recorded here was written during Vestergård’s years at the Academy of Music in Copenhagen, charting a process of self-discovery described by the composer as ‘my younger self trying to deal with the serious classical music heritage I love.’
176.4 kHz / 24-bit PCM – Dacapo Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.94 -55.54 to -0.24 | -31.24 -69.26 to -23.34 | -27.02 -69.20 to -19.00 | 14 7 to 20 | |
| 1 | No. 1, Pifa | -10.74 | -37.97 | -33.2 | 16 |
| 2 | No. 2, Hetärengräber | -11.13 | -31.72 | -29.7 | 13 |
| 3 | No. 3, Caccia | -0.24 | -23.62 | -20.3 | 15 |
| 4 | No. 1, Frozen. Strict | -0.56 | -28.68 | -22.8 | 20 |
| 5 | No. 2, Nervous. Urgent | -0.43 | -23.34 | -19.0 | 15 |
| 6 | No. 3, With Desperation | -2.43 | -27.47 | -19.9 | 14 |
| 7 | No. 4, Funereal | -5.32 | -28.96 | -23.8 | 14 |
| 8 | No. 5, Fleeting. Unwinding | -0.54 | -25.55 | -21.8 | 17 |
| 9 | No. 6, Adagio nach J.S. Bach (After J.S. Bach's BWV 614) | -12.10 | -30.89 | -27.5 | 11 |
| 10 | I. Bastard Wing | -2.20 | -29.27 | -23.5 | 18 |
| 11 | II. Ghost Movement | -55.54 | -69.26 | -69.2 | 7 |
| 12 | III. Strejffugle | -12.56 | -36.90 | -32.0 | 16 |
| 13 | No. 1, Vind | -2.12 | -26.46 | -21.7 | 14 |
| 14 | No. 2, Søvn | -2.45 | -28.19 | -23.9 | 16 |
| 15 | A | -11.42 | -31.16 | -27.5 | 12 |
| 16 | B | -0.65 | -25.81 | -22.1 | 15 |
| 17 | C | -1.70 | -27.58 | -23.2 | 16 |
| 18 | D | -10.75 | -29.42 | -25.2 | 10 |