℗ 2022 BR-Klassik
Released September 2, 2022
Duration 1h 00m 15s
Record Label BR-Klassik
Catalogue No. 900344
Genre Classical (Sacred)
 

Valentin Silvestrov: Requiem für Larissa (Live)

Bavarian Radio Chorus, Munich Radio Orchestra, Andres Mustonen

Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Requiem für Larissa  
1.1
I. Requiem aeternam. Largo - Allegro vivace (Live)
Valentin Silvestrov; Priska Eser; Jutta Neumann; Andreas Hirtreiter; Wolfgang Klose; Michael Mantaj; Bavarian Radio Chorus; Munich Radio Orchestra; Andres Mustonen
8:21
1.2
II. Tuba mirum. Adagio - Moderato - Allegro - Andantino (Live)
Valentin Silvestrov; Priska Eser; Jutta Neumann; Andreas Hirtreiter; Wolfgang Klose; Michael Mantaj; Bavarian Radio Chorus; Munich Radio Orchestra; Andres Mustonen
9:23
1.3
III. Lacrimosa dies illa. Largo - Allegro moderato (Live)
Valentin Silvestrov; Priska Eser; Jutta Neumann; Andreas Hirtreiter; Wolfgang Klose; Michael Mantaj; Bavarian Radio Chorus; Munich Radio Orchestra; Andres Mustonen
11:01
1.4
IV. Prochai svite. Largo (Live)
Valentin Silvestrov; Taras Shevchenko; Priska Eser; Jutta Neumann; Andreas Hirtreiter; Wolfgang Klose; Michael Mantaj; Bavarian Radio Chorus; Munich Radio Orchestra; Andres Mustonen
6:46
1.5
V. Agnus Dei. Andante - Moderato (Live)
Valentin Silvestrov; Priska Eser; Jutta Neumann; Andreas Hirtreiter; Wolfgang Klose; Michael Mantaj; Bavarian Radio Chorus; Munich Radio Orchestra; Andres Mustonen
12:03
1.6
VI. Requiem aeternam. Largo (Live)
Valentin Silvestrov; Priska Eser; Jutta Neumann; Andreas Hirtreiter; Wolfgang Klose; Michael Mantaj; Bavarian Radio Chorus; Munich Radio Orchestra; Andres Mustonen
6:22
1.7
VII. Requiem aeternam. Allegro moderato - Andantino (Live)
Valentin Silvestrov; Priska Eser; Jutta Neumann; Andreas Hirtreiter; Wolfgang Klose; Michael Mantaj; Bavarian Radio Chorus; Munich Radio Orchestra; Andres Mustonen
6:19
Digital Booklet
Valentin Silvestrov is probably the best-known Ukrainian composer, and his "Requiem for Larissa", now released on album by BR-KLASSIK, was written in response to the unexpected death in 1996 of his wife, the music and literature scholar Larissa Bondarenko. She had stood by his side from the very beginning of his artistic career. It was in 1999, shortly before the turn of the millennium, that Silvestrov was finally able to complete his Requiem. He did not set a drama of the Last Judgement to music, as Mozart, Berlioz or Verdi had done before him, but rather wrote a lament - in seemingly endless, world-forlorn repetitions. The composer stepped out of the present and into the past, commenting on his life with Larissa with memories of music that had inspired her, and with profound allusions, retrospections and epilogues of the most personal nature.
48 kHz / 24-bit PCM – BR-Klassik Studio Masters

Tracks 1-7 – contains high-resolution digital transfers of material originating from an analogue master source
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.21
-11.89 to -1.10
-25.89
-33.05 to -20.33
-22.04
-30.50 to -16.40
14
11 to 15
1
I. Requiem aeternam. Largo - Allegro vivace (Live)
-2.63-26.96-22.815
2
II. Tuba mirum. Adagio - Moderato - Allegro - Andantino (Live)
-1.10-20.33-16.411
3
III. Lacrimosa dies illa. Largo - Allegro moderato (Live)
-1.10-22.59-18.413
4
IV. Prochai svite. Largo (Live)
-11.89-33.05-30.514
5
V. Agnus Dei. Andante - Moderato (Live)
-2.49-27.07-23.115
6
VI. Requiem aeternam. Largo (Live)
-1.11-24.60-20.514
7
VII. Requiem aeternam. Allegro moderato - Andantino (Live)
-2.15-26.65-22.615

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