℗ 1982 KPM Music
Released 1982
Duration 38m 11s
Record Label KPM 1000 LP Series
Genre Folk
 

Kpm 1000 Series: Folk Songs

Little Missenden School, Brian Gulland, Richard Harvey

Available in 48 kHz / 24-bit AIFF, FLAC audio formats
  • Select Format
    • AIFF 48 kHz | 24-bit
    • FLAC 48 kHz | 24-bit
Add to cart
discounted price

 
1.1
Alouette
Brian Gulland; Richard Harvey
0:45
1.2
Blaydon Races
Brian Gulland; Richard Harvey
0:35
1.3
The Leaving of Liverpool
Brian Gulland; Richard Harvey
1:09
1.4
Dance to Your Daddy
Brian Gulland; Richard Harvey
0:44
1.5
Skye Boat Song
Brian Gulland; Richard Harvey
1:00
1.6
Loch Lomond (A)
Brian Gulland; Richard Harvey
0:42
1.7
Loch Lomond (B)
Brian Gulland; Richard Harvey
0:58
1.8
Charlie Is My Darling
Brian Gulland; Richard Harvey
0:29
1.9
Scotland the Brave
Brian Gulland; Richard Harvey
0:19
1.10
John Peel (A)
Brian Gulland; Richard Harvey
0:28
1.11
John Peel (B)
Brian Gulland; Richard Harvey
0:29
1.12
The Floral Dance
Brian Gulland; Richard Harvey
1:07
1.13
Widdicombe Fair
Brian Gulland; Richard Harvey
0:48
1.14
Greensleeves (A)
Brian Gulland; Richard Harvey
0:56
1.15
Greensleeves (B)
Brian Gulland; Richard Harvey
0:44
1.16
Greensleeves (C)
Brian Gulland; Richard Harvey
1:05
1.17
English Country Garden (A)
Brian Gulland; Richard Harvey
0:42
1.18
English Country Garden (B)
Brian Gulland; Richard Harvey
0:30
1.19
English Country Garden (C)
Brian Gulland; Richard Harvey
0:30
1.20
Uncle Bernard's
Brian Gulland; Richard Harvey
0:39
1.21
The Ash Grove (A)
Brian Gulland; Richard Harvey
0:52
1.22
The Ash Grove (B)
Brian Gulland; Richard Harvey
0:52
1.23
The Ash Grove (C)
Brian Gulland; Richard Harvey
0:51
1.24
Home Boys Home
Brian Gulland; Richard Harvey
0:35
1.25
Early One Morning
Brian Gulland; Richard Harvey
0:31
1.26
I Do Like to Be Beside the Seaside (A)
Brian Gulland; Richard Harvey
0:31
1.27
I Do Like to Be Beside the Seaside (B)
Brian Gulland; Richard Harvey
0:30
1.28
I Do Like to Be Beside the Seaside (C)
Little Missenden School
0:33
1.29
The British Grenadiers
Brian Gulland; Richard Harvey
0:40
1.30
What Shall We Do with the Drunken Sailor (A)
Brian Gulland; Richard Harvey
0:47
1.31
What Shall We Do with the Drunken Sailor (B)
Brian Gulland; Richard Harvey
0:29
1.32
What Shall We Do with the Drunken Sailor (C)
Brian Gulland; Richard Harvey
0:35
1.33
Sailor’'s Hornpipe (A)
Brian Gulland; Richard Harvey
0:54
1.34
Sailor’'s Hornpipe (B)
Brian Gulland; Richard Harvey
0:20
1.35
Sailor’'s Hornpipe (C)
Brian Gulland; Richard Harvey
0:29
1.36
Trumpet Hornpipe (A)
Brian Gulland; Richard Harvey
0:59
1.37
Trumpet Hornpipe (B)
Brian Gulland; Richard Harvey
0:59
1.38
Rule Britannia
Brian Gulland; Richard Harvey
0:41
1.39
Roving (A)
Brian Gulland; Richard Harvey
0:34
1.40
Roving (B)
Brian Gulland; Richard Harvey
0:39
1.41
Blow the Man Down
Brian Gulland; Richard Harvey
0:33
1.42
Bobby Shaftoe
Brian Gulland; Richard Harvey
0:19
1.43
Marching Through Georgia
Brian Gulland; Richard Harvey
1:12
1.44
John Brown’'s Body (A)
Brian Gulland; Richard Harvey
1:09
1.45
John Brown’'s Body (B)
Brian Gulland; Richard Harvey
0:30
1.46
When Johnny Comes Marching Home
Brian Gulland; Richard Harvey
0:39
1.47
Amazing Grace
Brian Gulland; Richard Harvey
1:39
1.48
Swing Low Sweet Chariot
Brian Gulland; Richard Harvey
0:56
1.49
Clementine
Brian Gulland; Richard Harvey
0:33
1.50
There Is a Tavern in the Town
Brian Gulland; Richard Harvey
1:10
1.51
She'll Be Coming Round the Mountain
Brian Gulland; Richard Harvey
0:30
1.52
The Camptown Races
Brian Gulland; Richard Harvey
0:31
1.53
Potty Wolly Doodle
Brian Gulland; Richard Harvey
0:30
This collection of folk songs and seas shanties from the British Isles and the US was first released in 1982 and offers themes for solo harp, solo accordion and solo violin, cuts featuring recorder and lute, as well as pieces for large ensemble.
48 kHz / 24-bit PCM – KPM 1000 LP Series Studio Masters

This album is a high-resolution digital transfer of material originating from an analogue master source. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth or dynamic range, due to the technology used at the time of its original creation. As such, it is offered as a high-resolution documentation of a historical release.
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-5.27
-10.77 to -2.34
-19.68
-24.30 to -16.94
-15.89
-21.80 to -12.50
9
6 to 11
1
Alouette
-6.38-18.27-14.08
2
Blaydon Races
-2.84-16.94-13.67
3
The Leaving of Liverpool
-3.30-17.89-14.99
4
Dance to Your Daddy
-7.31-22.53-19.49
5
Skye Boat Song
-4.81-21.30-18.19
6
Loch Lomond (A)
-6.23-20.07-13.97
7
Loch Lomond (B)
-4.26-20.76-18.09
8
Charlie Is My Darling
-3.82-19.74-16.111
9
Scotland the Brave
-6.00-20.10-14.76
10
John Peel (A)
-6.88-19.72-16.67
11
John Peel (B)
-4.24-19.96-17.09
12
The Floral Dance
-6.40-20.49-16.89
13
Widdicombe Fair
-2.71-16.97-13.59
14
Greensleeves (A)
-7.19-20.80-17.28
15
Greensleeves (B)
-7.81-23.90-21.110
16
Greensleeves (C)
-6.87-24.30-21.810
17
English Country Garden (A)
-5.06-17.55-13.98
18
English Country Garden (B)
-5.44-19.25-16.38
19
English Country Garden (C)
-5.30-19.70-16.99
20
Uncle Bernard's
-2.94-17.43-13.99
21
The Ash Grove (A)
-5.87-19.65-15.87
22
The Ash Grove (B)
-4.62-17.83-15.08
23
The Ash Grove (C)
-6.17-19.60-17.19
24
Home Boys Home
-4.00-20.16-16.010
25
Early One Morning
-5.30-20.20-17.39
26
I Do Like to Be Beside the Seaside (A)
-5.88-19.95-17.19
27
I Do Like to Be Beside the Seaside (B)
-5.56-20.31-17.09
28
I Do Like to Be Beside the Seaside (C)
-7.13-22.12-17.810
29
The British Grenadiers
-4.64-18.17-13.78
30
What Shall We Do with the Drunken Sailor (A)
-4.36-17.14-13.48
31
What Shall We Do with the Drunken Sailor (B)
-7.42-20.00-15.68
32
What Shall We Do with the Drunken Sailor (C)
-4.56-19.42-13.98
33
Sailor’'s Hornpipe (A)
-4.81-19.38-15.410
34
Sailor’'s Hornpipe (B)
-5.72-19.37-15.19
35
Sailor’'s Hornpipe (C)
-4.12-21.45-15.911
36
Trumpet Hornpipe (A)
-4.59-17.83-13.69
37
Trumpet Hornpipe (B)
-6.11-18.94-14.68
38
Rule Britannia
-5.75-18.30-12.56
39
Roving (A)
-7.08-20.25-16.88
40
Roving (B)
-5.83-19.92-16.69
41
Blow the Man Down
-10.77-22.07-16.96
42
Bobby Shaftoe
-8.44-21.96-16.37
43
Marching Through Georgia
-4.44-19.16-16.19
44
John Brown’'s Body (A)
-4.09-20.99-17.211
45
John Brown’'s Body (B)
-4.43-19.00-15.39
46
When Johnny Comes Marching Home
-2.57-17.28-14.410
47
Amazing Grace
-2.90-18.11-15.18
48
Swing Low Sweet Chariot
-2.34-19.42-16.09
49
Clementine
-6.67-21.53-16.48
50
There Is a Tavern in the Town
-5.14-17.58-14.08
51
She'll Be Coming Round the Mountain
-2.62-19.13-15.911
52
The Camptown Races
-6.09-19.47-14.28
53
Potty Wolly Doodle
-3.25-19.84-16.59

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions