℗ 2022 Claves Records
Released | December 9, 2022 |
Duration | 1h 06m 13s |
Record Label | Claves Records |
Catalogue No. | CD-3052 |
Genre | Classical (Keyboard) |
1.1
|
First Romanian Rhapsody in A Major, Op. 11 No. 1
George Enescu; Teo Gheorghiu |
13:36 | |||
1.2
|
Allegro Barbaro, Sz.49a
Béla Bartók; Teo Gheorghiu |
2:37 | |||
Romanian Folk Dances, Sz.56
|
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1.3
|
I. Joc cu bâtǎ
Béla Bartók; Teo Gheorghiu |
1:13 | |||
1.4
|
II. Brâul
Béla Bartók; Teo Gheorghiu |
0:36 | |||
1.5
|
III. Pê-loc
Béla Bartók; Teo Gheorghiu |
1:02 | |||
1.6
|
IV. Buciumeana
Béla Bartók; Teo Gheorghiu |
1:22 | |||
1.7
|
V. Poargǎ româneascǎ
Béla Bartók; Teo Gheorghiu |
0:28 | |||
1.8
|
VI. Mǎrunţel
Béla Bartók; Teo Gheorghiu |
1:02 | |||
1.9
|
Romanian Dance, Op. 8/a No. 1
Béla Bartók; Teo Gheorghiu |
4:50 | |||
Pictures at an Exhibition
|
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1.10
|
I. Promenade (I)
Modest Mussorgsky; Teo Gheorghiu |
1:36 | |||
1.11
|
II. Gnomus
Modest Mussorgsky; Teo Gheorghiu |
2:59 | |||
1.12
|
III. (Promenade II)
Modest Mussorgsky; Teo Gheorghiu |
0:56 | |||
1.13
|
IV. Il Vecchio Castello
Modest Mussorgsky; Teo Gheorghiu |
5:09 | |||
1.14
|
V. (Promenade III)
Modest Mussorgsky; Teo Gheorghiu |
0:30 | |||
1.15
|
VI. Tuileries (Dispute d'enfants après jeux)
Modest Mussorgsky; Teo Gheorghiu |
1:04 | |||
1.16
|
VII. Bydło
Modest Mussorgsky; Teo Gheorghiu |
3:17 | |||
1.17
|
VIII. (Promenade IV)
Modest Mussorgsky; Teo Gheorghiu |
0:43 | |||
1.18
|
IX. Ballet of the Unhatched Chicks
Modest Mussorgsky; Teo Gheorghiu |
1:09 | |||
1.19
|
X. "Samuel" Goldenberg und "Schmuÿle"
Modest Mussorgsky; Teo Gheorghiu |
2:30 | |||
1.20
|
XI. Promenade (V)
Modest Mussorgsky; Teo Gheorghiu |
1:38 | |||
1.21
|
XII. Limoges, le marché (La grande nouvelle)
Modest Mussorgsky; Teo Gheorghiu |
1:25 | |||
1.22
|
XIII. Catacombæ (Sepulcrum romanum)
Modest Mussorgsky; Teo Gheorghiu |
2:23 | |||
1.23
|
XIV. Cum mortuis in lingua mortua
Modest Mussorgsky; Teo Gheorghiu |
2:06 | |||
1.24
|
XV. The Hut on Fowl's Legs (Baba-Yagá)
Modest Mussorgsky; Teo Gheorghiu |
3:21 | |||
1.25
|
XVI. The Great Gate of Kiev
Modest Mussorgsky; Teo Gheorghiu |
5:01 | |||
1.26
|
Enter the realm (Arr. by Fabian Russ)
Georges Gurdjieff; Teo Gheorghiu |
3:40 |
Swiss-Canadian pianist Teo Gheorghiu explores his musical roots on this aptly-titled programme of works from George Enescu, Béla Bartók, Modest Mussorgsky, and Georges Gurdjieff.
"Having lived a life in the present and immediate future, the loss of my father in 2018 was a big bang that opened up a new horizon: the past.
Where have I come from? During the communist regime under Ceausescu in the 80s, my Romanian parents left everything behind to start a new life abroad. Having been born in Switzerland and raised in London, my only connection to Romania was through music: Dinu Lipatti, Radu Lupu, Maria Tănase, Taraful Haiducilor, and many others making me vibrate with feeling. Meanwhile, I find myself writing this in Sândominic where my grandfather grew up. This village lies in the heart of Harghita, a region in Romania populated by a proud Hungarian community going by the name of Szekely. Rolling hills recall Swiss sceneries, the summer season making a paradise bursting with colours, tastes, light, and plenty.
After spending many decades in Canada and Switzerland, my father had retraced his steps to the summers of his childhood and spent more and more time in Sândominic, where he connected with distant relatives who had welcomed him like a close friend. Ever since he had been laid to rest there next to his grandmother in late summer 2018, I have felt a deep compulsion to visit him and continue his reconnection with our roots. This impulse led me East; crossing Germany, Austria, Hungary, and most of Romania on my road bike. Much like my dad, once I hit the road it’s all gas, no brakes, and after twelve intense days, my pilgrimage came to an end - to find a new beginning, a new understanding, and a new sense of belonging with the past nourishing the present.
Pedalling to my roots was at once cathartic and wholesome, and this album is powered by this inspiration."
- Teo Gheorghiu
96 kHz / 24-bit PCM – Claves Records Studio Masters
Track 26 – 48 kHz / 24-bit PCM
Track 26 – 48 kHz / 24-bit PCM
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.85 -16.66 to -0.04 | -25.45 -37.17 to -18.85 | -22.10 -34.30 to -15.90 | 13 9 to 17 | |
1 | First Romanian Rhapsody in A Major, Op. 11 No. 1 | -0.43 | -23.26 | -20.1 | 14 |
2 | Allegro Barbaro, Sz.49a | -0.04 | -19.48 | -16.0 | 12 |
3 | I. Joc cu bâtǎ | -7.15 | -26.28 | -23.4 | 12 |
4 | II. Brâul | -7.00 | -28.05 | -24.5 | 11 |
5 | III. Pê-loc | -11.79 | -33.46 | -28.3 | 14 |
6 | IV. Buciumeana | -5.99 | -27.46 | -23.8 | 12 |
7 | V. Poargǎ româneascǎ | -4.38 | -22.95 | -20.4 | 13 |
8 | VI. Mǎrunţel | -3.42 | -21.13 | -17.8 | 12 |
9 | Romanian Dance, Op. 8/a No. 1 | -0.05 | -21.66 | -17.8 | 13 |
10 | I. Promenade (I) | -4.19 | -22.53 | -20.0 | 11 |
11 | II. Gnomus | -0.21 | -22.10 | -18.2 | 13 |
12 | III. (Promenade II) | -14.48 | -33.07 | -30.1 | 11 |
13 | IV. Il Vecchio Castello | -11.04 | -32.99 | -30.1 | 14 |
14 | V. (Promenade III) | -5.95 | -24.03 | -20.6 | 11 |
15 | VI. Tuileries (Dispute d'enfants après jeux) | -5.95 | -28.16 | -25.0 | 13 |
16 | VII. Bydło | -1.78 | -23.91 | -20.9 | 14 |
17 | VIII. (Promenade IV) | -9.63 | -30.77 | -27.2 | 11 |
18 | IX. Ballet of the Unhatched Chicks | -5.35 | -27.51 | -24.2 | 14 |
19 | X. "Samuel" Goldenberg und "Schmuÿle" | -0.52 | -23.82 | -20.2 | 14 |
20 | XI. Promenade (V) | -2.94 | -21.86 | -19.2 | 12 |
21 | XII. Limoges, le marché (La grande nouvelle) | -0.63 | -21.15 | -18.5 | 11 |
22 | XIII. Catacombæ (Sepulcrum romanum) | -2.95 | -30.21 | -24.1 | 17 |
23 | XIV. Cum mortuis in lingua mortua | -16.66 | -37.17 | -34.3 | 13 |
24 | XV. The Hut on Fowl's Legs (Baba-Yagá) | -0.05 | -20.27 | -16.9 | 12 |
25 | XVI. The Great Gate of Kiev | -0.04 | -19.55 | -15.9 | 13 |
26 | Enter the realm (Arr. by Fabian Russ) | -3.40 | -18.85 | -17.2 | 9 |