℗ 2022 Parlophone Records Limited, a Warner Music Group Company
| Released | October 14, 2022 |
| Duration | 1h 05m 05s |
| Record Label | Warner Classics |
| Genre | Classical |
Beethoven & Stravinsky: Violin Concertos
Vilde Frang, Die Deutsche Kammerphilharmonie Bremen, Pekka Kuusisto
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Violin Concerto in D Major, Op. 61
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1.1
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I. Allegro ma non troppo
Vilde Frang; Die Deutsche Kammerphilharmonie Bremen; Pekka Kuusisto |
24:50 | |||
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1.2
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II. Larghetto
Vilde Frang; Die Deutsche Kammerphilharmonie Bremen; Pekka Kuusisto |
9:16 | |||
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1.3
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III. Rondo. Allegro
Vilde Frang; Die Deutsche Kammerphilharmonie Bremen; Pekka Kuusisto |
9:18 | |||
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Violin Concerto in D Major, Op. 8
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1.4
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I. Toccata
Vilde Frang; Die Deutsche Kammerphilharmonie Bremen; Pekka Kuusisto |
5:22 | |||
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1.5
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II. Aria I
Vilde Frang; Die Deutsche Kammerphilharmonie Bremen; Pekka Kuusisto |
4:30 | |||
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1.6
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III. Aria II
Vilde Frang; Die Deutsche Kammerphilharmonie Bremen; Pekka Kuusisto |
5:56 | |||
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1.7
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IV. Capriccio
Vilde Frang; Die Deutsche Kammerphilharmonie Bremen; Pekka Kuusisto |
5:53 | |||
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Digital Booklet
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“The Beethoven concerto is a piece of overwhelming power,” says violinist Vilde Frang. “It is somehow more than music – the dimension of it feels almost cosmic. The force of this concerto takes me by surprise, over and over again.”
Frang juxtaposes Beethoven’s epic, lyrical work with Stravinsky’s compact violin concerto, which pays spiky tribute to 18th century models. The conductor is Pekka Kuusisto, himself an adventurous violinist, in his role as Artistic Best Friend of the Deutsche Kammerphilharmonie Bremen.
“It was the chamber musical qualities of the Beethoven concerto that provided the key for me. The violin is constantly ‘feeding’ and playing around the orchestra … In its own way, the Stravinsky too engages the soloist in a constant dialogue with the orchestra. With Pekka Kuusisto and the Bremen players, I really feel in such a comfort zone … There is a feeling of having everything to gain by gathering together, coming together.”
- Vilde Frang
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Warner Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.51 -4.13 to -0.50 | -24.80 -29.09 to -21.93 | -20.96 -24.50 to -18.40 | 15 13 to 16 | |
| 1 | I. Allegro ma non troppo | -0.76 | -23.78 | -19.4 | 14 |
| 2 | II. Larghetto | -4.13 | -29.09 | -24.5 | 14 |
| 3 | III. Rondo. Allegro | -0.51 | -22.52 | -18.4 | 13 |
| 4 | I. Toccata | -0.52 | -21.93 | -18.4 | 14 |
| 5 | II. Aria I | -1.95 | -25.34 | -22.1 | 15 |
| 6 | III. Aria II | -2.19 | -27.57 | -23.8 | 16 |
| 7 | IV. Capriccio | -0.50 | -23.34 | -20.1 | 16 |