℗ 2022 ART_INFINI
Released | November 4, 2022 |
Duration | 1h 11m 43s |
Record Label | ART_INFINI |
Genre | Classical (Chamber) |
The Ultimate Art Infini
Various Artists
Available in 192 kHz / 24-bit AIFF, FLAC and 5.6448 MHz DSD high resolution audio formats
November Nocturnes
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1.1
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No. 5, Blue Nocturne
Fazıl Say; Hitomi Niikura; Tokyo Symphony Orchestra; Norichika Iimori |
3:08 | |||
Concierto de Aranjuez Guitar & Orchestra
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1.2
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I. Allegro con spirito
Joaquín Rodrigo; Tomomi Kohno; Tokyo Philharmonic Orchestra; Toshiaki Umeda |
6:18 | |||
Turandot, SC 91
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1.3
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Tu che di gel sei cinta (Arr. for Voice & Piano)
Giacomo Puccini; Giuseppe Adami; Renato Simoni; Ryoko Sunakawa; Ryuichiro Sonoda |
2:52 | |||
Piano Concerto No. 2 in C Minor, Op. 18
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1.4
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I. Moderato
Sergei Rachmaninoff; Yukio Yokoyama; New Japan Philharmonic World Dream Orchestra; Tatsuya Shimono |
10:37 | |||
Piano Trio No. 1 in D Minor, Op. 49, MWv Q29
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1.5
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I. Molto allegro ed agitato
Felix Mendelssohn; Tsubaki Trio; Takako Takahashi; Eriko Iso; Hitomi Niikura |
10:32 | |||
1.6
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My One and Only Love (Arr. D. Suzuki)
Daisuke Suzuki; Guy B. Wood; Daisuke Suzuki |
3:20 | |||
Violin Sonata No. 1 in F Minor, Op. 80
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1.7
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II. Allegro brusco
Sergei Prokofiev; Fumiaki Miura; Itamar Golan |
7:05 | |||
Suite Buenos Aires
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1.8
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I. Pompeya
Máximo Diego Pujol; Duo Passione; Eriko Iso; Tomomi Kohno |
3:44 | |||
1.9
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Chain
Kazunori Miyake; Noriko Tsukagoshi |
5:18 | |||
1.10
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Concertstuck for Clarinet & Piano
Raymond Gallois-Montbrun; Tatsuzo Akasaka; Shinji Urakabe |
6:54 | |||
Cello Suite No. 1 in G Major, BWV 1007
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1.11
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I. Prélude
Johann Sebastian Bach; Nobuo Furukawa |
2:20 | |||
1.12
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Barcarolle in F-Sharp Major, Op. 60, B. 158
Frédéric Chopin; Jun-ichi Ito |
9:35 |
ART_INFINI compiles the best artists on their roster in their finest performances on The Ultimate Art Infini. Works from the great composers like Sergei Rachmaninoff, Felix Mendelssohn, Johann Sebastian Bach, and Frédéric Chopin are paired with contemporary works by Fazıl Say, Daisuke Suzuki, Kazunori Miyake, and more!
192 kHz / 24-bit PCM and 5.6448 MHz DSD – ART_INFINI Studio Masters
Tracks 1-3, 7-12 – 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit Tracks 5, 6 – 44.1 kHz / 24-bit PCM
Tracks 1-3, 7-12 – 44.1 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit Tracks 5, 6 – 44.1 kHz / 24-bit PCM
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.30 -5.83 to 0.00 | -22.17 -25.85 to -18.21 | -18.53 -22.10 to -14.40 | 13 11 to 17 | |
1 | No. 5, Blue Nocturne | -0.06 | -25.85 | -22.1 | 17 |
2 | I. Allegro con spirito | 0.00 | -22.65 | -19.2 | 14 |
3 | Tu che di gel sei cinta (Arr. for Voice & Piano) | 0.00 | -23.37 | -18.1 | 12 |
4 | I. Moderato | -0.17 | -22.18 | -19.4 | 13 |
5 | I. Molto allegro ed agitato | -1.26 | -24.19 | -20.8 | 14 |
6 | My One and Only Love (Arr. D. Suzuki) | -5.83 | -24.70 | -22.1 | 12 |
7 | II. Allegro brusco | -0.96 | -18.21 | -14.4 | 11 |
8 | I. Pompeya | 0.00 | -22.81 | -18.2 | 15 |
9 | Chain | 0.00 | -18.87 | -15.5 | 12 |
10 | Concertstuck for Clarinet & Piano | 0.00 | -20.33 | -16.7 | 13 |
11 | I. Prélude | -2.12 | -20.33 | -17.6 | 11 |
12 | Barcarolle in F-Sharp Major, Op. 60, B. 158 | 0.00 | -22.56 | -18.3 | 14 |