℗ 2017 Effendi Records
| Released | September 8, 2017 |
| Duration | 1h 06m 33s |
| Record Label | Effendi Records |
| Genre | Jazz |
|
1.1
|
Aethereal Spheres
Simon Legault Quintet |
7:08 | |||
|
1.2
|
The Space Between Two Hearts
Simon Legault Quintet |
8:26 | |||
|
1.3
|
ISMS
Simon Legault Quintet |
8:15 | |||
|
1.4
|
The Universal Would Remain Much the Same
Simon Legault Quintet |
8:51 | |||
|
1.5
|
Euphemized Blues
Simon Legault Quintet |
7:50 | |||
|
1.6
|
Wistful
Simon Legault Quintet |
8:59 | |||
|
1.7
|
Nimzowitsch Defense
Simon Legault Quintet |
6:38 | |||
|
1.8
|
Quantum Mechanicians
Simon Legault Quintet |
10:26 |
Hypnagogia Polis sees Québécois jazz guitarist Simon Legault performing with a different configuration of colleagues to his previous two releases, presenting an ensemble involving alto sax, piano, double bass, and drums. Drawing on influences such as Kurt Rosenwinkel, this release presents eight laid back and sparse original tracks.
48 kHz / 24-bit PCM – Effendi Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.10 -0.10 to -0.10 | -16.07 -19.73 to -14.62 | -13.69 -17.30 to -12.30 | 10 9 to 12 | |
| 1 | Aethereal Spheres | -0.10 | -14.94 | -12.4 | 9 |
| 2 | The Space Between Two Hearts | -0.10 | -15.84 | -13.5 | 10 |
| 3 | ISMS | -0.10 | -14.86 | -12.4 | 9 |
| 4 | The Universal Would Remain Much the Same | -0.10 | -19.73 | -17.3 | 12 |
| 5 | Euphemized Blues | -0.10 | -14.62 | -12.4 | 9 |
| 6 | Wistful | -0.10 | -18.28 | -16.0 | 12 |
| 7 | Nimzowitsch Defense | -0.10 | -15.65 | -13.2 | 10 |
| 8 | Quantum Mechanicians | -0.10 | -14.63 | -12.3 | 9 |