Twists and Turns: Music by Rob Keeley
Linda Merrick, Rob Keeley, John Turner, Caroline Balding, Ruth Ehrlich, Pipers 3, London Myriad, Manchester Chamber Ensemble
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
4 Anachronistic Dances
|
|||||
|
1.1
|
No. 1. Allegro vivace
Robert Keeley; Linda Merrick; Robert Keeley |
2:24 | |||
|
1.2
|
No. 2. Allegretto
Robert Keeley; Linda Merrick; Robert Keeley |
2:37 | |||
|
1.3
|
No. 3. Intermezzo. Andante
Robert Keeley; Linda Merrick; Robert Keeley |
2:31 | |||
|
1.4
|
No. 4. Allegretto, quasi tango
Robert Keeley; Linda Merrick; Robert Keeley |
3:00 | |||
|
3 Inventions
|
|||||
|
1.5
|
No. 1. Allegro vivace
Robert Keeley; Robert Keeley |
1:30 | |||
|
1.6
|
No. 2. Allegretto
Robert Keeley; Robert Keeley |
2:31 | |||
|
1.7
|
No. 3. Ut-re-mi-fa-sol-la
Robert Keeley; Robert Keeley |
2:09 | |||
|
1.8
|
Interrupted Melody
Robert Keeley; John Turner |
2:27 | |||
|
1.9
|
Breathless Scherzo
Robert Keeley; John Turner |
2:35 | |||
|
1.10
|
Twists and Turns
Robert Keeley; John Turner; Linda Merrick; Robert Keeley |
5:01 | |||
|
Diptych
|
|||||
|
1.11
|
I. Allegro con brio
Robert Keeley; Caroline Balding; Ruth Ehrlich |
4:00 | |||
|
1.12
|
II. Andante
Robert Keeley; Caroline Balding; Ruth Ehrlich |
4:07 | |||
|
Some Reeds in the Wind
|
|||||
|
1.13
|
I. Fanfare
Robert Keeley; Pipers 3 |
2:32 | |||
|
1.14
|
II. Pastorale
Robert Keeley; Pipers 3 |
2:22 | |||
|
1.15
|
III. Interludefor
Robert Keeley; Pipers 3 |
3:09 | |||
|
1.16
|
IV. A Keening
Robert Keeley; Pipers 3 |
2:14 | |||
|
1.17
|
V. A Final Fanfare
Robert Keeley; Pipers 3 |
2:32 | |||
|
7 Studies
|
|||||
|
1.18
|
No. 1. Andante
Robert Keeley; London Myriad |
2:10 | |||
|
1.19
|
No. 2. Allegretto
Robert Keeley; London Myriad |
1:29 | |||
|
1.20
|
No. 3. Duo
Robert Keeley; London Myriad |
3:28 | |||
|
1.21
|
No. 4. Invention à 3
Robert Keeley; London Myriad |
1:35 | |||
|
1.22
|
No. 5. Allegro vivace
Robert Keeley; London Myriad |
1:57 | |||
|
1.23
|
No. 6. Andante
Robert Keeley; London Myriad |
1:39 | |||
|
1.24
|
No. 7. Double Duo
Robert Keeley; London Myriad |
2:18 | |||
|
1.25
|
Saraband (The King's Farewell) (arr. R. Keeley for Chamber Ensemble]
Harrison Birtwistle; Robert Keeley; John Turner; Manchester Chamber Ensemble; Robert Keeley |
2:10 | |||
|
1.26
|
Interleaves
Robert Keeley; John Turner; Manchester Chamber Ensemble; Robert Keeley |
9:18 | |||
|
Digital Booklet
|
|||||
This release from Divine Art Records presents a collection of pieces by British composer Rob Keeley. Including solo instrumental, chamber music, and ensemble pieces, these contemporary works are given top notch performances by musicians such as clarinettist Linda Merrick and the London Myriad ensemble, with the composer himself also playing the harpsichord on several recordings.
96 kHz / 24-bit PCM – Metier Studio Masters
Tracks 11, 12, 18, 19, 20, 21, 23, 24 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 13, 14, 15, 16, 17, 22 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 11, 12, 18, 19, 20, 21, 23, 24 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 13, 14, 15, 16, 17, 22 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.93 -9.97 to -1.00 | -25.59 -30.38 to -21.61 | -21.33 -25.40 to -16.30 | 13 9 to 17 | |
| 1 | No. 1. Allegro vivace | -3.05 | -23.59 | -19.3 | 12 |
| 2 | No. 2. Allegretto | -4.99 | -25.43 | -21.7 | 12 |
| 3 | No. 3. Intermezzo. Andante | -5.09 | -25.22 | -20.4 | 9 |
| 4 | No. 4. Allegretto, quasi tango | -1.00 | -24.17 | -20.4 | 13 |
| 5 | No. 1. Allegro vivace | -9.87 | -27.80 | -23.8 | 13 |
| 6 | No. 2. Allegretto | -8.60 | -29.11 | -25.2 | 13 |
| 7 | No. 3. Ut-re-mi-fa-sol-la | -9.97 | -29.27 | -25.4 | 14 |
| 8 | Interrupted Melody | -6.73 | -24.51 | -20.6 | 10 |
| 9 | Breathless Scherzo | -3.39 | -21.61 | -16.3 | 11 |
| 10 | Twists and Turns | -1.00 | -23.23 | -19.1 | 14 |
| 11 | I. Allegro con brio | -4.56 | -27.94 | -22.4 | 15 |
| 12 | II. Andante | -4.79 | -30.38 | -24.0 | 16 |
| 13 | I. Fanfare | -6.35 | -25.26 | -20.6 | 13 |
| 14 | II. Pastorale | -7.50 | -28.30 | -24.5 | 13 |
| 15 | III. Interludefor | -6.19 | -25.31 | -20.4 | 11 |
| 16 | IV. A Keening | -5.65 | -26.70 | -21.2 | 12 |
| 17 | V. A Final Fanfare | -7.09 | -24.67 | -20.0 | 11 |
| 18 | No. 1. Andante | -1.80 | -23.46 | -20.2 | 13 |
| 19 | No. 2. Allegretto | -1.00 | -22.44 | -18.2 | 12 |
| 20 | No. 3. Duo | -5.87 | -24.71 | -21.5 | 12 |
| 21 | No. 4. Invention à 3 | -4.05 | -24.82 | -21.1 | 11 |
| 22 | No. 5. Allegro vivace | -2.83 | -24.05 | -20.3 | 14 |
| 23 | No. 6. Andante | -4.87 | -25.28 | -21.6 | 11 |
| 24 | No. 7. Double Duo | -5.40 | -26.02 | -22.4 | 13 |
| 25 | Saraband (The King's Farewell) (arr. R. Keeley for Chamber Ensemble] | -3.67 | -25.03 | -20.3 | 13 |
| 26 | Interleaves | -2.95 | -27.14 | -23.6 | 17 |