℗ 2017 La Prima Volta
| Released | September 29, 2017 |
| Duration | 1h 11m 10s |
| Record Label | La Dolce Volta |
| Genre | Classical |
R. Schumann: Complete Solo Piano Works, Vol.2: Carnaval Op. 9 - Impromptus über ein Thema von Clara Wieck, Op. 5 - Faschingsschwank aus Wien, Op. 26
Dana Ciocarlie
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Carnaval, Op. 9
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1.1
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I. Préambule
Robert Schumann; Dana Ciocarlie |
2:20 | |||
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1.2
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II. Pierrot
Robert Schumann; Dana Ciocarlie |
1:55 | |||
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1.3
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III. Arlequin
Robert Schumann; Dana Ciocarlie |
1:00 | |||
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1.4
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IV. Valse noble
Robert Schumann; Dana Ciocarlie |
1:56 | |||
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1.5
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V. Eusebius
Robert Schumann; Dana Ciocarlie |
2:02 | |||
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1.6
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VI. Florestan
Robert Schumann; Dana Ciocarlie |
0:58 | |||
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1.7
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VII. Coquette
Robert Schumann; Dana Ciocarlie |
1:36 | |||
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1.8
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VIII. Réplique
Robert Schumann; Dana Ciocarlie |
0:54 | |||
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1.9
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IX. Sphinxes
Robert Schumann; Dana Ciocarlie |
0:45 | |||
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1.10
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X. Papillons
Robert Schumann; Dana Ciocarlie |
0:47 | |||
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1.11
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XI. A.S.C.H. - S.C.H.A. (Lettres dansantes)
Robert Schumann; Dana Ciocarlie |
0:54 | |||
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1.12
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XII. Chiarina
Robert Schumann; Dana Ciocarlie |
1:11 | |||
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1.13
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XIII. Chopin
Robert Schumann; Dana Ciocarlie |
1:17 | |||
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1.14
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XIV. Estrella
Robert Schumann; Dana Ciocarlie |
0:34 | |||
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1.15
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XV. Reconnaissance
Robert Schumann; Dana Ciocarlie |
1:37 | |||
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1.16
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XVI. Pantalon et Colombine
Robert Schumann; Dana Ciocarlie |
1:07 | |||
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1.17
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XVII. Valse allemande
Robert Schumann; Dana Ciocarlie |
0:53 | |||
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1.18
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XVIII. Paganini
Robert Schumann; Dana Ciocarlie |
1:26 | |||
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1.19
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XIX. Aveu
Robert Schumann; Dana Ciocarlie |
1:05 | |||
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1.20
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XX. Promenade
Robert Schumann; Dana Ciocarlie |
2:29 | |||
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1.21
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XXI. Pause
Robert Schumann; Dana Ciocarlie |
0:18 | |||
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1.22
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XXII. Marche des « Davidsbündler » contre les Philistins
Robert Schumann; Dana Ciocarlie |
4:11 | |||
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Impromptus über ein Thema von Clara Wieck, Op. 5
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1.23
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I. Un poco adagio
Robert Schumann; Dana Ciocarlie |
1:25 | |||
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1.24
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II. ***
Robert Schumann; Dana Ciocarlie |
0:33 | |||
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1.25
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III. Espressivo
Robert Schumann; Dana Ciocarlie |
0:38 | |||
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1.26
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IV. ***
Robert Schumann; Dana Ciocarlie |
0:50 | |||
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1.27
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V. ***
Robert Schumann; Dana Ciocarlie |
1:03 | |||
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1.28
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VI. ***
Robert Schumann; Dana Ciocarlie |
1:10 | |||
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1.29
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VII. Presto
Robert Schumann; Dana Ciocarlie |
0:58 | |||
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1.30
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VIII. Tempo des Themas
Robert Schumann; Dana Ciocarlie |
0:53 | |||
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1.31
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IX. ***
Robert Schumann; Dana Ciocarlie |
1:42 | |||
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1.32
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X. ***
Robert Schumann; Dana Ciocarlie |
1:52 | |||
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1.33
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XI. Allegro con brio
Robert Schumann; Dana Ciocarlie |
2:17 | |||
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1.34
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XII. Vivace
Robert Schumann; Dana Ciocarlie |
4:46 | |||
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Faschingsschwank aus Wien, Op. 26
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1.35
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I. Allegro
Robert Schumann; Dana Ciocarlie |
9:18 | |||
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1.36
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II. Romanze
Robert Schumann; Dana Ciocarlie |
2:38 | |||
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1.37
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III. Scherzino
Robert Schumann; Dana Ciocarlie |
2:12 | |||
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1.38
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IV. Intermezzo
Robert Schumann; Dana Ciocarlie |
1:55 | |||
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1.39
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V. Finale
Robert Schumann; Dana Ciocarlie |
5:45 | |||
Romanian-French pianist Dana Ciocarlie undertakes the expansive challenge of recording the complete solo piano works of Robert Schumann in live performance with this project. One of the most formative figures of the Romantic piano repertoire, Schumann's prolific output has resulted in a recording collection that spans a total of 15 releases. The second volume sees Ciocarlie perform works including Carnaval, Op. 9 and the Impromptus über ein Thema von Clara Wieck, Op. 5, reflecting the fact that Schumann's artistic bond with Clara Wieck was forged early.
96 kHz / 24-bit PCM – La Dolce Volta Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.04 -29.54 to -1.18 | -26.30 -50.66 to -18.40 | -23.03 -47.50 to -15.40 | 12 9 to 14 | |
| 1 | I. Préambule | -1.61 | -21.43 | -18.5 | 12 |
| 2 | II. Pierrot | -3.18 | -26.69 | -22.8 | 14 |
| 3 | III. Arlequin | -1.32 | -23.14 | -19.3 | 13 |
| 4 | IV. Valse noble | -4.67 | -26.04 | -22.3 | 13 |
| 5 | V. Eusebius | -9.76 | -33.03 | -29.4 | 13 |
| 6 | VI. Florestan | -1.92 | -21.72 | -17.9 | 11 |
| 7 | VII. Coquette | -5.08 | -26.78 | -23.7 | 14 |
| 8 | VIII. Réplique | -13.65 | -34.28 | -30.9 | 12 |
| 9 | IX. Sphinxes | -29.54 | -50.66 | -47.5 | 13 |
| 10 | X. Papillons | -5.14 | -24.43 | -21.9 | 13 |
| 11 | XI. A.S.C.H. - S.C.H.A. (Lettres dansantes) | -4.47 | -27.89 | -24.9 | 13 |
| 12 | XII. Chiarina | -2.99 | -21.41 | -18.7 | 12 |
| 13 | XIII. Chopin | -9.89 | -30.24 | -27.3 | 11 |
| 14 | XIV. Estrella | -5.14 | -23.87 | -20.5 | 11 |
| 15 | XV. Reconnaissance | -10.37 | -29.58 | -26.9 | 12 |
| 16 | XVI. Pantalon et Colombine | -1.90 | -23.41 | -20.1 | 13 |
| 17 | XVII. Valse allemande | -2.06 | -23.63 | -19.3 | 13 |
| 18 | XVIII. Paganini | -3.21 | -23.61 | -20.0 | 12 |
| 19 | XIX. Aveu | -13.19 | -35.76 | -31.9 | 12 |
| 20 | XX. Promenade | -5.16 | -25.91 | -22.4 | 13 |
| 21 | XXI. Pause | -2.24 | -19.83 | -17.1 | 10 |
| 22 | XXII. Marche des « Davidsbündler » contre les Philistins | -1.18 | -18.40 | -15.4 | 11 |
| 23 | I. Un poco adagio | -12.51 | -33.93 | -30.4 | 11 |
| 24 | II. *** | -16.12 | -35.83 | -32.9 | 10 |
| 25 | III. Espressivo | -2.53 | -23.33 | -20.6 | 9 |
| 26 | IV. *** | -4.66 | -22.77 | -19.8 | 12 |
| 27 | V. *** | -9.67 | -30.16 | -27.4 | 11 |
| 28 | VI. *** | -1.66 | -20.53 | -17.8 | 11 |
| 29 | VII. Presto | -1.57 | -20.05 | -16.7 | 11 |
| 30 | VIII. Tempo des Themas | -10.52 | -28.87 | -25.9 | 11 |
| 31 | IX. *** | -1.57 | -20.96 | -17.7 | 12 |
| 32 | X. *** | -7.96 | -28.33 | -25.1 | 12 |
| 33 | XI. Allegro con brio | -2.21 | -21.94 | -18.5 | 11 |
| 34 | XII. Vivace | -1.57 | -19.81 | -16.3 | 12 |
| 35 | I. Allegro | -1.18 | -22.56 | -18.9 | 13 |
| 36 | II. Romanze | -17.79 | -38.73 | -35.5 | 13 |
| 37 | III. Scherzino | -3.14 | -23.47 | -18.9 | 13 |
| 38 | IV. Intermezzo | -2.08 | -21.00 | -18.0 | 11 |
| 39 | V. Finale | -1.29 | -21.84 | -19.0 | 13 |