℗ 2017 Triple Crown Records
 

Smidley

Smidley

Available in 96 kHz / 24-bit AIFF and FLAC high-resolution audio formats

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    • AIFF 96.0 kHz | 24-bit
    • FLAC 96.0 kHz | 24-bit
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1
Hell
Smidley
3:37
2
No One Likes You
Smidley
3:07
3
Dead Retriever
Smidley
3:10
4
Nothing'll
Smidley
3:18
5
Pink Gallo
Smidley
2:54
6
Fuck This
Smidley
3:36
7
It Doesn't Tear Me Up
Smidley
3:03
8
Power Word Kill
Smidley
3:30
9
Milkshake
Smidley
4:01
10
Under The Table
Smidley
3:33
Total Playing Time    33:49
“[Murphy has] got the ability to laugh at himself. ‘No One Likes You’ is a self-affirmation that deflates Foxing’s dead serious on-record reputation, and ‘Fuck This’ repeats its title as a hook, playfully self-sabotaging Smidley’s best chance at an algorithmic playlist hit.”
- Ian Cohen, Pitchfork

“It’s noticeably different music than Foxing, and, in its own way, just as strong. The album’s lead singles showed that Conor can also make high-energy indie rock, in addition to the slower-paced music he makes with Foxing.”
- Andrew Sacher, Brooklyn Vegan

Smidley is the alter ego of Conor Murphy, lead singer of St. Louis, Missouri emo band Foxing. This debut solo release from Smidley shows Murphy in a more accessible light than Foxing's devastatingly emotional albums, with a set of ten psycho-pop songs that show Murphy's more playful side.
96 kHz / 24-bit PCM – Triple Crown Records Studio Masters

Tracks 7, 9 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1, 2, 3, 4, 5, 6, 8, 10 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track 7 – contains monophonic material - ie., both channels are identical.

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What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

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