℗ 2022 Parlophone Records Limited; A Warner Classics release
Released | November 25, 2022 |
Duration | 2h 29m 03s |
Record Label | Warner Classics |
Genre | Classical |
Claudio Arrau Plays Brahms
Claudio Arrau
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Piano Concerto No. 1 in D Minor, Op. 15
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1.1
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I. Maestoso
Johannes Brahms; Claudio Arrau; Carlo Maria Giulini; Philharmonia Orchestra |
23:32 | |||
1.2
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II. Adagio
Johannes Brahms; Claudio Arrau; Carlo Maria Giulini; Philharmonia Orchestra |
15:08 | |||
1.3
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III. Rondo. Allegro non troppo
Johannes Brahms; Claudio Arrau; Carlo Maria Giulini; Philharmonia Orchestra |
12:55 | |||
Piano Concerto No. 2 in B-Flat Major, Op. 83
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1.4
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I. Allegro non troppo
Johannes Brahms; Claudio Arrau; Carlo Maria Giulini; Philharmonia Orchestra |
19:14 | |||
1.5
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II. Allegretto appassionato
Johannes Brahms; Claudio Arrau; Carlo Maria Giulini; Philharmonia Orchestra |
9:19 | |||
1.6
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III. Andante
Johannes Brahms; Claudio Arrau; Carlo Maria Giulini; Philharmonia Orchestra |
12:07 | |||
1.7
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IV. Allegro grazioso
Johannes Brahms; Claudio Arrau; Carlo Maria Giulini; Philharmonia Orchestra |
10:01 | |||
Piano Concerto No. 1 in D Minor, Op. 15
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1.8
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I. Maestoso (Recorded 1947)
Johannes Brahms; Claudio Arrau; Basil Cameron; Philharmonia Orchestra |
21:06 | |||
1.9
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II. Adagio (Recorded 1947)
Johannes Brahms; Claudio Arrau; Basil Cameron; Philharmonia Orchestra |
13:50 | |||
1.10
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III. Rondo (Recorded 1947)
Johannes Brahms; Claudio Arrau; Basil Cameron; Philharmonia Orchestra |
11:51 |
This collection gathers Claudio Arrau’s recordings of two concertos by Brahms, performed in a legendary collaboration with Carlo Maria Giulini. These are coupled with an earlier and less-known performance of the first concerto with Basil Cameron at the baton.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.53 -3.35 to -0.10 | -22.26 -26.84 to -19.32 | -18.56 -23.00 to -15.50 | 12 10 to 16 | |
1 | I. Maestoso | -0.20 | -19.32 | -15.5 | 11 |
2 | II. Adagio | -1.76 | -22.95 | -19.2 | 12 |
3 | III. Rondo. Allegro non troppo | -2.42 | -21.90 | -18.6 | 11 |
4 | I. Allegro non troppo | -0.83 | -20.95 | -17.1 | 12 |
5 | II. Allegretto appassionato | -1.96 | -20.52 | -16.5 | 11 |
6 | III. Andante | -3.35 | -26.84 | -22.1 | 13 |
7 | IV. Allegro grazioso | -1.66 | -20.16 | -16.5 | 10 |
8 | I. Maestoso (Recorded 1947) | -0.10 | -22.21 | -18.8 | 14 |
9 | II. Adagio (Recorded 1947) | -1.62 | -26.22 | -23.0 | 16 |
10 | III. Rondo (Recorded 1947) | -1.43 | -21.52 | -18.3 | 13 |