℗ 2023 Relapse Records
Released | April 21, 2023 |
Duration | 42m 19s |
Record Label | Relapse Records |
Genre | Rock (Singer-Songwriter) |
Death Folk Country
Dorthia Cottrell
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Death is the Punishment for Love
Dorthia Cottrell |
1:15 | |||
1.2
|
Harvester
Dorthia Cottrell |
3:20 | |||
1.3
|
Black Canyon
Dorthia Cottrell |
4:50 | |||
1.4
|
Family Annihilator
Dorthia Cottrell |
6:59 | |||
1.5
|
Effigy at the Gates of Ur
Dorthia Cottrell |
4:05 | |||
1.6
|
Midnight Boy
Dorthia Cottrell |
3:42 | |||
1.7
|
Hell in My Water
Dorthia Cottrell |
3:07 | |||
1.8
|
Take up Serpents
Dorthia Cottrell |
4:38 | |||
1.9
|
For Alicia
Dorthia Cottrell |
4:17 | |||
1.10
|
Eat What I Kill
Dorthia Cottrell |
4:16 | |||
1.11
|
Death is the Reward for Love
Dorthia Cottrell |
1:50 |
Across both her solo work and as the vocalist of renowned doom band Windhand, Dorthia Cottrell envisions her music as both a document of love and a reconciliation with death. On her new album, Death Folk Country, Cottrell wards off death through creation - the most distilled form of love. The spirit of love passed on through her words will be the ultimate reward for earthly suffering. Cottrell's enigmatic presence guides listeners down a path of introspection - Death Folk Country's massive scope touches upon tales of love, loss, and so much more.
"This album to me is about painting a picture of a place where my heart lives. I've always been asked what ‘kind’ of music I play by people,” Cottrell explains. "The title Death Folk Country is partly me describing a genre that fits the sound – but it's also meant to be taken as a Naming, a coronation of the world inside me. Death Folk Country is the music and also the land where the music takes place, and the two have always been inextricable from each other."
Cottrell’s voice, a quavering alto, fills the emptiest of canyons. Singing in echoing harmony with itself, her voice is a kind of prophecy, bringing home to the present thoughts and realizations from the future, even as Cottrell buries herself in remembrance of the past.
96 kHz / 24-bit PCM – Relapse Records Studio Masters
Tracks 1-11 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-11 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.51 -4.20 to -1.12 | -15.60 -19.53 to -12.39 | -12.98 -17.00 to -10.30 | 9 6 to 11 | |
1 | Death is the Punishment for Love | -4.20 | -19.53 | -17.0 | 10 |
2 | Harvester | -1.12 | -14.19 | -11.6 | 6 |
3 | Black Canyon | -1.12 | -14.46 | -11.8 | 8 |
4 | Family Annihilator | -1.13 | -14.33 | -11.5 | 8 |
5 | Effigy at the Gates of Ur | -1.21 | -16.39 | -14.1 | 10 |
6 | Midnight Boy | -1.12 | -12.39 | -10.3 | 7 |
7 | Hell in My Water | -1.15 | -13.18 | -10.9 | 7 |
8 | Take up Serpents | -1.23 | -15.97 | -13.3 | 9 |
9 | For Alicia | -1.15 | -16.35 | -13.3 | 9 |
10 | Eat What I Kill | -1.12 | -15.30 | -12.6 | 9 |
11 | Death is the Reward for Love | -2.03 | -19.49 | -16.4 | 11 |