℗ 2017 Paraty
| Released | November 17, 2017 |
| Duration | 1h 16m 38s |
| Record Label | Paraty Productions |
| Genre | Classical |
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Vingt Regards sur l’Enfant-Jésus
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1.1
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I. Regard du Père
Olivier Messiaen; Silas Bassa |
7:28 | |||
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1.2
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Kleinstücke
Silas Bassa; Silas Bassa |
2:42 | |||
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1.3
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Etude No. 9
Philip Glass; Silas Bassa |
3:44 | |||
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1.4
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Wasserklavier
Luciano Berio; Silas Bassa |
1:56 | |||
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1.5
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Santa Fe
Silas Bassa; Silas Bassa |
3:52 | |||
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1.6
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Times Curve Prelude No. 17
William Duckworth; Silas Bassa |
2:29 | |||
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Sonata No. 1, Op. 6
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1.7
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I. Allegro molto, con fuoco
Henryk Górecki; Silas Bassa |
7:55 | |||
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1.8
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II. Grave pesante e corale
Henryk Górecki; Silas Bassa |
2:32 | |||
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1.9
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III. Allegro vivace (ma non troppo)
Henryk Górecki; Silas Bassa |
4:22 | |||
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1.10
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Le Gibet
Aloysius Bertrand; Silas Bassa |
0:48 | |||
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Gaspard de la nuit, M. 55
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1.11
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II. Le Gibet
Maurice Ravel; Silas Bassa |
7:26 | |||
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1.12
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Réminiscence
Silas Bassa; Silas Bassa |
3:55 | |||
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1.13
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Prélude No. 22 in B Flat Minor, BWV 867
Johann Sebastian Bach; Silas Bassa |
3:28 | |||
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1.14
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Etude No. 12
Philip Glass; Silas Bassa |
6:32 | |||
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1.15
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Eternità
Silas Bassa; Silas Bassa |
3:04 | |||
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1.16
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Etude No. 16
Philip Glass; Silas Bassa |
4:52 | |||
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1.17
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Tango
Marlos Nobre; Silas Bassa |
4:29 | |||
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1.18
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Into the Rush
Silas Bassa; Silas Bassa |
5:04 | |||
Dualità sees Argentinian pianist Silas Bassa perform a varied programme of works by Messiaen, Glass, Górecki, and J.S. Bach. Following on from his acclaimed debut solo album Oscillations (2015), Bassa here further explores his interest in the possibilities of repetition and minimalism, also evident in his own compositional contributions to the album, including Kleinstücke and Santa Fe.
88.2 kHz / 24-bit PCM – Paraty Productions Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.87 -16.31 to -1.19 | -29.57 -40.51 to -22.70 | -25.86 -35.30 to -18.80 | 14 11 to 18 | |
| 1 | I. Regard du Père | -6.55 | -31.60 | -28.0 | 17 |
| 2 | Kleinstücke | -5.43 | -34.91 | -29.1 | 16 |
| 3 | Etude No. 9 | -4.55 | -26.53 | -23.9 | 15 |
| 4 | Wasserklavier | -12.53 | -34.20 | -31.0 | 13 |
| 5 | Santa Fe | -5.52 | -25.35 | -22.2 | 12 |
| 6 | Times Curve Prelude No. 17 | -10.19 | -30.01 | -27.0 | 12 |
| 7 | I. Allegro molto, con fuoco | -1.30 | -22.93 | -19.8 | 14 |
| 8 | II. Grave pesante e corale | -16.31 | -40.51 | -35.3 | 14 |
| 9 | III. Allegro vivace (ma non troppo) | -1.19 | -22.70 | -18.8 | 14 |
| 10 | Le Gibet | -12.19 | -37.48 | -33.2 | 15 |
| 11 | II. Le Gibet | -5.79 | -33.04 | -29.5 | 18 |
| 12 | Réminiscence | -6.60 | -30.49 | -26.7 | 15 |
| 13 | Prélude No. 22 in B Flat Minor, BWV 867 | -9.61 | -31.85 | -28.7 | 14 |
| 14 | Etude No. 12 | -8.21 | -26.78 | -24.1 | 11 |
| 15 | Eternità | -6.87 | -32.47 | -26.8 | 15 |
| 16 | Etude No. 16 | -4.56 | -25.26 | -22.5 | 12 |
| 17 | Tango | -2.55 | -23.32 | -19.6 | 14 |
| 18 | Into the Rush | -3.81 | -22.77 | -19.3 | 11 |