Nicholas Vines: Loose, Wet, Perforated - A Morality Play in Four Ordeals
Guerilla Opera
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Loose, Wet, Perforated
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1.1
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Preamble
Nicholas Vines; Aliana de la Guardia; Thea Lobo; Douglas Dodson; Brian Church; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
4:15 | |||
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1.2
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Interlude I
Nicholas Vines; Brian Church; Aliana de la Guardia; Thea Lobo; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
1:44 | |||
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1.3
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Ordeal I (The Cross): This Story Concerns a Guild
Nicholas Vines; Aliana de la Guardia; Thea Lobo; Douglas Dodson; Brian Church; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
3:05 | |||
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1.4
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Ordeal I (The Cross): So an Ordeal of the Cross
Nicholas Vines; Aliana de la Guardia; Thea Lobo; Douglas Dodson; Brian Church; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
4:09 | |||
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1.5
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Ordeal I (The Cross): So Loose Wins This Ordeal
Nicholas Vines; Aliana de la Guardia; Thea Lobo; Douglas Dodson; Brian Church; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
5:46 | |||
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1.6
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Ordeal I (The Cross): Wet Meanwhile Is Wondering How Honest
Nicholas Vines; Douglas Dodson; Brian Church; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
3:19 | |||
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1.7
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Ordeal II (Ingestion): So Wet Went a-Wandering
Nicholas Vines; Douglas Dodson; Brian Church; Thea Lobo; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
3:42 | |||
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1.8
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Ordeal II (Ingestion): So an Ingestion Ordeal
Nicholas Vines; Douglas Dodson; Brian Church; Aliana de la Guardia; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
5:34 | |||
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1.9
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Ordeal II (Ingestion): It Is My Fault
Nicholas Vines; Aliana de la Guardia; Douglas Dodson; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
2:16 | |||
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1.10
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Ordeal II (Ingestion): So Loose Wins This Ordeal
Nicholas Vines; Douglas Dodson; Brian Church; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
5:59 | |||
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1.11
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Ordeal III (Fire): How Could He Do This?
Nicholas Vines; Aliana de la Guardia; Douglas Dodson; Thea Lobo; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
1:57 | |||
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1.12
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Ordeal III (Fire): So an Ordeal of Fire
Nicholas Vines; Douglas Dodson; Brian Church; Thea Lobo; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
7:24 | |||
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1.13
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Ordeal III (Fire): So Loose Wins This Ordeal
Nicholas Vines; Douglas Dodson; Aliana de la Guardia; Brian Church; Thea Lobo; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
2:32 | |||
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1.14
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Interlude II
Nicholas Vines; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
1:55 | |||
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1.15
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Ordeal IV (Water): So Loose Has Crossed a Line
Nicholas Vines; Douglas Dodson; Brian Church; Aliana de la Guardia; Thea Lobo; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
3:22 | |||
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1.16
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Ordeal IV (Water): So an Ordeal of Water
Nicholas Vines; Douglas Dodson; Brian Church; Aliana de la Guardia; Thea Lobo; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
4:57 | |||
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1.17
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Revelation
Nicholas Vines; Aliana de la Guardia; Brian Church; Thea Lobo; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
1:26 | |||
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1.18
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Transformation
Nicholas Vines; Brian Church; Aliana de la Guardia; Thea Lobo; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
1:42 | |||
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1.19
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Postamble
Nicholas Vines; Aliana de la Guardia; Amy Advocat; Philipp Stäudlin; Christopher Moore; Mike Williams |
1:35 | |||
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Digital Booklet
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Navona Records presents Boston-based Guerilla Opera's 2016 production of Loose, Wet, Perforated: A Morality Play in Four Ordeals by composer Nicholas Vines. Inspired by the genre of the Medieval morality play, the characters Loose (Alana de la Guardia), Wet (Brian Church), and Perforated (Doug Dodson) introduce us to a surreal and satirical world involving secret organizations and viscious competition, communicated with intensity and vibrancy by Vine's music and top-notch performances from the soloists.
“American Idol meets The Hunger Games meets The Price is Right.”
- Guerilla Opera
44.1 kHz / 24-bit PCM – Navona Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.89 -6.06 to -0.50 | -23.40 -31.76 to -20.06 | -19.45 -27.20 to -15.70 | 12 10 to 14 | |
| 1 | Preamble | -2.31 | -23.39 | -19.8 | 13 |
| 2 | Interlude I | -3.91 | -25.49 | -20.5 | 12 |
| 3 | Ordeal I (The Cross): This Story Concerns a Guild | -3.05 | -23.30 | -20.1 | 13 |
| 4 | Ordeal I (The Cross): So an Ordeal of the Cross | -0.50 | -22.47 | -18.5 | 13 |
| 5 | Ordeal I (The Cross): So Loose Wins This Ordeal | -2.70 | -20.81 | -16.6 | 10 |
| 6 | Ordeal I (The Cross): Wet Meanwhile Is Wondering How Honest | -2.15 | -21.98 | -18.4 | 11 |
| 7 | Ordeal II (Ingestion): So Wet Went a-Wandering | -2.29 | -25.27 | -21.6 | 14 |
| 8 | Ordeal II (Ingestion): So an Ingestion Ordeal | -4.53 | -24.21 | -20.5 | 13 |
| 9 | Ordeal II (Ingestion): It Is My Fault | -1.66 | -21.94 | -17.7 | 12 |
| 10 | Ordeal II (Ingestion): So Loose Wins This Ordeal | -5.28 | -26.76 | -23.6 | 13 |
| 11 | Ordeal III (Fire): How Could He Do This? | -2.67 | -21.19 | -17.8 | 11 |
| 12 | Ordeal III (Fire): So an Ordeal of Fire | -1.85 | -23.82 | -19.8 | 14 |
| 13 | Ordeal III (Fire): So Loose Wins This Ordeal | -2.82 | -21.86 | -17.6 | 11 |
| 14 | Interlude II | -1.53 | -21.19 | -16.1 | 11 |
| 15 | Ordeal IV (Water): So Loose Has Crossed a Line | -3.12 | -21.83 | -18.5 | 12 |
| 16 | Ordeal IV (Water): So an Ordeal of Water | -0.68 | -20.06 | -15.7 | 11 |
| 17 | Revelation | -5.69 | -22.18 | -19.1 | 10 |
| 18 | Transformation | -6.06 | -31.76 | -27.2 | 11 |
| 19 | Postamble | -2.04 | -25.13 | -20.4 | 14 |