℗ 2017 harmonia mundi
| Released | April 21, 2017 |
| Duration | 1h 02m 52s |
| Record Label | harmonia mundi |
| Genre | Classical |
Bach: Cantatas for soprano
Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Weichet Nur, Betrübte Schatten, BWV 202
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1.1
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I. Aria "Weichet nur, betrübte Schatten"
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
6:37 | |||
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1.2
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II. Recitativo "Die Welt wird wieder neu"
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
0:25 | |||
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1.3
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III. Aria "Phoebus eilt mil schnellen Pferden"
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
3:31 | |||
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1.4
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IV. Recitativo "Drum sucht auch Amor sein Vergnügen"
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
0:37 | |||
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1.5
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V. Aria "Wenn die Frühlingslüfte streichen"
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
2:52 | |||
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1.6
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VI. Recitativo "Und dieses ist das Glücke"
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
0:42 | |||
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1.7
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VII. Aria "Sich üben im Lieben"
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
4:19 | |||
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1.8
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VIII. Recitativo "So sei das Band der keuschen Liebe"
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
0:23 | |||
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1.9
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IX. Gavotte Sehet in Zufriedenheit
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
1:40 | |||
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Tritt auf die Glaubensbahn, BWV 152
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1.10
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I. Sinfonia
Johann Sebastian Bach; Freiburger Barockorchester; Petra Müllejans |
3:18 | |||
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1.11
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II. Aria "Tritt auf die Glaubensbahn" (bass)
Johann Sebastian Bach; Andreas Wolf; Freiburger Barockorchester; Petra Müllejans |
2:40 | |||
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1.12
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III. Recitativo "Der Heiland ist gesetzt" (bass)
Johann Sebastian Bach; Andreas Wolf; Freiburger Barockorchester; Petra Müllejans |
2:00 | |||
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1.13
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IV. Aria "Stein, der über alle Schätze" (soprano)
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
4:36 | |||
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1.14
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V. Recitativo "Es ärgre sich die kluge Welt" (bass)
Johann Sebastian Bach; Andreas Wolf; Freiburger Barockorchester; Petra Müllejans |
1:21 | |||
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1.15
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VI. Aria "Wie soll ich dich, Liebster der Seele, umfassen?" (duetto)
Johann Sebastian Bach; Carolyn Sampson; Andreas Wolf; Freiburger Barockorchester; Petra Müllejans |
4:23 | |||
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Mein Herze schwimmt im Blut, BWV 199
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1.16
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I. Recitativo "Mein Herze schwimmt im Blut"
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
2:00 | |||
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1.17
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II. Aria "Stumme Seufzer, stille Klagen"
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
7:46 | |||
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1.18
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III. Recitativo "Doch Gott muß mir genädig sein"
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
1:00 | |||
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1.19
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IV. Aria "Tief gebückt und voller Reue"
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
7:51 | |||
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1.20
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V. Recitativo "Auf diese Schmerzensreu"
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
0:12 | |||
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1.21
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VI. Choral "Ich, dein betrübtes Kind"
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
1:45 | |||
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1.22
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VII. Recitativo "Ich lege mich in diese Wunden"
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
0:44 | |||
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1.23
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VIII. Aria "Wie freudig ist mein Herz"
Johann Sebastian Bach; Carolyn Sampson; Freiburger Barockorchester; Petra Müllejans |
2:10 | |||
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Digital Booklet
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“The crystalline beauty of Sampson’s voice makes it the ideal instrument for the wondrous language of ‘Weichet nur’… the fit between Sampson and the orchestra – as she lives in Freiburg, her local band – is exemplary… a gem of a disc”
- Early Music Today
“a fresh, glowing reading of Bach’s Wedding Cantata… her radiant soprano growing from the organic opening and its oboe solo… a convincing journey, beautifully balanced.”
- Record Review
“It’s a tribute to [Sampson's] linguistic as well as bright-voiced musical talents that she is the chosen soloist with the Freiburg Baroque Orchestra. The German period ensemble’s energy and precision is ever evident.”
- The Observer
Featuring soloists Carolyn Sampson and Andreas Wolf with the Freiburger Barockorchester and Petra Müllejans, this release focuses on a selection of cantatas by J.S. Bach. In particular, it brings together excerpts for soprano from cantatas written during the composer’s time in Weimar, including Mein Herze schwimmt im Blut and Weichet Nur, Betrübte Schatten.
96 kHz / 24-bit PCM – harmonia mundi Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.31 -8.19 to -0.50 | -25.09 -28.03 to -22.84 | -21.61 -25.00 to -19.40 | 13 11 to 16 | |
| 1 | I. Aria "Weichet nur, betrübte Schatten" | -4.37 | -26.38 | -23.0 | 14 |
| 2 | II. Recitativo "Die Welt wird wieder neu" | -3.31 | -25.09 | -21.0 | 12 |
| 3 | III. Aria "Phoebus eilt mil schnellen Pferden" | -1.25 | -23.65 | -20.3 | 14 |
| 4 | IV. Recitativo "Drum sucht auch Amor sein Vergnügen" | -3.21 | -24.64 | -20.5 | 12 |
| 5 | V. Aria "Wenn die Frühlingslüfte streichen" | -1.19 | -25.69 | -21.7 | 16 |
| 6 | VI. Recitativo "Und dieses ist das Glücke" | -1.53 | -23.59 | -19.4 | 14 |
| 7 | VII. Aria "Sich üben im Lieben" | -2.44 | -24.99 | -21.9 | 15 |
| 8 | VIII. Recitativo "So sei das Band der keuschen Liebe" | -3.76 | -24.81 | -20.8 | 11 |
| 9 | IX. Gavotte Sehet in Zufriedenheit | -3.68 | -25.47 | -21.7 | 14 |
| 10 | I. Sinfonia | -7.52 | -25.13 | -22.0 | 12 |
| 11 | II. Aria "Tritt auf die Glaubensbahn" (bass) | -6.85 | -26.26 | -22.9 | 13 |
| 12 | III. Recitativo "Der Heiland ist gesetzt" (bass) | -6.34 | -26.86 | -23.7 | 13 |
| 13 | IV. Aria "Stein, der über alle Schätze" (soprano) | -2.63 | -23.58 | -20.6 | 13 |
| 14 | V. Recitativo "Es ärgre sich die kluge Welt" (bass) | -6.18 | -26.15 | -23.0 | 12 |
| 15 | VI. Aria "Wie soll ich dich, Liebster der Seele, umfassen?" (duetto) | -0.50 | -22.84 | -19.5 | 15 |
| 16 | I. Recitativo "Mein Herze schwimmt im Blut" | -0.50 | -24.16 | -21.0 | 13 |
| 17 | II. Aria "Stumme Seufzer, stille Klagen" | -2.56 | -26.71 | -23.5 | 16 |
| 18 | III. Recitativo "Doch Gott muß mir genädig sein" | -2.22 | -23.91 | -20.5 | 13 |
| 19 | IV. Aria "Tief gebückt und voller Reue" | -1.65 | -24.58 | -21.4 | 15 |
| 20 | V. Recitativo "Auf diese Schmerzensreu" | -8.19 | -27.44 | -23.7 | 12 |
| 21 | VI. Choral "Ich, dein betrübtes Kind" | -4.42 | -28.03 | -25.0 | 13 |
| 22 | VII. Recitativo "Ich lege mich in diese Wunden" | -1.22 | -23.49 | -20.0 | 12 |
| 23 | VIII. Aria "Wie freudig ist mein Herz" | -0.50 | -23.60 | -20.0 | 16 |