℗ 2023 Bruce Wolosoff
| Released | March 3, 2023 |
| Duration | 50m 25s |
| Record Label | AVIE Records |
| Catalogue No. | AV2595 |
| Genre | Classical (Crossover) |
|
1.1
|
Siempre
Bruce Wolosoff; Bruce Wolosoff |
4:49 | |||
|
1.2
|
Morning Song
Bruce Wolosoff; Bruce Wolosoff |
4:21 | |||
|
1.3
|
Improvisation on a Ground by Henry Purcell
Bruce Wolosoff; Bruce Wolosoff |
2:45 | |||
|
1.4
|
After the Rain
Bruce Wolosoff; Bruce Wolosoff |
3:28 | |||
|
1.5
|
Memento
Bruce Wolosoff; Bruce Wolosoff |
4:51 | |||
|
1.6
|
Letter to a Friend
Bruce Wolosoff; Bruce Wolosoff |
2:33 | |||
|
1.7
|
City Lights
Bruce Wolosoff; Bruce Wolosoff |
2:15 | |||
|
1.8
|
The Lotus Eaters
Bruce Wolosoff; Bruce Wolosoff |
3:48 | |||
|
1.9
|
Dido's Blues
Bruce Wolosoff; Bruce Wolosoff |
4:33 | |||
|
Night Paintings
|
|||||
|
1.10
|
I. I’ve Got It All Up Here (after a painting by David Salle)
Bruce Wolosoff; Bruce Wolosoff |
5:04 | |||
|
1.11
|
II. Evening on Karl Johan Street (after a painting by Edvard Munch)
Bruce Wolosoff; Bruce Wolosoff |
2:37 | |||
|
1.12
|
III. La Nuit étoilée sur le Rhône (after a painting by Vincent van Gogh)
Bruce Wolosoff; Bruce Wolosoff |
4:45 | |||
|
1.13
|
IV. Nocturnal (after a painting by Margaret Garrett)
Bruce Wolosoff; Bruce Wolosoff |
4:36 | |||
Pianist-composer Bruce Wolosoff is a musical alchemist, organically mixing his multiple experiences in the worlds of jazz, rock, blues and classical music. His new solo album, Memento, melds the evolution of Wolosoff’s performance and compositional style into a genre that is all his own and true to himself. Wolosoff is a “formidable pianist” (Gramophone) who can tackle the great romantics like Busoni and Liszt. He can improvise like Bach and Beethoven as well as today’s jazz greats. His contemporary compositions are informed by his past whilst imbued with his current belief in “the primacy of lyricism and melody.”
Memento takes the listener on a journey imbued by various genres. Throughout, Wolosoff opens his heart. His inner voice is his guide, and all his own.
96 kHz / 24-bit PCM – AVIE Records Studio Masters
Tracks 3, 6 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 6 – contains material which has been processed by a perceptual audio coding algorithm
Tracks 3, 6 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 6 – contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.14 -1.96 to -0.99 | -19.11 -25.93 to -15.53 | -15.77 -21.60 to -12.50 | 11 8 to 15 | |
| 1 | Siempre | -1.96 | -23.93 | -19.2 | 13 |
| 2 | Morning Song | -0.99 | -16.87 | -13.7 | 9 |
| 3 | Improvisation on a Ground by Henry Purcell | -1.17 | -19.65 | -16.4 | 11 |
| 4 | After the Rain | -0.99 | -20.04 | -17.1 | 12 |
| 5 | Memento | -0.99 | -19.42 | -16.6 | 12 |
| 6 | Letter to a Friend | -0.99 | -15.53 | -12.5 | 8 |
| 7 | City Lights | -0.99 | -15.94 | -13.2 | 9 |
| 8 | The Lotus Eaters | -1.76 | -25.93 | -21.6 | 15 |
| 9 | Dido's Blues | -0.99 | -15.83 | -12.6 | 8 |
| 10 | I. I’ve Got It All Up Here (after a painting by David Salle) | -0.99 | -18.48 | -15.0 | 11 |
| 11 | II. Evening on Karl Johan Street (after a painting by Edvard Munch) | -0.99 | -16.88 | -13.9 | 10 |
| 12 | III. La Nuit étoilée sur le Rhône (after a painting by Vincent van Gogh) | -0.99 | -21.29 | -17.7 | 12 |
| 13 | IV. Nocturnal (after a painting by Margaret Garrett) | -0.99 | -18.63 | -15.5 | 11 |