℗ 2017 Focus Features LLC under exclusive license to Verve Label Group, a Division of UMG Recordings, Inc.
Released | November 17, 2017 |
Duration | 52m 06s |
Record Label | DG |
Genre | Soundtrack |
Darkest Hour: Music by Dario Marianelli (Original Motion Picture Soundtrack)
Víkingur Ólafsson
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Prelude
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes; Víkingur Ólafsson |
2:25 | |||
1.2
|
Where Is Winston?
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes; Víkingur Ólafsson |
2:44 | |||
1.3
|
Full English
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes; Víkingur Ólafsson |
1:59 | |||
1.4
|
A Telegram From The Palace
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes; Víkingur Ólafsson |
1:44 | |||
1.5
|
One Of Them
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes; Víkingur Ólafsson; Nicholas Korth |
1:33 | |||
1.6
|
Winston And George
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes; Víkingur Ólafsson; Amy Harman |
3:15 | |||
1.7
|
First Speech To The Commons
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes; Víkingur Ólafsson |
3:36 | |||
1.8
|
The War Rooms
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes; Víkingur Ólafsson |
2:46 | |||
1.9
|
From The Air
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes; Víkingur Ólafsson |
1:25 | |||
1.10
|
I Wouldn't Trust Him With My Bicycle
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes; Víkingur Ólafsson |
1:58 | |||
1.11
|
Radio Broadcast
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes; Víkingur Ólafsson |
3:06 | |||
1.12
|
History Is Listening
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes; Víkingur Ólafsson |
2:35 | |||
1.13
|
An Ultimatum
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes |
1:29 | |||
1.14
|
Dynamo
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes; Víkingur Ólafsson |
2:38 | |||
1.15
|
We Must Prepare For Imminent Invasion
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes; Víkingur Ólafsson |
3:04 | |||
1.16
|
The Words Won't Come
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes |
2:17 | |||
1.17
|
Just Before The Dawn
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes; Víkingur Ólafsson |
2:14 | |||
1.18
|
District Line, East, One Stop.
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes; Víkingur Ólafsson; Nicholas Korth |
3:52 | |||
1.19
|
We Shall Fight
Darkest Hour Orchestra; Dario Marianelli; Nick Wollage; Fiona Cruickshank; John Prestage; Ashley Andrew-Jones; Hilary Skewes; Víkingur Ólafsson |
7:26 | |||
Digital Booklet
|
Composer Dario Marianelli presents his score for the 2017 war drama Darkest Hour, a thrilling film which follows Gary Oldman as Winston Churchill during the early days of World War Two. Featuring pianist Víkingur Ólafsson, the 19-track release is orchestral, ominous and tension-filled.
48 kHz / 24-bit PCM – DG Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.05 -7.03 to 0.00 | -20.39 -26.32 to -12.66 | -17.63 -23.30 to -9.70 | 11 7 to 15 | |
1 | Prelude | -3.28 | -26.32 | -23.2 | 13 |
2 | Where Is Winston? | 0.00 | -12.66 | -9.7 | 7 |
3 | Full English | -0.11 | -20.31 | -17.8 | 14 |
4 | A Telegram From The Palace | -1.17 | -21.24 | -18.4 | 13 |
5 | One Of Them | -7.03 | -23.63 | -20.9 | 9 |
6 | Winston And George | -0.26 | -22.65 | -19.8 | 13 |
7 | First Speech To The Commons | -0.21 | -22.12 | -18.6 | 13 |
8 | The War Rooms | -0.20 | -17.96 | -15.5 | 10 |
9 | From The Air | -0.24 | -18.08 | -15.5 | 12 |
10 | I Wouldn't Trust Him With My Bicycle | -0.24 | -18.52 | -16.5 | 11 |
11 | Radio Broadcast | -0.20 | -20.35 | -17.0 | 12 |
12 | History Is Listening | -0.24 | -19.26 | -17.4 | 12 |
13 | An Ultimatum | -3.37 | -23.99 | -21.6 | 10 |
14 | Dynamo | -0.17 | -15.63 | -12.7 | 9 |
15 | We Must Prepare For Imminent Invasion | -0.51 | -20.98 | -18.7 | 13 |
16 | The Words Won't Come | -1.79 | -24.89 | -23.3 | 15 |
17 | Just Before The Dawn | -0.73 | -23.05 | -20.3 | 11 |
18 | District Line, East, One Stop. | -0.11 | -19.69 | -16.0 | 11 |
19 | We Shall Fight | -0.09 | -15.99 | -12.1 | 8 |