℗ 2021 Fred Gibson; Under exclusive licence to Warner Music UK Limited.An Atlantic Records UK release
Released | February 2, 2023 |
Duration | 45m 42s |
Record Label | Atlantic Records UK |
Genre | Electronic (Dance) |
Actual Life (April 14 - December 17 2020)
Fred again..
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
April 14th 2020 EXPLICIT
Fred again.. |
0:40 | |||
1.2
|
Kyle (i found you)
Fred again.. |
3:16 | |||
1.3
|
Dermot (see yourself in my eyes / feat. Dermot Kennedy) EXPLICIT
Fred again..; Dermot Kennedy |
3:48 | |||
1.4
|
Yasminah (see your face again) EXPLICIT
Fred again.. |
3:04 | |||
1.5
|
Hackney (interlude) EXPLICIT
Fred again.. |
0:14 | |||
1.6
|
Julia (deep diving) EXPLICIT
Fred again.. |
4:34 | |||
1.7
|
Adam (interlude) EXPLICIT
Fred again.. |
1:45 | |||
1.8
|
Me (heavy) EXPLICIT
Fred again.. |
3:03 | |||
1.9
|
Big Hen (steal my joy) EXPLICIT
Fred again.. |
4:23 | |||
1.10
|
Marnie (wish i had u)
Fred again.. |
3:12 | |||
1.11
|
Sabrina (i am a party) EXPLICIT
Fred again.. |
3:19 | |||
1.12
|
Lydia (please make it better) EXPLICIT
Fred again.. |
3:07 | |||
1.13
|
Carlos (make it thru) EXPLICIT
Fred again.. |
3:23 | |||
1.14
|
Angie (interlude) EXPLICIT
Fred again.. |
2:48 | |||
1.15
|
Angie (i’ve been lost) EXPLICIT
Fred again.. |
4:45 | |||
1.16
|
December 17th 2020 EXPLICIT
Fred again.. |
0:21 |
Grammy Award Nomination, 2024 – Best New Artist
Actual Life (April 14 – December 17 2020) is the debut solo album from British producer Fred Gibson under the stage name Fred Again. It was released on April 16, 2021 through again.. Records. The composition of the album involves short clips from various sources, such as YouTube videos and FaceTime conversations, layered with synthesizers. The album revolves around the COVID-19 pandemic and was an outlet for Gibson to explore "a year of finding love and mourning its loss".
96 kHz / 24-bit PCM – Atlantic Records UK Studio Masters
Tracks 1, 7, 13, 15 – contains material which has been processed by a perceptual audio coding algorithm Tracks 1, 2, 4-9, 11-16 – 44.1 kHz / 24-bit PCM Tracks 3, 10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1, 7, 13, 15 – contains material which has been processed by a perceptual audio coding algorithm Tracks 1, 2, 4-9, 11-16 – 44.1 kHz / 24-bit PCM Tracks 3, 10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.45 -7.04 to -0.01 | -12.99 -23.96 to -7.95 | -10.81 -18.20 to -7.30 | 6 3 to 12 | |
1 | April 14th 2020 | 0.00 | -18.35 | -16.9 | 5 |
2 | Kyle (i found you) | 0.00 | -7.95 | -7.4 | 3 |
3 | Dermot (see yourself in my eyes / feat. Dermot Kennedy) | -0.08 | -10.27 | -8.2 | 5 |
4 | Yasminah (see your face again) | -0.02 | -10.53 | -8.9 | 5 |
5 | Hackney (interlude) | -3.59 | -21.39 | -18.2 | 12 |
6 | Julia (deep diving) | 0.00 | -9.53 | -8.4 | 3 |
7 | Adam (interlude) | 0.00 | -17.01 | -13.7 | 9 |
8 | Me (heavy) | -0.98 | -13.37 | -11.0 | 6 |
9 | Big Hen (steal my joy) | 0.00 | -10.78 | -8.5 | 5 |
10 | Marnie (wish i had u) | -0.21 | -11.49 | -9.5 | 6 |
11 | Sabrina (i am a party) | 0.00 | -9.11 | -8.0 | 4 |
12 | Lydia (please make it better) | -0.01 | -8.85 | -7.3 | 4 |
13 | Carlos (make it thru) | -1.07 | -13.21 | -10.2 | 4 |
14 | Angie (interlude) | -0.10 | -10.54 | -8.9 | 5 |
15 | Angie (i’ve been lost) | 0.00 | -11.43 | -9.6 | 6 |
16 | December 17th 2020 | -7.04 | -23.96 | -18.2 | 10 |