℗ 2023 Delphian Records
| Released | April 7, 2023 |
| Duration | 59m 23s |
| Record Label | Delphian Records |
| Catalogue No. | DCD34263 |
| Genre | Classical (Chamber) |
Stone, Salt & Sky: Beamish | Maconchy | Strachan | R Clarke
Gaia Duo
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Grotesque
Gaia Duo; Rebecca Clarke; Gaia Duo |
2:35 | |||
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1.2
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Lullaby
Gaia Duo; Rebecca Clarke; Gaia Duo |
3:16 | |||
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Stone, Salt and Sky
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1.3
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I. Processional
Gaia Duo; Sally Beamish; Gaia Duo |
4:33 | |||
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1.4
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II. Horizon
Gaia Duo; Sally Beamish; Gaia Duo |
7:33 | |||
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1.5
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III. Harbour Blues
Gaia Duo; Sally Beamish; Gaia Duo |
4:10 | |||
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Duo (Theme and Variations)
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1.6
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I. Theme Andante moderato
Gaia Duo; Elizabeth Maconchy; Gaia Duo |
1:00 | |||
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1.7
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II. Variation I Allegro
Gaia Duo; Elizabeth Maconchy; Gaia Duo |
0:18 | |||
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1.8
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III. Variation II Andante espressivo, rubato
Gaia Duo; Elizabeth Maconchy; Gaia Duo |
1:05 | |||
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1.9
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IV. Variation III Allegro commodo –
Gaia Duo; Elizabeth Maconchy; Gaia Duo |
1:08 | |||
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1.10
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V. Variation IV Molto moderato, espressivo –
Gaia Duo; Elizabeth Maconchy; Gaia Duo |
1:32 | |||
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1.11
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VI. Variation V Allegro molto
Gaia Duo; Elizabeth Maconchy; Gaia Duo |
0:33 | |||
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1.12
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VII. Variation VI Allegro vigoroso
Gaia Duo; Elizabeth Maconchy; Gaia Duo |
0:48 | |||
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1.13
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VIII. Variation VII Lento serioso
Gaia Duo; Elizabeth Maconchy; Gaia Duo |
2:12 | |||
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1.14
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IX. Variation VIII Allegro molto
Gaia Duo; Elizabeth Maconchy; Gaia Duo |
1:49 | |||
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1.15
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Antibes
Gaia Duo; Gaia Duo |
5:16 | |||
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Thirteen Ways of Looking at a Blackbird
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1.16
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I. Among twenty snowy mountains
Gaia Duo; Duncan Strachan; Gaia Duo |
2:23 | |||
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1.17
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II. I was of three minds
Gaia Duo; Duncan Strachan; Gaia Duo |
0:57 | |||
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1.18
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III. The blackbird whirled in the autumn winds
Gaia Duo; Duncan Strachan; Gaia Duo |
1:09 | |||
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1.19
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IV. A man and a woman are one
Gaia Duo; Duncan Strachan; Gaia Duo |
1:37 | |||
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1.20
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V. The blackbird whistling, or just after
Gaia Duo; Duncan Strachan; Gaia Duo |
0:35 | |||
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1.21
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VI. The shadow of the blackbird
Gaia Duo; Duncan Strachan; Gaia Duo |
2:07 | |||
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1.22
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VII. O thin men of Haddam, why do you imagine golden birds?
Gaia Duo; Duncan Strachan; Gaia Duo |
2:03 | |||
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1.23
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VIII. I know noble accents
Gaia Duo; Duncan Strachan; Gaia Duo |
2:02 | |||
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1.24
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IX. When the blackbird flew out of sight
Gaia Duo; Duncan Strachan; Gaia Duo |
0:56 | |||
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1.25
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X. At the sight of the blackbirds flying in a green light
Gaia Duo; Duncan Strachan; Gaia Duo |
1:07 | |||
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1.26
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XI. He rode over Connecticut in a glass coach
Gaia Duo; Duncan Strachan; Gaia Duo |
0:45 | |||
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1.27
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XII. The river is moving
Gaia Duo; Duncan Strachan; Gaia Duo |
2:17 | |||
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1.28
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XIII. The blackbird sat in the cedar-limbs
Gaia Duo; Duncan Strachan; Gaia Duo |
3:37 | |||
96 kHz / 24-bit PCM – Delphian Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.19 -32.19 to -0.49 | -27.76 -56.36 to -17.15 | -24.14 -50.00 to -14.10 | 12 7 to 15 | |
| 1 | Grotesque | -2.25 | -22.79 | -18.1 | 12 |
| 2 | Lullaby | -7.57 | -28.30 | -25.2 | 12 |
| 3 | I. Processional | -0.74 | -23.39 | -19.4 | 15 |
| 4 | II. Horizon | -13.39 | -36.17 | -32.2 | 13 |
| 5 | III. Harbour Blues | -2.27 | -24.28 | -21.0 | 15 |
| 6 | I. Theme Andante moderato | -4.34 | -21.18 | -17.7 | 10 |
| 7 | II. Variation I Allegro | -3.79 | -23.60 | -19.9 | 10 |
| 8 | III. Variation II Andante espressivo, rubato | -9.92 | -27.87 | -25.1 | 10 |
| 9 | IV. Variation III Allegro commodo – | -2.40 | -25.80 | -22.1 | 15 |
| 10 | V. Variation IV Molto moderato, espressivo – | -6.93 | -25.42 | -22.7 | 11 |
| 11 | VI. Variation V Allegro molto | -3.96 | -24.43 | -20.5 | 11 |
| 12 | VII. Variation VI Allegro vigoroso | -0.67 | -19.64 | -16.3 | 11 |
| 13 | VIII. Variation VII Lento serioso | -5.33 | -26.80 | -23.8 | 11 |
| 14 | IX. Variation VIII Allegro molto | -3.13 | -21.92 | -18.4 | 10 |
| 15 | Antibes | -7.32 | -31.43 | -27.2 | 14 |
| 16 | I. Among twenty snowy mountains | -8.41 | -29.92 | -27.1 | 12 |
| 17 | II. I was of three minds | -2.76 | -24.53 | -21.6 | 12 |
| 18 | III. The blackbird whirled in the autumn winds | -5.94 | -23.04 | -19.8 | 11 |
| 19 | IV. A man and a woman are one | -14.84 | -32.52 | -28.6 | 9 |
| 20 | V. The blackbird whistling, or just after | -16.38 | -32.81 | -29.3 | 7 |
| 21 | VI. The shadow of the blackbird | -8.75 | -32.64 | -28.6 | 13 |
| 22 | VII. O thin men of Haddam, why do you imagine golden birds? | -2.99 | -20.87 | -17.8 | 11 |
| 23 | VIII. I know noble accents | -13.88 | -38.05 | -34.6 | 13 |
| 24 | IX. When the blackbird flew out of sight | -32.19 | -56.36 | -50.0 | 14 |
| 25 | X. At the sight of the blackbirds flying in a green light | -2.79 | -22.80 | -19.1 | 10 |
| 26 | XI. He rode over Connecticut in a glass coach | -0.49 | -17.15 | -14.1 | 10 |
| 27 | XII. The river is moving | -8.97 | -30.45 | -27.0 | 12 |
| 28 | XIII. The blackbird sat in the cedar-limbs | -9.02 | -33.17 | -28.7 | 13 |