℗ 2023 Tactus Records
Released April 7, 2023
Duration 1h 08m 07s
Record Label Tactus
Catalogue No. TC670203
Genre Classical (Baroque)
 

Bigaglia: Cantate per soprano e continuo (feat. Claudio Frigerio, Serena Agostini, Diogenio Bigaglia)

I Solisti Ambrosiani, Tullia Pedersoli, Claudio Frigerio, Serena Agostini, Diogenio Bigaglia

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
Ah, Santi Numi (feat. Claudio Frigerio, Serena Agostini)
Diogenio Bigaglia; I Solisti Ambrosiani; Tullia Pedersoli; Claudio Frigerio; Serena Agostini
7:25
1.2
Aure dolci, erbe molli, ameni fiori (feat. Claudio Frigerio, Serena Agostini)
Diogenio Bigaglia; I Solisti Ambrosiani; Tullia Pedersoli; Claudio Frigerio; Serena Agostini
8:41
1.3
Bel piacer d’un amante (feat. Claudio Frigerio, Serena Agostini)
Diogenio Bigaglia; I Solisti Ambrosiani; Tullia Pedersoli; Claudio Frigerio; Serena Agostini
8:11
1.4
Dove vai mio ben crudele (feat. Claudio Frigerio, Serena Agostini)
Diogenio Bigaglia; I Solisti Ambrosiani; Tullia Pedersoli; Claudio Frigerio; Serena Agostini
7:19
1.5
Ecco perfida Irene (feat. Claudio Frigerio, Serena Agostini)
Diogenio Bigaglia; I Solisti Ambrosiani; Tullia Pedersoli; Claudio Frigerio; Serena Agostini
7:41
1.6
Erano ancor immote (feat. Claudio Frigerio, Serena Agostini)
Diogenio Bigaglia; I Solisti Ambrosiani; Tullia Pedersoli; Claudio Frigerio; Serena Agostini
8:56
1.7
Filli, che vedo o cieli (feat. Claudio Frigerio, Serena Agostini)
Diogenio Bigaglia; I Solisti Ambrosiani; Tullia Pedersoli; Claudio Frigerio; Serena Agostini
6:45
1.8
Gran crudeltà di stella (feat. Serena Agostini, Claudio Frigerio)
Diogenio Bigaglia; I Solisti Ambrosiani; Serena Agostini; Tullia Pedersoli; Claudio Frigerio
6:38
1.9
Non lasciarmi o bella speme (feat. Claudio Frigerio, Serena Agostini)
Diogenio Bigaglia; I Solisti Ambrosiani; Tullia Pedersoli; Claudio Frigerio; Serena Agostini
6:31
Digital Booklet
Diogenio Bigaglia, a composer who at present is unknown to most people, was active in Venice in the first half of the eighteenth century, so he was a contemporary of the much better known Tomaso Albinoni, Alessandro and Benedetto Marcello, and, above all, Antonio Vivaldi, whose work shows several evident– and more or less explicit – references to Bigaglia’s production. So he turns out to be a composer who is worthy of interest not only for the intrinsic musical worth of his works, but also for the influence his activity may have had on musicians with whom we are more familiar; this is why musicologists have recently started showing an increasing interest in him. The selection of cantatas presented here is performed by the voice of soprano Tullia Pedersoli that skillfully interprets the musical ‘affetti’ proposed by the simple and elegant style of the composer, who in some points even seems to have provided some cues to Johann Sebastian Bach that, as known, deeply studied Italian and Venetian. All the cantate are about love, and frequently resort to the literary topoi that are typical of this genre.
96 kHz / 24-bit PCM – Tactus Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-4.99
-6.77 to -3.78
-26.99
-29.48 to -25.37
-23.82
-26.40 to -22.20
14
13 to 16
1
Ah, Santi Numi (feat. Claudio Frigerio, Serena Agostini)
-3.78-25.37-22.215
2
Aure dolci, erbe molli, ameni fiori (feat. Claudio Frigerio, Serena Agostini)
-5.08-27.36-24.215
3
Bel piacer d’un amante (feat. Claudio Frigerio, Serena Agostini)
-6.77-27.60-24.514
4
Dove vai mio ben crudele (feat. Claudio Frigerio, Serena Agostini)
-5.74-28.15-24.914
5
Ecco perfida Irene (feat. Claudio Frigerio, Serena Agostini)
-5.00-29.48-26.416
6
Erano ancor immote (feat. Claudio Frigerio, Serena Agostini)
-3.85-25.70-22.415
7
Filli, che vedo o cieli (feat. Claudio Frigerio, Serena Agostini)
-4.52-26.26-23.113
8
Gran crudeltà di stella (feat. Serena Agostini, Claudio Frigerio)
-5.00-26.64-23.414
9
Non lasciarmi o bella speme (feat. Claudio Frigerio, Serena Agostini)
-5.18-26.40-23.314

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