℗ 2023 Tactus Records
| Released | April 7, 2023 |
| Duration | 1h 19m 01s |
| Record Label | Tactus |
| Catalogue No. | TC690203 |
| Genre | Classical (Baroque) |
Brescianello: Partite e Sinfonie per gallichone solo
Davide Rebuffa
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Praludio
Giuseppe Antonio Brescianello; Davide Rebuffa |
2:01 | |||
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1.2
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Sinphonia i
Giuseppe Antonio Brescianello; Davide Rebuffa |
7:21 | |||
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1.3
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Parthia v
Giuseppe Antonio Brescianello; Davide Rebuffa |
9:26 | |||
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1.4
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Parthia vi
Giuseppe Antonio Brescianello; Davide Rebuffa |
8:48 | |||
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1.5
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Sinphonia vii
Giuseppe Antonio Brescianello; Davide Rebuffa |
8:51 | |||
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1.6
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Sinphonia ix
Giuseppe Antonio Brescianello; Davide Rebuffa |
13:29 | |||
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1.7
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Parthia xi
Giuseppe Antonio Brescianello; Davide Rebuffa |
6:10 | |||
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1.8
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Parthia xii
Giuseppe Antonio Brescianello; Davide Rebuffa |
6:13 | |||
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1.9
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Parthia xv
Giuseppe Antonio Brescianello; Davide Rebuffa |
10:09 | |||
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1.10
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Parthia xvi
Giuseppe Antonio Brescianello; Davide Rebuffa |
6:33 | |||
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Digital Booklet
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Among the entertainments with which the Bavarian nobles of the 18th century occupied their monotonous and idle daily life, in addition to gambling, tobacco smoking and reading, the mandora and calichon are often mentioned. The latter were lutes, with only 6- (or even 5-) courses of strings, which – being much less demanding than the contemporary German 13-course lute – became among the favourite instruments of the German, Austrian and Bohemian aristocracy, including women, who were generally excluded from professional instrumental music. The larger 8-course calichon, due to its versatility was widely used as a continuo-playing instrument in chamber ensembles and orchestras, especially in monasteries and among the clergy. It is precisely an original gallichone of 1754 the instrument used by the specialist Davide Rebuffa for the performance of the pieces attributed to Giuseppe Antonio Brescianello, probably composed in Stuttgart after 1737 for a member of the family of the Dukes of Württemberg, at the service of which he spent much of his existence.
88.2 kHz / 24-bit PCM – Tactus Studio Masters
Tracks 1-10 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
Tracks 1-10 – 44.1 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.68 -6.68 to -4.94 | -26.09 -27.79 to -24.72 | -23.42 -24.70 to -22.10 | 14 13 to 15 | |
| 1 | Praludio | -6.38 | -27.79 | -24.1 | 14 |
| 2 | Sinphonia i | -5.60 | -25.62 | -23.1 | 14 |
| 3 | Parthia v | -5.34 | -25.94 | -23.5 | 14 |
| 4 | Parthia vi | -5.99 | -27.25 | -24.7 | 15 |
| 5 | Sinphonia vii | -5.43 | -26.10 | -23.5 | 15 |
| 6 | Sinphonia ix | -5.09 | -25.65 | -23.1 | 15 |
| 7 | Parthia xi | -4.94 | -24.72 | -22.1 | 14 |
| 8 | Parthia xii | -5.37 | -25.28 | -22.7 | 14 |
| 9 | Parthia xv | -6.01 | -26.61 | -24.1 | 14 |
| 10 | Parthia xvi | -6.68 | -25.91 | -23.3 | 13 |