℗ 2021 299MUSIC/Recording-Laboratory.
Released | February 10, 2021 |
Duration | 1h 16m 31s |
Record Label | 299 Music |
Catalogue No. | NIKU-9031G |
Genre | Classical |
PICARESQUE - contemporary works for solo cello
Yasuo Maruyama
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Concerto rotondo for cello, live electronics ad libitum
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1.1
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I. Lento con libertà
Giovanni Sollima; Yasuo Maruyama |
4:27 | |||
1.2
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II. Allegro
Giovanni Sollima; Yasuo Maruyama |
4:14 | |||
1.3
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III. Yafù
Giovanni Sollima; Yasuo Maruyama |
4:34 | |||
1.4
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IV. Allegro
Giovanni Sollima; Yasuo Maruyama |
7:51 | |||
Picaresque for solo cello - to Yasuo Maruyama
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1.5
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I. Saheiji
Yoshihisa Hirano; Yasuo Maruyama |
4:58 | |||
1.6
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II. Chokichi
Yoshihisa Hirano; Yasuo Maruyama |
5:12 | |||
1.7
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III. Yotaro
Yoshihisa Hirano; Yasuo Maruyama |
4:03 | |||
Suite for solo cello No.1, Op. 72
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1.8
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Canto primo: Sostenuto e largamente
Benjamin Britten; Yasuo Maruyama |
2:11 | |||
1.9
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I. Fuga: Andante moderato
Benjamin Britten; Yasuo Maruyama |
3:29 | |||
1.10
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II. Lamento: Lento rubato
Benjamin Britten; Yasuo Maruyama |
3:44 | |||
1.11
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Canto secondo: Sostenuto
Benjamin Britten; Yasuo Maruyama |
1:14 | |||
1.12
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III. Serenata: Allegretto: pizzicato
Benjamin Britten; Yasuo Maruyama |
2:06 | |||
1.13
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IV. Marcia: Alla marcia moderato
Benjamin Britten; Yasuo Maruyama |
3:10 | |||
1.14
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Canto terzo: Sostenuto
Benjamin Britten; Yasuo Maruyama |
2:19 | |||
1.15
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V. Bordone: Moderato quasi recitativo
Benjamin Britten; Yasuo Maruyama |
3:01 | |||
1.16
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VI. Moto perpetuo e Canto quarto: Presto
Benjamin Britten; Yasuo Maruyama |
3:10 | |||
Far from Home for solo cello
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1.17
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N. Far from Home for solo cello
Narong Prangcharoen; Yasuo Maruyama |
9:21 | |||
1.18
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Orbit for unaccompanied cello
Philip Glass; Yasuo Maruyama |
7:27 |
Japanese cellist Yasuo Maruyama is attracting attention for his unique character in the world of classical music. His latest work is this "PICARESQUE - contemporary works for solo cello". Giovanni Sollima's "Concerto rotondo for cello, live electronics ad libitum", Yoshihisa Hirano's solo dance music "Picaresque for solo cello", and Narong Prangcharoen's "Far from Home" inspired by traditional Thai music. This album is full of Maruyama's unconventional techniques and expressiveness.
96 kHz / 24-bit PCM – 299 Music Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.89 -8.21 to -0.23 | -22.04 -26.12 to -18.79 | -18.61 -22.80 to -15.70 | 12 10 to 15 | |
1 | I. Lento con libertà | -5.58 | -21.45 | -18.9 | 10 |
2 | II. Allegro | -0.23 | -19.28 | -15.9 | 13 |
3 | III. Yafù | -0.48 | -22.99 | -20.1 | 15 |
4 | IV. Allegro | 0.00 | -22.60 | -17.2 | 14 |
5 | I. Saheiji | -1.06 | -18.93 | -15.9 | 12 |
6 | II. Chokichi | -0.82 | -22.99 | -18.7 | 13 |
7 | III. Yotaro | 0.00 | -18.79 | -15.7 | 13 |
8 | Canto primo: Sostenuto e largamente | -3.54 | -20.94 | -17.4 | 11 |
9 | I. Fuga: Andante moderato | -2.36 | -20.87 | -18.1 | 12 |
10 | II. Lamento: Lento rubato | -5.49 | -24.92 | -21.4 | 11 |
11 | Canto secondo: Sostenuto | -8.21 | -25.41 | -22.3 | 10 |
12 | III. Serenata: Allegretto: pizzicato | -0.53 | -23.89 | -20.7 | 15 |
13 | IV. Marcia: Alla marcia moderato | -0.83 | -21.95 | -18.0 | 13 |
14 | Canto terzo: Sostenuto | -5.18 | -21.88 | -18.9 | 10 |
15 | V. Bordone: Moderato quasi recitativo | -2.59 | -26.12 | -22.8 | 14 |
16 | VI. Moto perpetuo e Canto quarto: Presto | -2.00 | -19.37 | -16.1 | 11 |
17 | N. Far from Home for solo cello | 0.00 | -22.41 | -17.6 | 15 |
18 | Orbit for unaccompanied cello | -4.37 | -21.95 | -19.3 | 10 |